Razor-Sharp Satire WELCOME TO BRAGGSVILLE Comes to Book-It
Book-It presents a darkly funny, world-premiere adaptation of Welcome to Braggsville by T. Geronimo Johnson. When good ol' boy D'aron Davenport lets it slip that his hometown in Georgia hosts an annual Civil War reenactment, his new friends at UC Berkeley plan to stage a protest in the form of a "performative intervention." Armed with youthful exuberance and misguided ideas of the South, the intervention goes badly awry.
Meet the New World, Same as the Old World WELCOME TO BRAGGSVILLE
To close out their 27th season, Book-It presents a darkly funny, world-premiere adaptation of Welcome to Braggsville, a novel by T. Geronimo Johnson. When good ol' boy D'aron Davenport lets it slip that his hometown in Georgia hosts an annual Civil War reenactment, his new friends at UC Berkeley plan to stage a protest in the form of a "performative intervention." Armed with youthful exuberance and misguided ideas of the South, the intervention has devastating consequences.
Welcome to The Hummingbird! Meet the Full Cast of AIRLINE HIGHWAY, Opening Tonight on Broadway
Manhattan Theatre Club's presentation of Steppenwolf Theatre Company's production of Airline Highway, the new play by Pulitzer Prize finalist Lisa D'Amour (Detroit), directed by two-time Tony Award winner Joe Mantello (Casa Valentina, Take Me Out), opens tonight, April 23 at MTC's Samuel J. Friedman Theatre (261 West 47th Street). Scroll down to learn more about the company and watch interviews with the cast!
BWW Reviews: BLACK AT THE ASSASSINATION Deserves A+ for Compelling History Lesson
Directed by Becki McDonald, who makes some excellent directing choices with her large cast of fifteen adult and children actors by combining brief oratory, traditional dialogue, and injecting cast members into the audience to DRAW viewers dead smack into the action. This created a theater experience that is equally educational, entertaining, and thought-provoking. Use of mixed media was also a component but the limitations of the performance space really hampered full immersion into the subject matter created by Robertson and Spencer in their script.