Review: South Coast Repertory Presents LITTLE SHOP OF HORRORS
For SCR's impressive, must-see local revival, the show gets a hyper-hybrid treatment that combines nostalgic elements inspired by the original but infused with 21st-century sass and sensibilities. Alongside its visual splendor, the show also features a superb ensemble cast, resulting in a blissfully-raucous, infectiously smile-inducing production.
CARBONELL AWARDS Issue Revised List of Nominations for 2021-2022 Theatre Season
After announcing this year’s list of Carbonell Award nominations last Friday, the organization quickly realized that clarifications and additions were necessary. This invariably happens with any complicated, first-time process, so the nonprofit organization ordered a recalculation of the scores in all 20 categories.
Review: SWEENEY TODD THE DEMON BARBER OF FLEET STREET at The Muny
The Muny and its casting partners The Telsey Office have assembled a killer cast who deliver Soundheim’s score with razor-sharp vocals. Ben Davis’ (Sweeney Todd) characterization and descent into madness may be the finest acting performance ever to darken The Muny Stage. The only thing more delicious than Mrs. Lovett’s pies is the wicked verbal waltz he and Carmen Cusack (Mrs. Lovett) deliver with ‘A Little Priest’ to end Act 1. Cusack’s Lovett is baked with exceptional charm and wit as she delivers the blackest of comedy. Riley Noland’s (Johanna) operatic soprano and Jake Boyd’s (Anthony Hope) silky tenor pair pleasingly. The ensemble’s robust presence, serving as a Greek chorus to drive the narrative, is felt every time they take the stage. The chorus’ dark and brooding presence opens the production with ‘The Ballad of Sweeney Todd’ and drags you into this grim tale of murderous madness.