BWW Blog: Now Is The Time/No Time Like The Present
I've been acting since 1989 - a union member of both major acting unions since the late 1990's/early 2000's. During my career, I've been described as a 'working actor,' an 'actor's actor' and/or 'a blue collar actor.' There have been times where even though I have called myself, with outward pride, an actor; internally, I've felt lacking. I never went to a four-year acting program. I actually started out as a visual artist, attending art school after high school. But even as a child in North Carolina, I'd strike poses in my bedroom mirror, as if I was appearing in the opening credits of shows like 'Hawaii Five-O,' humming the theme song as I vamped it up. I had the dream, but I honestly didn't even know there was such a thing as an acting school.
LGBTQ+ on TV: ORANGE IS THE NEW BLACK
Happy Pride Month! During the month of June, BroadwayWorld will be bringing you a look back on LGBTQ+ representation in television. We will delve into some of the shows and episodes that broke barriers for the LGBTQ+ community on television! The next show in the series is Orange is the New Black, which was a trailblazing Netflix series.
Park Avenue Armory Announces Partners For 100 Years | 100 Women Commissions Initiative
Park Avenue Armory, with lead partner National Black Theatre, today announced it has invited ten New York City-based cultural institutions to join 100 Years |100 Women, a two-part, multidisciplinary initiative marking the centennial of the ratification of the 19th Amendment. Together, this cohort of institutionsa?"which includes the Apollo Theater; The Juilliard School; La MaMa Experimental Theatre Company; The Laundromat Project; The Metropolitan Museum of Art; Museum of the Moving Image; National Sawdust; New York University (Department of Photography and Imaging, Tisch School of the Arts; Office of Global Inclusion, Diversity and Strategic Innovation; and Institute of African American Affairs & Center for Black Visual Culture); and Urban Bush Womena?"is commissioning one hundred artists who self-identify as women to respond to this significant anniversary.
Play On Shakespeare Announces Actors And Directors For PLAY ON!
Play On Shakespeare today announces an expansive list of compelling actors and dynamic directors confirmed to participate in the Play on! Festival, presented in association with Classic Stage Company (CSC) and Oregon Shakespeare Festival (OSF). Play on! features 39 readings of new, work-in-progress translations of Shakespeare's plays into contemporary modern English by some of today's most exciting playwrights-May 29-June 30 at the Lynn F. Angelson Theater at CSC (136 E. 13th Street). In 2015, Oregon Shakespeare Festival launched an ambitious 39-play, three-year commissioning project, Play on!, tasking 36 playwrights-more than half of whom were women and playwrights of color, each paired with a dramaturg-to translate Shakespeare's canon in celebration of the enduring impact of the Bard's work. Supported by a generous grant from the Hitz Foundation and inspired by long-time patron Dave Hitz's passion for Shakespeare, the project was and continues to be led by Lue Morgan Douthit. For more information, visit playonfestival.org.
BABETTE'S FEAST Will End Its Off-Broadway Engagement This Sunday
Based on the short story by Isak Dinesen (and made famous by the 1987 Academy Award-winning film), Babette's Feast will play its final performance Sunday May 13th, at the Theatre at Saint Clement's (423 West 46th Street, between Ninth & Tenth Avenues). Babette's Feast will have played 14 previews and 56 regular performances.
New York Premiere Of BABETTE'S FEAST Will Begin An Open-Ended Off-Broadway Engagement
Based on the short story by Isak Dinesen (and made famous by the 1987 Academy Award-winning film), Babette's Feast will begin performances Wednesday March 14th at the Theatre at Saint Clement's (423 West 46th Street, between Ninth & Tenth Avenues) for an open-ended Off-Broadway engagement. Opening Night is set for Sunday March 25th (5pm). The performance runs 90 minutes with no intermission.
BWW Review: Portland Stage's BABETTE'S FEAST Has Contemporary Resonance
Portland Stage has mounted an adaptation of Isak Dinesen's short story Babette's Feast, conceived by Abigail Killeen and written by Rose Courtney, that retains the message of grace and humanity at the core of the tale, while casting the narrative in an entirely different, highly contemporaneous light. Intriguing and sometimes perplexing in its Brechtian staging, this production adheres closely to the Dinesen text and bears little resemblance to the iconic movie of 1987.
Portland Stage Kicks Off 2018 with BABETTE'S FEAST
Portland Stage is pleased to present Babette's Feast, running Jan 23 through Feb 18 on the Mainstage. This production of Babette's Feast was conceived and developed by Portland Stage Affiliate Artist Abigail Killeen in a process that began over a decade ago. The production is made possible by the generous support of Jennifer Carolyn King & Timothy Fredel, the Rugged Elegance Foundation.
Norbert Leo Butz Joins Cast of Midtown Direct Rep Reading of FEAR
Midtown Direct Rep (MDR) is delighted to present its second reading of its 2017-1018 staged reading series, Theater at The Woodland, with a presentation of FEAR, written by Matt Williams and directed by Mark Armstrong. This event will be performed for one night only on Sunday, December 3rd at 7:00pm at The Woodland (60 Woodland Rd. Maplewood, NJ), where MDR is the resident theater company. The reading is $20 (advance purchase), $25 (if purchased at the door) and open to the public. Student/Senior discounts are also available. Tickets can be purchased online through Eventbrite by clicking the link HERE.