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Mwalim DaPhunkee Professor

Birth Place: Bronx, NY

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BIO

Mwalim (Morgan James Peters, MS, MFA) a.k.a., ‘DaPhunkee Professor’ is an internationally recognized educator, performing artist, writer and Black Arts Scholar. He is considered -internationally- by critics and peers alike to be one of the contemporary masters of the oral tradition. A multi-award-winning theater and spoken-word artist, his work as a storyteller, playwright and spoken-word artist have been presented throughout the USA and Canada as well as the UK and the Caribbean. He is the author of one book, A Mixed Medicine Bag (Talking Drum Press, 2007) as well as many plays and contributions to numerous edited volumes of creative and scholarly writings. Mwalim is a tenured professor of English and the former Director of Black Studies at UMass Dartmouth, where he teaches courses in creative writing, literary and cinema studies, media production, and oral traditions.

His award-winning plays include: "The Barber of Seville Street" (1994); "OUT! By The Roots!!!" (1997); "OM! A Street Corner Griot's Comedy" (2000); "Working Things Out" (2003); "Meanwhile Elsewhere" (2005); "Seek & Ye Shall Find" (2008); "Knock & It Shall Open" (2010); "WETU In The City" (2012); "Ask & It Shall Be Given" (2014); "Legacy" (2016); "This House" (2018).

As a musician he has won numerous awards, grants and fellowships for his work as a pianist, composer, singer, arranger and producer. His albums “The Liberation Sessions” (2010), “DEEP Soul Chants & Hollers” (2012), and “Awakened By A Noon Day Sun” (2014) all received Urban Music Awards in “Best Male Jazz” (2010, 2012, 2014), Silver Arrow Awards for “Jazz” and “Instrumental” (2013, 2014, 2015) and multiple top nominations in the Native American Music Awards. He is currently the keyboardist, singer and resident songwriter for The GroovaLottos who received 4 Grammy nominations in Pop and R&B for the album “Ask Yo’ Mama” (2017).

News


Mwalim DaPhunkee Professor to Bring THUNDERCHILD Tour to Verbalization

Experience a night of soulful grooves and electrifying blues as Mwalim DaPhunkee Professor brings his critically acclaimed THUNDERCHILD tour to Verbalization 'Poetry 4 The People' at Hibernian Hall. Learn more and see how to attend.
2nd Thursday Blues Jam Sessions Held as Mwalim Daphunkee Professor's THUNDERCHILD Tour Continues

2nd Thursday Blues is a monthly jam session hosted by the Oversoul Theatre Collective at the Underground Railroad Cafe in New Bedford, providing a vibrant, workshop-styled environment for blues, soul, and jazz musicians to collaborate and hone their craft.
Oversoul Theatre Collective Will Host New Monthly Arts and Music Series at Underground Railroad Cafe

The Oversoul Theatre Collective (OTC) has announced its new partnership and residency at the Underground Railroad Cafe on Acushnet Avenue. This collaboration brings a vibrant array of monthly events to the New Bedford community, including music, poetry, and civic dialogues, all offered free to the public with a suggested donation of $5.
Poly-Groove Records and Oversoul Theatre Collective Bring Community Album Listening Parties to Cape Cod and New Bedford

In a new collaboration, Poly-Groove Records and Oversoul Theatre Collective will revolutionize the music scene on Cape Cod and in New Bedford with their innovative approach to album releases.
The THUMP & SOUL SESSION is Coming to New Bedford, Celebrating Underground Dance Genres

Experience an immersive sonic journey with the THUMP & SOUL SESSION, a monthly event celebrating diverse underground dance genres. Learn how to purchase tickets.
Mwalim DaPhunkee Professor Releases New Single 'A Party at the Crossroads'

Mwalim DaPhunkee Professor takes listeners on a musical journey with 'A Party at the Crossroads', offering a culturally accurate account of who one would meet at the crossroads according to West African lore.
Mwalim DaPhunkee Professor Releases 'Always Right There' From Forthcoming Album THUNDERCHILD

Discover Mwalim DaPhunkee Professor's latest single, 'Always Right There,' from his upcoming album 'Thunderchild.' Explore the craft of songwriting and groove to the infectious love song that captures the attention of both men and women. Learn about Mwalim's musical journey and his family's influential roots from the Brill Building.
The GroovaLottos Return With MAMA'S HAMPER - Pure Phunk

If your band had a Saturday morning cartoon, what would the theme song be? If you were present for a bar-fight, what would be playing in the background? Can you describe your band's show in six words? How do you describe your relationship with your soulmate?
MWALIM to Release PARADISE Over PEACE

Multi-disciplinary artist, MWALIM DaPhunkee Professor, shifts from his role as playwright and spokenword artist, back into musician/composer/singer/producer with the release of 'PARADISE over PEACE' a jazzy-soul-pop kinda groove featuring afro-cuban jazz drumming by The ZYG 808.
The GroovaLottos to Perform at Payomet Arts Center

Multi-Grammy nominated ensemble, The GroovaLottos will bring their brand of soul-funk to the Payomet Arts Center on June 19th, at 7pm. Tickets are $20 general and $17 for members.
The ZYG 808 Releases 'Real Emcees' Single

REAL EMCEES is the latest single from The ZYG 808's forthcoming mixtape, 'BEAT LOUNGE NOTES', joining 'Glory of History' and 'PIONEERS' as the hip-hop branch of the Southcoast Thump & Soul movement gains momentum.
The GroovaLottos & Soul Poet's Syndicates Receive Native American Music Awards Nominations

Tuesday night the Native American Music Association announced to top nominees for the 2018 Native American Music Awards and once again, Liberation Multimedia recording artists are on the ticket!
The GroovaLottos Will Play SOB's This Labor Day Weekend

Grammy Nominated soul band, The GroovaLottos will be playing at SOB's on September 1st. Almost as impressive as their live show are the musician's foundations as backing players for the who's who of classic and contemporary soul music.
Surviving That First Gig: A Chat With The GroovaLottos About Their First Show

'We had been jamming in the carriage house for almost two years and sounded pretty good,' recalls Mwalim DaPhunkee Professor, 'I had brought in a digital recorder and we even made a demo of about 4 or five songs.' 'The only thing,' added Eddie Ray Johnson, 'was that all we knew were about 4 or five songs... completely. We also knew a couple of Mwalim's originals; but otherwise, we barely had a complete set. The next rehearsal, Mwalim casually mentions that we had two gigs coming up, both on the same day.'

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