Maya Hooks
Latest News on Maya Hooks:
Artists Announced for THE BLACK MONOLOGUES at the 5th Edition of BLACK BEAUTY FESTIVAL: JOY & MAGIC (Mar 25, 2021)
Photo Flash: The Artistic Home presents WEDDING BAND (Oct 31, 2017)
Artists Announced for THE BLACK MONOLOGUES at the 5th Edition of BLACK BEAUTY FESTIVAL: JOY & MAGIC (Mar 25, 2021)
Photo Flash: The Artistic Home presents WEDDING BAND (Oct 31, 2017)
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Artists Announced for THE BLACK MONOLOGUES at the 5th Edition of BLACK BEAUTY FESTIVAL: JOY & MAGIC
Victory Gardens Theater, in partnership with The Black Women’s Expo and Black Owned Chicago, will present the 5th Edition of the Black Beauty Festival, April 10-11, 2021. Black Beauty Festival: Joy & Magic is a free two-day event that uplifts Black-owned businesses while creating conversations around beauty, health, and wellness.
Victory Gardens Theater, in partnership with The Black Women’s Expo and Black Owned Chicago, will present the 5th Edition of the Black Beauty Festival, April 10-11, 2021. Black Beauty Festival: Joy & Magic is a free two-day event that uplifts Black-owned businesses while creating conversations around beauty, health, and wellness.
Photo Flash: The Artistic Home presents WEDDING BAND
The Artistic Home will open its 2017-18 season with a lesser known, but wholly timely piece: WEDDING BAND: A LOVE/HATE STORY IN BLACK AND WHITE, by eminent African-American playwright and author Alice Childress. It opened to the press on Sunday, October 29 and will run through December 17, 2017. Last seen in Chicago in 2003 in a co-production between Steppenwolf and Congo Square Theatre, its first-ever showing here thirty years prior was but one stop in this play's march toward due recognition.
The Artistic Home will open its 2017-18 season with a lesser known, but wholly timely piece: WEDDING BAND: A LOVE/HATE STORY IN BLACK AND WHITE, by eminent African-American playwright and author Alice Childress. It opened to the press on Sunday, October 29 and will run through December 17, 2017. Last seen in Chicago in 2003 in a co-production between Steppenwolf and Congo Square Theatre, its first-ever showing here thirty years prior was but one stop in this play's march toward due recognition.
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