Irish Repertory Theatre to Stage New York Premiere of BELFAST GIRLS
Today, the Irish Repertory Theatre (Charlotte Moore, Artistic Director and Ciarán O’Reilly, Producing Director) announced two productions for their Spring 2022 season. The New York Premiere of Belfast Girls by Jaki McCarrick (The Naturalists) and directed by Nicola Murphy (A Girl Is A Half-formed Thing) will run May 11-June 26, 2022 on the Francis J. Greenburger Mainstage, with an opening night set for May 19, 2022. Two by Synge, by John Millington Synge and directed by Charlotte Moore (The Streets of New York), will run April 13-May 22, 2022 on the W. Scott McLucas Studio Stage, with an opening night set for April 24, 2022.
BWW Review: Vagabond Players' CONSTELLATIONS Has Its Cake and Eats It Too
Playwright Payne's evident intent here was to illustrate the fullest range of things that can happen when Boy Meets Girl. Boy and Girl here are, respectively, a Wiltshire beekeeper named Roland (Christian Smith) and a University of Sussex cosmologist named Marianne (Ryan Gunning). We are plunged right into the multifariousness of possibilities as they first encounter each other at a party. Each version of the encounter starts approximately the same way, with Marianne venturing a pickup line about the impossibility of licking one's elbows. But in the first, he is not available, because he is still sorting himself out after a recently ended relationship. In the second, he is married. In the next universe, other facts are different, but he is again married. Only on the fourth a?oeGroundhog Daya?? variation do the variables permit them to proceed. And then we follow them in similar fashion through differently realized smorgasbords of first dates, him proposing, her cheating, him cheating, them breaking up, them encountering each other in a post-breakup context, etc.
BWW Review: UNCLE VANYA, Theatre Royal Bath
In his introduction to the play in the programme, David Hare remarks that: a?oeit's not just that Vanya soaks up a bewildering variety of interpretation... it's also, that, in the theatre, it's often hard to discern exactly what it's about.a??
This elusiveness characterises this specially commissioned production at Theatre Royal Bath very well: it's sumptuously staged with some brilliant performances, yet the changes of tone don't quite blend as well as they may.
Photo Flash: First Look at UNCLE VANYA at Theatre Royal Bath
Theatre Royal Bath Productions today releases production images for Uncle Vanya, which sees Rupert Everett direct his first stage play and lead the cast in Chekhov's theatrical masterpiece in a new version by renowned playwright and screenwriter David Hare. The production runs in the Main House until Saturday 3 August with opening night for press now on Tuesday 30 July.
Bristol Old Vic All-Stars Announced As Cast For CYRANO
Bristol Old Vic today announced the full cast for its major autumn production - Cyrano - directed by Tom Morris, in what amounts to a Bristol All-Stars line-up of the theatre's most charismatic actors from some of the best-loved productions of recent years, with six of the seven living in the South West.
Kelli Barrett Joins FOXY at Feinstein's/54 Below
Kelli Barrett, who has appeared on Broadway in Wicked and Gettin' The Band Back Together, and stars as Liza Minnelli in FX's Fosse/Verdon, will be appearing in Johnny Mercer's lost musical FOXY at Feinstein's/54 Below on Tuesday, April 9th at 7:00pm.
Richard Kind, Chip Zien, and More Star in FOXY at 54 Below
FOXY, the 1964 musical based on Ben Johnson's Volpone, with a score by Johnny Mercer and Robert Emmett Dolan and a book by Ian McLellan Hunter and Ring Lardner Jr, will return to New York City with a star-studded Broadway cast at Feinstein's/54 Below on Tuesday, April 9that 7:00pm.
BWW Review: MARY STUART, Duke of York's Theatre
'Heads.' One word, and one coin toss, decides which roles Juliet Stevenson and Lia Williams will play on the night: the titular Mary, or her rival Elizabeth I. Last night Williams took the latter - the company immediately bowing to her. It was a comic moment that underlined a key theme: fortune is fickle, and power is a mirage.