EUGENE ONEGIN Comes Home To The COC
by Stephi Wild - Mar 7, 2025
Eugene Onegin runs for seven performances at the Four Seasons Centre for the Performing Arts in May. Learn more about the upcoming event and how to get tickets here!
Review: JEN�®FA, Royal Ballet And Opera
by Alexander Cohen - Jan 16, 2025
It’s a mistake to dismiss Claus Guth’s production of Janacek’s Jenůfa as symbolically overwrought and interminably grey. Look closer and you’ll discover a duality to each beguiling appearance.
Review: Dizzying Night at the Met with Grigorian's Splendiferous BUTTERFLY in House Debut
by Richard Sasanow - Apr 29, 2024
Those of us who keep an eye on the comings and goings of singers at major opera houses around the world, have known that Friday’s debutant, Lithuanian soprano Asmik Grigorian, was going to be one to watch. And it was. No worries about whether her voice would translate from Europe’s smaller houses to the Met’s enormous hall: Grigorian may have been singing Puccini’s Cio-Cio-San/Madama Butterfly this time around, but she’s a well-schooled Lady Macbeth and Turandot as well, bringing a notably large voice with her. She survived the Met’s notoriously short rehearsal time for revivals (particularly for the second cast of the season). Lastly, she even made it through the final curveball, when tenor Jonathan Tetelman became ill and standby Chad Shelton had to take over as Pinkerton; he did well considering the circumstances, but he was no match for her.
Review: THE FLYING DUTCHMAN, Royal Opera House
by Michael Higgs - Mar 1, 2024
Albery’s revival of his Flying Dutchman simply works: with a great cast and a smooth atmosphere created by a dreamlike ship-inspired set, it all builds towards a Gesamtkunstwerk that Wagner might have enjoyed himself. A great success, all around.