Review: South Coast Repertory Presents LITTLE SHOP OF HORRORS
by Michael Quintos - Oct 4, 2024
For SCR's impressive, must-see local revival, the show gets a hyper-hybrid treatment that combines nostalgic elements inspired by the original but infused with 21st-century sass and sensibilities. Alongside its visual splendor, the show also features a superb ensemble cast, resulting in a blissfully-raucous, infectiously smile-inducing production.
Video: Watch a Preview of LITTLE SHOP OF HORRORS at South Coast Repertory
by Michael Major - Oct 4, 2024
Watch a first look at Little Shop of Horrors at South Coast Repertory! The new video montage features a look at various scenes and musical numbers from the production, set to the title song and 'Suddenly Seymour' sung by the cast. Watch the video of the new production now!
Photos: LITTLE SHOP OF HORRORS at South Coast Repertory
by Blair Ingenthron - Sep 28, 2024
South Coast Repertory opens its 2024-25 season with the musical creature feature Little Shop of Horrors, Directed by Jenn Thompson, the cult classic runs through Oct. 20 on the Segerstrom Stage. Check out photos here!
CARBONELL AWARDS Issue Revised List of Nominations for 2021-2022 Theatre Season
by Stephi Wild - Oct 11, 2022
After announcing this year’s list of Carbonell Award nominations last Friday, the organization quickly realized that clarifications and additions were necessary. This invariably happens with any complicated, first-time process, so the nonprofit organization ordered a recalculation of the scores in all 20 categories.
Review: SWEENEY TODD THE DEMON BARBER OF FLEET STREET at The Muny
by James Lindhorst - Jul 18, 2022
The Muny and its casting partners The Telsey Office have assembled a killer cast who deliver Soundheim’s score with razor-sharp vocals. Ben Davis’ (Sweeney Todd) characterization and descent into madness may be the finest acting performance ever to darken The Muny Stage. The only thing more delicious than Mrs. Lovett’s pies is the wicked verbal waltz he and Carmen Cusack (Mrs. Lovett) deliver with ‘A Little Priest’ to end Act 1. Cusack’s Lovett is baked with exceptional charm and wit as she delivers the blackest of comedy. Riley Noland’s (Johanna) operatic soprano and Jake Boyd’s (Anthony Hope) silky tenor pair pleasingly. The ensemble’s robust presence, serving as a Greek chorus to drive the narrative, is felt every time they take the stage. The chorus’ dark and brooding presence opens the production with ‘The Ballad of Sweeney Todd’ and drags you into this grim tale of murderous madness.