Review: H.M.S. PINAFORE at Winter Opera
It's a splendid production of Gilbert & Sullivan’s 'H.M.S. Pinafore', and it brims with glorious music, wonderful voices, and bright, delightful, timeless comedy.
Review: TRAYF at The New Jewish Theatre is a Delightful Buddy Romp
New Jewish Theatre’s TRAYF is a delight. The remarkable chemistry between Miller and Schmidt is reminiscent of the great comedic acting duos from the buddy comedies of the past. Their contagious energy makes their portrayals of Schulmy and Zalmy endearing and irresistible. The realism that Sparks and his team bring to the production is commendable and creates enjoyable and believable storytelling. TRAYF is a wonderfully warm and winning comedy about friendship, love, and faith.
TRAYF Comes to New Jewish Theatre Next Month
New Jewish Theatre will present Trayf by Lindsay Joelle. Running Thursday, September 12 through Sunday, September 29, performances will take place in the J’s Wool Studio Theatre. Trayf had its World Premiere at Theatre J in in Washington D.C. in 2018, and this is its first production in St. Louis.
Review: WE ALL FALL DOWN at The New Jewish Theatre
The Stein family has gathered to celebrate the Passover Seder for the first time. Linda, the controlling family matriarch, insisted that all the members of her family gather for the traditional celebration that has been anything but a tradition for their non-practicing secular family.
Review: NAUGHTY MARIETTA at Kirkwood Performing Arts Center
Winter Opera continues it’s seventeenth season with another iconic operetta—Victor Herbert’s Naughty Marietta. This lovely old show premiered in 1910. It was produced by the first Oscar Hammerstein (the grandfather of you-know-who). In 1935 a movie version was made—with Jeanette MacDonald and Nelson Eddy.
Review: MANON LESCAUT at Winter Opera
Gina Galati’s wonderful Winter Opera company continues its 17th season with Puccini’s Manon Lescaut. This work, which opened in 1893, was Puccini’s first great hit. It was rather daring of Puccini to present this piece, based as it was on a novel that had already been adapted to opera by two other composers—first by Daniel Aubert (1856), and then in a hugely successful work by Jules Massenet 1884.
Review: DON GIOVANNI at Winter Opera
The wonderful Winter Opera has opened a quite splendid production of what has been called “the opera of all operas”—Mozart’s amazing Don Giovanni.
Review: KING LEAR at Shakespeare Dallas
With temperatures finally dropping, now is the perfect time to go to the Park and see this outstanding cast bring this drama to life with passion and verve. This production is simply too good to miss.
THE IMMIGRANT to Return To New Jewish Theatre Next Month
Written by Mark Harelik and directed by the New Jewish Theatre's very own Rebekah Scallet, The Immigrant tells the true story of Haskell Harelik, the playwright's grandfather, who came to America in 1909 as part of the Galveston Project.
Review: THE DESERT SONG at Winter Opera
A stellar cast brightens a Romberg favorite. Operetta, as a genre, arose in the 1850's and swelled into a widely beloved form of entertainment. In America its chief luminaries were Sigmund Romberg, Victor Herbert, and Rudolf Friml. From the 1920's to the '40's the modern musical gradually drove operettas from the stage (except for the happily undying works of Gilbert & Sullivan). And I miss them! So I greatly approve of Winter Opera's offering us this old piece.