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Michael Mendiola

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BIO

Michael Mendiola is an American playwright, writer and actor. As a playwright, Mike recently completed his first full-length play, The Book of Dorothy, based on the real life events of activist, Sister Dorothy Stang. He penned script revisions for the Off-Off Broadway production of The Ketchup Commercial and is currently working on the plays 360º and The Future's So Bright. Other projects include co-writing the novel and webisodes for Velvet Moon Chronicles (www.VelvetMoonChronicles.com).

Prior to writing, Mike was an actor whose New York credits include After the Fair (York Theatre), The Time of Your Life and Spokesong-The Common Wheel (Storm Theatre), Anne of Green Gables (Theatreworks, Lucille Lortel), City of Dreams (Youngblood), Foxy and That’s the Ticket (Musicals Tonight!). Boston credits include Floyd Collins, Company, Bat Boy the Musical, Caroline or Change, and William Finn’s Elegies all for the SpeakEasy Stage Company. Other regional credits include lead roles in Follies, It’s a Wonderful Life, She Loves Me, Carnival, Brigadoon, Jesus Christ Superstar, Children of Eden, and The Secret Garden. Member of AEA since 1998.

STAGE CREDITS

[Off-Broadway]
Musicals Tonight! Concert, 2002
Performer

[Off-Broadway]
Musicals Tonight! Concert, 2000
Other Roles


News


BWW REVIEWS: DISGRACED and VIOLET Kick Off 2016 Strongly in Boston

DISGRACED and VIOLET heat up the winter with power and grace as the Huntington Theatre Company and SpeakEasy Stage enter the second half of their 2015-2016 seasons with winners.
SpeakEasy Stage to Present VIOLET; Performances Begin in January

From January 9 to February 6, 2016, SpeakEasy Stage Company will proudly present the New England Premiere of the recent Broadway version of the acclaimed musical VIOLET. 
BWW Reviews: FOLLIES FROM Showtunes at the Moore

Showtunes Theatre Company presented their first concert production in their new home at Seattle's Moore Theatre with the seldom produced, "Follies" from Stephen Sondheim. But then, that's what Showtunes does and does well. Take musical theater gems that for one reason or another don't see as much action as they should, and put on wonderful staged concerts of them. And their outing with "Follies" was no exception.
Showtunes Theatre Co Presents FOLLIES 6/5, 6/6

Showtunes Theatre Company, in partnership with Broadway Across America-Seattle and Seattle Theatre Group, is proud to announce its first concert production at their new home of The Moore Theatre - the legendary Sondheim/Goldman musical, Follies.
Showtunes Theatre Co Presents FOLLIES 6/5, 6/6

Showtunes Theatre Company, in partnership with Broadway Across America-Seattle and Seattle Theatre Group, is proud to announce its first concert production at their new home of The Moore Theatre - the legendary Sondheim/Goldman musical, Follies.
Showtunes Theatre Co Presents FOLLIES 6/5, 6/6

Showtunes Theatre Company, in partnership with Broadway Across America-Seattle and Seattle Theatre Group, is proud to announce its first concert production at their new home of The Moore Theatre - the legendary Sondheim/Goldman musical, Follies.
A Dickens of a Season, Scrooged or Not

Whether you like your theatrical holiday fare to wax nostalgic or break with traditional sentiment, you're bound to find something in the Boston area to brighten your days now that the Winter Solstice is upon us.
Dozens of Stars Participate in 19th NAMT New Musicals Fest

The National Alliance for Musical Theatre (NAMT) and Executive Director Kathy Evans announced the casts and directors of the eight musicals for its 19th Annual Festival of New Musicals to be held at New World Stages (340 West 50th St between 8th and 9th Avenues) on Sunday, October 7 and Monday, October 8, 2007.
Anne of Green Gables

Lucy Maud Montgomery's classic heroine gets new life in this musical adaptation of the popular children's novel.
Heather MacRae to Star in Anne of Green Gables Musical

Heather MacRae will headline the cast of TheatreworksUSA's Anne of Green Gables.
'Caroline, or Change' Comes Up a Dollar Short

SpeakEasy Stage production of Kushner and Tesori's ambitious musical treatise of race, class and politics in the early 1960s is less than revolutionary

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