Review: LEROY AND LUCY at Steppenwolf Theatre Company
In Ngozi Anyanwu’s LEROY AND LUCY, two strangers meet at a crossroads in Mississippi...and not much happens. Based upon the myth of Robert Johnson, who supposedly sold his soul to the devil to make it as a blues musician, the play finds Leroy (Jon Michael Hill) and Lucy (Brittany Bradford) in a liminal space. And that’s precisely the challenge of this play: Anyanwu’s characters don’t know each other and literally exist on Andrew Boyce’s empty (but pretty) set. It’s a tall order to create high stakes when characters are unknown to each other, and unfortunately, Anyanwu’s play isn’t dynamic enough to sustain its 90-minute run time.
Review: PURPOSE at Steppenwolf Theatre Company
Branden Jacobs-Jenkins has set the table for one hell of a family dinner in PURPOSE. Directed by Phylicia Rashad in a world premiere for Steppenwolf, this family drama keenly focuses on the privileged Jasper family, whose patriarch is a Civil Rights icon. The first act moves at a brilliant clip with lots of darkly funny moments during a contentious family drama, then unspools into a more serious and somber contemplation of the skeletons in the family’s closet in the second.