Michael Brusasco
Latest News on Michael Brusasco:
CABARET Comes to PCPA in July and August (Jul 8, 2024)
BWW Review: DEATHTRAP at San Luis Obispo Repertory (Nov 8, 2019)
BWW Review: THE IMPORTANCE OF BEING EARNEST at Solvang Festival Theatre (Sep 5, 2019)
CABARET Comes to PCPA in July and August (Jul 8, 2024)
BWW Review: DEATHTRAP at San Luis Obispo Repertory (Nov 8, 2019)
BWW Review: THE IMPORTANCE OF BEING EARNEST at Solvang Festival Theatre (Sep 5, 2019)
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News
CABARET Comes to PCPA in July and August
PCPA has announced the upcoming production of the classic musical Cabaret. This much-anticipated performance plays at the Marian Theatre from July 18-27, 2024, and at Solvang Festival Theater from August 2-25, 2024.
PCPA has announced the upcoming production of the classic musical Cabaret. This much-anticipated performance plays at the Marian Theatre from July 18-27, 2024, and at Solvang Festival Theater from August 2-25, 2024.
BWW Review: DEATHTRAP at San Luis Obispo Repertory
San Luis Obispo Rep's craftily staged production of Deathtrap, a comedy thriller, delivers on the foreshadowing promise of its opening dialogue: 'One set, five characters. A juicy murder in Act One, unexpected developments in Act Two. Sound construction, good dialogue, laughs in the right places.' Deathtrap's stage action runs like an intricately laid out fox hunt where the audience as the pack of hounds follows continuously forking trails of red herrings. And it's delightful.
San Luis Obispo Rep's craftily staged production of Deathtrap, a comedy thriller, delivers on the foreshadowing promise of its opening dialogue: 'One set, five characters. A juicy murder in Act One, unexpected developments in Act Two. Sound construction, good dialogue, laughs in the right places.' Deathtrap's stage action runs like an intricately laid out fox hunt where the audience as the pack of hounds follows continuously forking trails of red herrings. And it's delightful.
BWW Review: THE IMPORTANCE OF BEING EARNEST at Solvang Festival Theatre
PCPA closes its season with one of the sharpest, funniest, cleverest comedies written in the English language--Oscar Wilde's The Importance of Being Earnest. Fans of this Victorian confection of drawing-room comedy will not be disappointed. A beautiful set, designed by Jason Bolen, and sumptuous Victorian costuming, designed by Sara Curran Ice, transport us to a fashionable London flat and a smart country mansion.
PCPA closes its season with one of the sharpest, funniest, cleverest comedies written in the English language--Oscar Wilde's The Importance of Being Earnest. Fans of this Victorian confection of drawing-room comedy will not be disappointed. A beautiful set, designed by Jason Bolen, and sumptuous Victorian costuming, designed by Sara Curran Ice, transport us to a fashionable London flat and a smart country mansion.
Quintessence Theatre Group Presents JULIUS CAESAR & THE WILD DUCK
Quintessence Theatre Group continues its blockbuster Season VIII with The Power and Idealism Repertory: Shakespeare's JULIUS CAESAR presented in rotating repertory with Henrik Ibsen's THE WILD DUCK. Striving for gender parity, Quintessence welcomes an A-list eleven-actor ensemble composed of Quintessence favorites and Philadelphia's best to explore new adaptations of two timely classics. As America's democracy is being tested, and the #metoo movement is challenging us all to reconsider America's complex history with patriarchy and the assault of women, directors Alexander Burns and Rebecca Wright revive these harrowingly relevant dramatic masterpieces to join in the conversation.
Quintessence Theatre Group continues its blockbuster Season VIII with The Power and Idealism Repertory: Shakespeare's JULIUS CAESAR presented in rotating repertory with Henrik Ibsen's THE WILD DUCK. Striving for gender parity, Quintessence welcomes an A-list eleven-actor ensemble composed of Quintessence favorites and Philadelphia's best to explore new adaptations of two timely classics. As America's democracy is being tested, and the #metoo movement is challenging us all to reconsider America's complex history with patriarchy and the assault of women, directors Alexander Burns and Rebecca Wright revive these harrowingly relevant dramatic masterpieces to join in the conversation.
BWW Review: Thought- Provoking HOW I LEARNED TO DRIVE at Syracuse Stage
Paula Vogel's Pulitzer Prize-winning drama of How I Learned to Drive is currently playing at Syracuse Stage in co-production with the Cleveland Play House. Astutely directed by Cleveland Play House Artistic Director Laura Kepley, this edgy, intermission-less 90-minute production is captivating, deeply thought-provoking, and controversial, and showcases the tremendous talents of the cast.
Paula Vogel's Pulitzer Prize-winning drama of How I Learned to Drive is currently playing at Syracuse Stage in co-production with the Cleveland Play House. Astutely directed by Cleveland Play House Artistic Director Laura Kepley, this edgy, intermission-less 90-minute production is captivating, deeply thought-provoking, and controversial, and showcases the tremendous talents of the cast.
Syracuse Stage presents Pulitzer-Prize Winning Drama HOW I LEARNED TO DRIVE
Come along for the ride as Syracuse Stage presents Paula Vogel's Pulitzer Prize-winning drama How I Learned to Drive.This deeply compassionate play looking into how one woman's courage to face a troubled time in her past leads her to take control of her own life opens April 7 in the Archbold Theatre at the Syracuse Stage/SU Drama Complex, 820 E. Genesee St. There will be two preview performances on Wednesday, April 5, and Thursday, April 6.
Come along for the ride as Syracuse Stage presents Paula Vogel's Pulitzer Prize-winning drama How I Learned to Drive.This deeply compassionate play looking into how one woman's courage to face a troubled time in her past leads her to take control of her own life opens April 7 in the Archbold Theatre at the Syracuse Stage/SU Drama Complex, 820 E. Genesee St. There will be two preview performances on Wednesday, April 5, and Thursday, April 6.
BWW Review: HOW I LEARNED TO DRIVE Makes For a Slow Haunting Trip at Cleveland Play House
The mission of the Cleveland Play House is to produce plays that 'inspire stimulate and entertain.' It further intends to bring bold, necessary, personal stories told in imaginative ways to the public.
The mission of the Cleveland Play House is to produce plays that 'inspire stimulate and entertain.' It further intends to bring bold, necessary, personal stories told in imaginative ways to the public.
Paula Vogel's HOW I LEARNED TO DRIVE Set for Cleveland Play House This March
Cleveland Play House shifts gears from playful (Ken Ludwig's Baskerville: A Sherlock Holmes Mystery) to profound with the Pulitzer Prize-winning play How I Learned to Drive. Written by Paula Vogel - one of the preeminent figures in American theater today - How I Learned to Drive traverses taboo territory with humor, heart, and empathy.
Cleveland Play House shifts gears from playful (Ken Ludwig's Baskerville: A Sherlock Holmes Mystery) to profound with the Pulitzer Prize-winning play How I Learned to Drive. Written by Paula Vogel - one of the preeminent figures in American theater today - How I Learned to Drive traverses taboo territory with humor, heart, and empathy.
Paula Vogel's HOW I LEARNED TO DRIVE Set for Cleveland Play House This March
Cleveland Play House shifts gears from playful (Ken Ludwig's Baskerville: A Sherlock Holmes Mystery) to profound with the Pulitzer Prize-winning play How I Learned to Drive. Written by Paula Vogel - one of the preeminent figures in American theater today - How I Learned to Drive traverses taboo territory with humor, heart, and empathy.
Cleveland Play House shifts gears from playful (Ken Ludwig's Baskerville: A Sherlock Holmes Mystery) to profound with the Pulitzer Prize-winning play How I Learned to Drive. Written by Paula Vogel - one of the preeminent figures in American theater today - How I Learned to Drive traverses taboo territory with humor, heart, and empathy.
Alley Theatre's A CHRISTMAS CAROL Will Return for the Holidays
Alley Theatre Artistic Director Gregory Boyd announces the cast and creative team for the theatre's production of A Christmas Carol - A Ghost Story of Christmas, staged in the newly renovated Hubbard Theatre.
Alley Theatre Artistic Director Gregory Boyd announces the cast and creative team for the theatre's production of A Christmas Carol - A Ghost Story of Christmas, staged in the newly renovated Hubbard Theatre.
Alley Theatre's A CHRISTMAS CAROL Will Return for the Holidays
Alley Theatre Artistic Director Gregory Boyd announces the cast and creative team for the theatre's production of A CHRISTMAS CAROL - A GHOST STORY OF CHRISTMAS, staged in the newly renovated Hubbard Theatre.
Alley Theatre Artistic Director Gregory Boyd announces the cast and creative team for the theatre's production of A CHRISTMAS CAROL - A GHOST STORY OF CHRISTMAS, staged in the newly renovated Hubbard Theatre.
BWW Review: Sassy, Sexy A MIDSUMMER NIGHT'S DREAM Opens the Season at Alley Theatre
It is a genuine pleasure to see such a capable cast going through their paces with verve and a certain aplomb. When an ensemble so obviously enjoy what they are doing, it connects instantly with the audience, and a full house roared and applauded throughout the performance.
It is a genuine pleasure to see such a capable cast going through their paces with verve and a certain aplomb. When an ensemble so obviously enjoy what they are doing, it connects instantly with the audience, and a full house roared and applauded throughout the performance.
Photo Flash: First Look at Alley Theatre's A MIDSUMMER NIGHT'S DREAM
Alley Theatre's Hubbard Theatre season opener, William Shakespeare's A Midsummer Night's Dream is the Alley's 22nd Shakespearean production, celebrating the new stage enhancements with an expansive set, live music and 43 detailed costumes outfitting a full 19-member cast. The production features members of the Resident Acting Company and runs now through November 5. BroadwayWorld has a first look at the cast in action below!
Alley Theatre's Hubbard Theatre season opener, William Shakespeare's A Midsummer Night's Dream is the Alley's 22nd Shakespearean production, celebrating the new stage enhancements with an expansive set, live music and 43 detailed costumes outfitting a full 19-member cast. The production features members of the Resident Acting Company and runs now through November 5. BroadwayWorld has a first look at the cast in action below!
Cast Set for Alley Theatre's 70th Season Opener A MIDSUMMER NIGHT'S DREAM
Gregory Boyd, Artistic Director of the Alley Theatre, has announced the cast and creative team of the Hubbard Theatre season opener, William Shakespeare's A Midsummer Night's Dream.
Gregory Boyd, Artistic Director of the Alley Theatre, has announced the cast and creative team of the Hubbard Theatre season opener, William Shakespeare's A Midsummer Night's Dream.
A MIDSUMMER NIGHT'S DREAM Celebrates Alley Theatre's 70th Season and Shakespeare's 400th Anniversary
Gregory Boyd, Artistic Director of the Alley Theatre, announces the cast and creative team of the Hubbard Theatre season opener, William Shakespeare's A Midsummer Night's Dream. The Alley's 22nd Shakespearean production celebrates the new stage enhancements with an expansive set, live music and 43 detailed costumes outfitting a full 19-member cast. The production features members of the Resident Acting Company and begins October 7 and runs through November 5. Tickets are on sale now and can be purchased at alleytheatre.org or by calling the Box Office at 713.220.5700.
Gregory Boyd, Artistic Director of the Alley Theatre, announces the cast and creative team of the Hubbard Theatre season opener, William Shakespeare's A Midsummer Night's Dream. The Alley's 22nd Shakespearean production celebrates the new stage enhancements with an expansive set, live music and 43 detailed costumes outfitting a full 19-member cast. The production features members of the Resident Acting Company and begins October 7 and runs through November 5. Tickets are on sale now and can be purchased at alleytheatre.org or by calling the Box Office at 713.220.5700.
Cast Set for Alley Theatre's 70th Season Opener A MIDSUMMER NIGHT'S DREAM
Gregory Boyd, Artistic Director of the Alley Theatre, has announced the cast and creative team of the Hubbard Theatre season opener, William Shakespeare's A MIDSUMMER NIGHT'S DREAM.
Gregory Boyd, Artistic Director of the Alley Theatre, has announced the cast and creative team of the Hubbard Theatre season opener, William Shakespeare's A MIDSUMMER NIGHT'S DREAM.
Cast Set for Alley Theatre's 70th Season Opener A MIDSUMMER NIGHT'S DREAM
Gregory Boyd, Artistic Director of the Alley Theatre, has announced the cast and creative team of the Hubbard Theatre season opener, William Shakespeare's A Midsummer Night's Dream.
Gregory Boyd, Artistic Director of the Alley Theatre, has announced the cast and creative team of the Hubbard Theatre season opener, William Shakespeare's A Midsummer Night's Dream.
BWW Review: The Alley Theatre's HAND TO GOD Is Funny (Hand to God)
Laugh out loud, tears-in-your-eyes, dangerously close to wetting your pants funny.
Laugh out loud, tears-in-your-eyes, dangerously close to wetting your pants funny.
Steve Pacek to Star in HAND TO GOD at Alley Theatre; Cast, Creatives Set!
Alley Theatre Artistic Director Gregory Boyd announces the cast and creative team for Robert Askins' Tony-nominated play Hand to God, which opens the 2016-2017 Season on August 19 in the Neuhaus Theatre.
Alley Theatre Artistic Director Gregory Boyd announces the cast and creative team for Robert Askins' Tony-nominated play Hand to God, which opens the 2016-2017 Season on August 19 in the Neuhaus Theatre.
BWW Review: A Tangled Web - SPIDER'S WEB at the Alley Theatre
Summer Chills at the Alley Theatre is all about entertainment. There are no axes to grind; no hidden depths to plumb, which is great, because it's too hot to do much besides sit in air-conditioned comfort and watch other people exert themselves.
Summer Chills at the Alley Theatre is all about entertainment. There are no axes to grind; no hidden depths to plumb, which is great, because it's too hot to do much besides sit in air-conditioned comfort and watch other people exert themselves.
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