Review: Trauma in Two Nights, as SALOME follows TURANDOT to the Analyst's Couch in Vienna
I couldn’t help but wondering whether the scheduling last week of two recent productions at the Vienna State Opera, Claus Guth’s TURANDOT and Cyril Teste’s SALOME, on subsequent nights had anything more than the availability of the stars behind it. After all, both portrayed the title characters as abused women scarred by powerful men—not exactly the business-as-usual for these works by Puccini and Strauss, respectively—in pared-down productions that hearkened to the father of psychoanalysis, Sigmund Freud, as well as to #MeToo.
Photos: First Look at San Francisco Opera's DIALOGUES OF THE CARMELITES
San Francisco Opera has released production photos of Francis Poulenc’s Dialogues of the Carmelties (Dialogues des Carmélites) at the War Memorial Opera House, running October 15–30. Caroline H. Hume Music Director Eun Sun Kim conducts the San Francisco Opera Orchestra, Chorus and soloists in this powerful, 20th-century masterwork in the acclaimed production by French director Olivier Py. Check out the photos here!
San Francisco Opera Presents DIALOGUES OF THE CARMELITES This Month
San Francisco Opera's Centennial Season continues with Francis Poulenc's Dialogues of the Carmelties (Dialogues des Carmélites) at the War Memorial Opera House, October 15–30. Caroline H. Hume Music Director Eun Sun Kim conducts the San Francisco Opera Orchestra, Chorus and soloists in this powerful, 20th-century masterwork in the acclaimed production by French director Olivier Py.
Nina Stemme & Lise Davidsen to Star in Strauss's ELEKTRA at The Met
Elektra unites today’s leading dramatic sopranos: Nina Stemme, who reprises her acclaimed portrayal of the title role, and Lise Davidsen, making her role debut as Elektra’s sister Chrysothemis and appearing in her third Met production this season, following heralded turns in Strauss’s Ariadne auf Naxos and Wagner’s Die Meistersinger von Nürnberg.
VIDEO: Get A First Look At ELEKTRA at The Met Opera
Soprano Nina Stemme brought down the house when she headlined the premiere of visionary director Patrice Chéreau’s 2016 staging of Elektra. Now she returns to Strauss’s unhinged heroine, opposite one of today’s most in-demand artists, soprano Lise Davidsen, as her sister, Chrysothemis. Donald Runnicles is on the podium for one of opera’s most blistering scores, leading a cast that also includes mezzo-soprano Michaela Schuster as Klytämnestra, tenor Stefan Vinke as Aegisth, and bass-baritone Greer Grimsley as Orest.
San Francisco Opera's 2022-23 Centennial Season Announced
As only the third American opera company in history to reach this centennial milestone, the Company’s 2022–23 Season will honor San Francisco Opera’s glorious past while inviting the public into an exciting new era of musical excellence under Kim’s music directorship and a renewed commitment to innovation.
Nicole Braunger to Remain Opera Director at Staatstheater Karlsruhe Until 2024
Nicole Braunger, the first woman opera director at Staatstheater Karlsruhe, will remain with the theater for three more years, until the summer of 2024. 'I am pleased that the theater management has agreed to my wish to stay at this house,' said Braunger in a tweet. 'For me it is an affair of the heart to stay at this house.'
The Met Cancels 2020-21 Opera Season, Announces Premieres for 2021-22
The Metropolitan Opera announced today that the ongoing health crisis has resulted in the cancellation of the entire 2020-21 season, but the company also announced ambitious artistic plans for its 2021-22 season, which will open with the Met premiere of Terence Blanchard's Fire Shut Up in My Bones.
BWW Review: Exciting Goerke and Nezet-Seguin Change Dynamic of Met's ELEKTRA
When Christine Goerke took on the title role in the Met's revival of Richard Strauss's masterwork ELEKTRA--the final work of director Patrice Chereau--she wasn't so much competing with Nina Stemme, who sang the premiere of the production last spring, but with herself. Six months before this version first came to Lincoln Center, Goerke performed the role in concert with the Boston Symphony at Carnegie Hall and blew the roof off. She was a transfixing, sensational presence that you just couldn't keep your eyes off.
Review Roundup: What Did The Critics Think of ELEKTRA at the Met?
Christine Goerke sings her first Elektra at the Met in Patrice Chéreau's landmark production, a sensation at its Met premiere last spring, which the Wall Street Journal called “revolutionary … a triumph on all fronts.” Yannick Nézet-Séguin conducts Strauss's shattering score, a tour de force for the singers and the orchestra alike.
Christine Goerke Stars In First Revival Of Acclaimed Staging Of ELEKTRA, Conducted By Yannick Nezet-Seguin
Christine Goerke, “the reigning Amercian dramatic soprano of the day” (The New York Times), makes her first Met performances in the title role of Richard Strauss's tragedy Elektra at the Met. Yannick Nézet-Séguin conducts Patrice Chéreau's acclaimed staging, with Elza van den Heever as Elektra's sister, Chrysothemis, and Michaela Schuster as her mother, Klytämnestra. Jay Hunter Morris sings the role of Aegisth, Klytämnestra's lover, and Mikhail Petrenko performs as Elektra's long-lost brother Orest. The production runs for six performances from March 1 through March 23, 2018.
Kelli O'Hara, Jonas Kaufmann, Joyce DiDonato Will Highlight Met Opera's 2017-18 Season
The Metropolitan Opera's 2017-18 season will feature 220 performances of 26 works, including two Met premieres, one co-commissioned by the company and one an older masterpiece having its first Met performances; a variety of repertory favorites, three in new productions; and performances of Verdi's towering concert work for soloists, orchestra, and chorus, the Requiem. Of note, Broadway star Kelli O'Hara is set to return to the Met in Così fan tutte this season.