BWW Review: THE MANOR Brings a True Tale of Family Wealth and Woe Inside Greystone Mansion in Beverly Hills
Now celebrating its 18th year, the annual production of THE MANOR has become a Los Angeles/Beverly Hills institution with several performances selling out even before tickets go on sale to the public. Its popularity, no doubt, is due to the scandalous true story as told by the talented actors who each inhabit their characters to a tee, costumed to time-period perfection, as well as the chance to be inside the grand and glorious architectural landmark in which the events of 91 years ago actually took place, performed in two acts taking place 10 years apart. The names of all characters in the tragic Doheny family saga have been changed, of course, a?oeto protect the guiltya?? as we are told before the play begins by the mansion's loyal butler, James, portrayed this year by David Hunt Stafford who also produces the show for Theatre 40 in association with The City of Beverly Hills.
Review: THE MANOR Brings a True and Tragic Tale to Greystone Mansion in Beverly Hills
Every January I look forward to attending THE MANOR by Katherine Bates, presented by Theatre 40 inside the historic Greystone Mansion in Beverly Hills where the story upon which it is based actually took place. Now celebrating its 17th year, the annual production has become a Los Angeles/Beverly Hills institution with several performances selling out even before tickets go on sale to the public. Its popularity, no doubt, is due to the scandalous true story as told by the talented actors, costumed to time-period perfection, as well as the chance to be inside the grand and glorious architectural landmark in which the events of 90 years ago actually took place, performed in two acts taking place 10 years apart. The names of all characters in the Doheny saga have been changed, of course, "to protect the guilty" as we are told before the play begins by the mansion's loyal butler, James (Daniel Lench who has masterfully played the part for 6 years).
Final Chance to Vote for the BWW Los Angeles Awards!
It's the last week to vote for the 2018 BroadwayWorld Los Angeles Awards, brought to you by BroadwayHD! Readers are already setting records as they vote for their favorites. Regional productions, touring shows, and more are all included in the awards, honoring productions which opened between October 1, 2017 through September 30, 2018. Our local editors set the categories, our readers submitted their nominees, and now you get to vote for your favorites! Voting will continue through December 31st, 2018.
Just Two Weeks Left To Vote for the 2018 BWW Los Angeles Awards!
There's just two weeks left to vote for the 2018 BroadwayWorld Los Angeles Awards, brought to you by BroadwayHD! Readers are already setting records as they vote for their favorites. Regional productions, touring shows, and more are all included in the awards, honoring productions which opened between October 1, 2017 through September 30, 2018. Our local editors set the categories, our readers submitted their nominees, and now you get to vote for your favorites! Voting will continue through December 31st, 2018.
Three Weeks Left To Vote For the BWW Los Angeles Awards!
There's just two weeks left to vote for the 2018 BroadwayWorld Los Angeles Awards, brought to you by BroadwayHD! Readers are already setting records as they vote for their favorites. Regional productions, touring shows, and more are all included in the awards, honoring productions which opened between October 1, 2017 through September 30, 2018. Our local editors set the categories, our readers submitted their nominees, and now you get to vote for your favorites! Voting will continue through December 31st, 2018.
Vote For The 2018 BWW Los Angeles Awards; WAITRESS Leads Best Musical Tour!
There's just one month left to vote for the 2018 BroadwayWorld Los Angeles Awards, brought to you by BroadwayHD! Readers are already setting records as they vote for their favorites. Regional productions, touring shows, and more are all included in the awards, honoring productions which opened between October 1, 2017 through September 30, 2018. Our local editors set the categories, our readers submitted their nominees, and now you get to vote for your favorites! Voting will continue through December 31st, 2018.
BWW Review: Arthur Miller's ALL MY SONS Is Still A Timeless Piece of American Theater
What sounded like a gramophone played Christmas Island as the audience shuffled inside the second-story stage of the Lonny Chapman Theatre. Wind-blown debris and leaves adorned the entire stage and a tree snapped in half sat upstage. Patio furniture, newspapers and pipes helped set the scene of the Keller Family's backyard in August 1947. This was Arthur Miller's ALL MY SONS.
Photo Flash: ALL MY SONS Comes to Group Rep This Summer
The Group Rep presents Arthur Miller's 1947 award-winning American drama ALL MY SONS, directed by Linda Alznauer, produced by Diane Frank and Linda Alznauer for the Group Rep. How far would a man go to protect his family, his interests, and his legacy? Re-visit this exquisitely written, post-war play depicting the tragic downfall of an American family caught in a web of lies, greed, love, and loss, and asking its audience examine their own social responsibilities to all the sons of American wars. ALL MY SONS runs June 30 - August 5 at the Lonny Chapman Theatre, in North Hollywood, CA 91601 (at the edge of the NoHo Arts District).
Review: THE MANOR Returns to Greystone Mansion for its Sixteenth Year
Every January I look forward to attending THE MANOR by Katherine Bates, presented by Theatre 40 inside the historic Greystone Mansion in Beverly Hills where the story upon which it is based actually took place. Now celebrating its 16th year, the annual production has become a Los Angeles/Beverly Hills institution with several performances selling out even before tickets go on sale to the public. Its popularity, no doubt, is due to the talented actors, costumed to time-period perfection, who make up the cast of characters about the oil-rich Doheny family, as well as the chance to be inside the grand and glorious architectural landmark in which the events of 89 years ago actually took place, performed in two acts taking place 10 years apart.
BWW Review: Group rep Presents A MIDSUMMER NIGHT'S DREAM
A Midsummer Night's Dream is a Shakesperean treasure as it unites reality with fantasy in a dreamlike manner that puts audience in a happy mood, perfect for the holidays at hand. Now onstage at Group rep in NoHo, the play is directed by classically trained actor/director Marc Singer, who creates a gratifying production onstage through December 31. This is an ambitious project for Group rep who normally do their best work with Neil
Photo Flash: The Group Rep at Lonny Chapman Theatre Opens A MIDSUMMER NIGHT'S DREAM
The Group Rep presents William Shakespeare's beloved popular comedy A MIDSUMMER NIGHT'S DREAM, directed by Marc Singer, produced by Mannette Antill. This romantic fantasy, set in royal court and enchanted forest, weaves together four plots all joined to the upcoming nuptials of the Duke and his Amazon queen. Under the light of the moon, we're privy to the magical adventures of four young Athenian lovers and six amateur actors, all controlled and manipulated by a warring fairy King and Queen. The play runs November 17 through December 31 at the Lonny Chapman Theatre in North Hollywood at the edge of the NoHo Arts District.
Photo Flash: First Look at The Group Rep's Extended WITNESS FOR THE PROSECUTION
The Group Rep extends their well-received production of Agatha Christie's New York Critic's Circle Award-winning play, Witness for the Prosecution, directed by Jules Aaron and featuring Guest Artist Salome Jens, a mystery about a man on trial for murder whose enigmatic wife is called as a 'witness for the prosecution' whereupon a series of plot twists, deceptions and lies are dramatically uncovered. Scroll down for a first look at the cast in action!
BWW Review: Hysterically Funny BACH AT LEIPZIG at Group rep
Musical geniuses of yesteryear like Vivaldi, Handel, Mozart or Bach ... ah, a chosen few who left an unparalleled legacy...but not without bitter resentment and treachery from rivals, some talented, some not... Remember Amadeus by Peter Schaeffer? Salieri stopped at nothing to thwart Mozart's success. Well, now Itamar Moses pits not one, but seven musicians against one another for the coveted position of choirmaster/organist after Johann Kunau dies literally at the organ at Thomaskirche, Leipzig in 1722. There's a flurry of fanciful farce amongst the competitiveness currently onstage in Moses's Bach at Leipzig at Group rep, directed by the brilliant Calvin Remsberg and boasting a devilishly versatile cast, through May 1.