Matthew Day Jackson
Latest News on Matthew Day Jackson:
Baryshnikov Arts Center To Host Annual Fall Fete Oct. 7 (Sep 16, 2019)
Anne Ellegood Named Next Executive Director Of The Institute Of Contemporary Art (Jul 10, 2019)
Hauser & Wirth Announces Portable Art Project, 4/20 (Apr 4, 2017)
Baryshnikov Arts Center To Host Annual Fall Fete Oct. 7 (Sep 16, 2019)
Anne Ellegood Named Next Executive Director Of The Institute Of Contemporary Art (Jul 10, 2019)
Hauser & Wirth Announces Portable Art Project, 4/20 (Apr 4, 2017)
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Baryshnikov Arts Center To Host Annual Fall Fete Oct. 7
Baryshnikov Arts Center (BAC) will host its annual benefit to support BAC's programs on Monday, October 7, 2019, in the Jerome Robbins Theater and Howard Gilman Performance Space (450 West 37th Street, Manhattan).
Baryshnikov Arts Center (BAC) will host its annual benefit to support BAC's programs on Monday, October 7, 2019, in the Jerome Robbins Theater and Howard Gilman Performance Space (450 West 37th Street, Manhattan).
Anne Ellegood Named Next Executive Director Of The Institute Of Contemporary Art
The Board of Directors of the Institute of Contemporary Art, Los Angeles announced today the appointment of Anne Ellegood as the museum's next executive director. Ellegood is currently the senior curator at the Hammer Museum. She succeeds Elsa Longhauser, who is stepping down from her position after 19 years of leadership and notably oversaw the museum's transformation from the Santa Monica Museum of Art (SMMoA) into the Institute of Contemporary Art, Los Angeles (ICA LA). Ellegood will assume her new role on September 16, 2019.
The Board of Directors of the Institute of Contemporary Art, Los Angeles announced today the appointment of Anne Ellegood as the museum's next executive director. Ellegood is currently the senior curator at the Hammer Museum. She succeeds Elsa Longhauser, who is stepping down from her position after 19 years of leadership and notably oversaw the museum's transformation from the Santa Monica Museum of Art (SMMoA) into the Institute of Contemporary Art, Los Angeles (ICA LA). Ellegood will assume her new role on September 16, 2019.
Hauser & Wirth Announces Portable Art Project, 4/20
On 20 April 2017, Hauser & Wirth will debut its Portable Art Project with an exhibition of wearable objects commissioned from fifteen artists -- works that exist somewhere between sculpture and bodily adornment. Organized by Celia Forner, who collaborated closely with the artists, the Portable Art Project includes unique pieces as well as editioned series, crafted from an array of materials ranging from traditional gold and silver with precious and semi-precious gems, to enamel, aluminum, bronze, and iron. The initiative began with an invitation to Louise Bourgeois, who in 2008 conceived different rope-like precious metal cuffs. In the years since Bourgeois designed these first contributions, the Portable Art Project has evolved to include John Baldessari, Phyllida Barlow, Stefan Brüggemann, Subodh Gupta, Mary Heilmann, Andy Hope 1930, Cristina Iglesias, Matthew Day Jackson, Bharti Kher, Nate Lowman, Paul McCarthy, Caro Niederer, Michele Oka Doner, and Pipilotti Rist.
On 20 April 2017, Hauser & Wirth will debut its Portable Art Project with an exhibition of wearable objects commissioned from fifteen artists -- works that exist somewhere between sculpture and bodily adornment. Organized by Celia Forner, who collaborated closely with the artists, the Portable Art Project includes unique pieces as well as editioned series, crafted from an array of materials ranging from traditional gold and silver with precious and semi-precious gems, to enamel, aluminum, bronze, and iron. The initiative began with an invitation to Louise Bourgeois, who in 2008 conceived different rope-like precious metal cuffs. In the years since Bourgeois designed these first contributions, the Portable Art Project has evolved to include John Baldessari, Phyllida Barlow, Stefan Brüggemann, Subodh Gupta, Mary Heilmann, Andy Hope 1930, Cristina Iglesias, Matthew Day Jackson, Bharti Kher, Nate Lowman, Paul McCarthy, Caro Niederer, Michele Oka Doner, and Pipilotti Rist.
New Museum Opens Chris Burden's EXTREME MEASURES Installation Today
This October, the New Museum will present 'Chris Burden: Extreme Measures,' an expansive presentation of Chris Burden's work that is the artist's first New York survey and his first major exhibition in the US in over twenty-five years. Burden's epoch-defining work has made him one of the most important American artists to emerge since 1970. Spanning a forty-year career and moving across mediums, the exhibition presents a selection of Burden's work where physical and moral limits are called into question. 'Chris Burden: Extreme Measures' will be on view from today, October 2, 2013, to January 12, 2014.
This October, the New Museum will present 'Chris Burden: Extreme Measures,' an expansive presentation of Chris Burden's work that is the artist's first New York survey and his first major exhibition in the US in over twenty-five years. Burden's epoch-defining work has made him one of the most important American artists to emerge since 1970. Spanning a forty-year career and moving across mediums, the exhibition presents a selection of Burden's work where physical and moral limits are called into question. 'Chris Burden: Extreme Measures' will be on view from today, October 2, 2013, to January 12, 2014.
Matthew Day Jackson Opens 'Something Ancient, Something New, Something Stolen, Something Blue' Exhibit Today
Artist Matthew Day Jackson is a modern day American frontiersman. His interdisciplinary practice is in an all-consuming campaign to chart the outermost limits of human physical experience and to locate the place just beyond those limits where the sublime might reside. Working with a set of signature themes that range from space exploration and war machinery to advanced anatomy, he uses both traditional craft techniques and cutting edge computer mapping to make art that exposes the layered and often dark relationships between technology's abstractions and the palpable effects of time. For Jackson, the measurable and the inexplicable, power and sacrifice, mortality and the infinite are all part of a realm he has dubbed 'the Horriful', where everything we do has the potential to create both horror and beauty. 'The unobtainable distance, no matter how small, is an infinity,' Jackson has said. 'Artists go to that space. It is a space where others cannot or do not want to go, a space which is real and often dangerous, and they report back from there'.
Artist Matthew Day Jackson is a modern day American frontiersman. His interdisciplinary practice is in an all-consuming campaign to chart the outermost limits of human physical experience and to locate the place just beyond those limits where the sublime might reside. Working with a set of signature themes that range from space exploration and war machinery to advanced anatomy, he uses both traditional craft techniques and cutting edge computer mapping to make art that exposes the layered and often dark relationships between technology's abstractions and the palpable effects of time. For Jackson, the measurable and the inexplicable, power and sacrifice, mortality and the infinite are all part of a realm he has dubbed 'the Horriful', where everything we do has the potential to create both horror and beauty. 'The unobtainable distance, no matter how small, is an infinity,' Jackson has said. 'Artists go to that space. It is a space where others cannot or do not want to go, a space which is real and often dangerous, and they report back from there'.
New Museum to Present Chris Burden's EXTREME MEASURES Installation, Begin. 10/2
This October, the New Museum will present “Chris Burden: Extreme Measures,” an expansive presentation of Chris Burden's work that is the artist's first New York survey and his first major exhibition in the US in over twenty-five years. Burden's epoch-defining work has made him one of the most important American artists to emerge since 1970. Spanning a forty-year career and moving across mediums, the exhibition presents a selection of Burden's work where physical and moral limits are called into question. “Chris Burden: Extreme Measures” will be on view from October 2, 2013, to January 12, 2014.
This October, the New Museum will present “Chris Burden: Extreme Measures,” an expansive presentation of Chris Burden's work that is the artist's first New York survey and his first major exhibition in the US in over twenty-five years. Burden's epoch-defining work has made him one of the most important American artists to emerge since 1970. Spanning a forty-year career and moving across mediums, the exhibition presents a selection of Burden's work where physical and moral limits are called into question. “Chris Burden: Extreme Measures” will be on view from October 2, 2013, to January 12, 2014.
Hauser & Wirth New York to Present New Matthew Day Jackson Exhibit, Begin. 9/6
Beginning 6 September 2013, Hauser & Wirth New York will present 'Something Ancient, Something New, Something Stolen, Something Blue', an exhibition devoted to Matthew Day Jackson's latest explorations. Comprising major new paintings, sculptures, and installations, the exhibition will be on view through 19 October at the gallery's downtown venue at 511 West 18th Street.
Beginning 6 September 2013, Hauser & Wirth New York will present 'Something Ancient, Something New, Something Stolen, Something Blue', an exhibition devoted to Matthew Day Jackson's latest explorations. Comprising major new paintings, sculptures, and installations, the exhibition will be on view through 19 October at the gallery's downtown venue at 511 West 18th Street.
Matthew Day Jackson Presents 'Something Ancient, Something New, Something Stolen, Something Blue' Exhibit, 9/6
Artist Matthew Day Jackson is a modern day American frontiersman. His interdisciplinary practice is in an all-consuming campaign to chart the outermost limits of human physical experience and to locate the place just beyond those limits where the sublime might reside. Working with a set of signature themes that range from space exploration and war machinery to advanced anatomy, he uses both traditional craft techniques and cutting edge computer mapping to make art that exposes the layered and often dark relationships between technology's abstractions and the palpable effects of time. For Jackson, the measurable and the inexplicable, power and sacrifice, mortality and the infinite are all part of a realm he has dubbed 'the Horriful', where everything we do has the potential to create both horror and beauty. 'The unobtainable distance, no matter how small, is an infinity,' Jackson has said. 'Artists go to that space. It is a space where others cannot or do not want to go, a space which is real and often dangerous, and they report back from there'.
Artist Matthew Day Jackson is a modern day American frontiersman. His interdisciplinary practice is in an all-consuming campaign to chart the outermost limits of human physical experience and to locate the place just beyond those limits where the sublime might reside. Working with a set of signature themes that range from space exploration and war machinery to advanced anatomy, he uses both traditional craft techniques and cutting edge computer mapping to make art that exposes the layered and often dark relationships between technology's abstractions and the palpable effects of time. For Jackson, the measurable and the inexplicable, power and sacrifice, mortality and the infinite are all part of a realm he has dubbed 'the Horriful', where everything we do has the potential to create both horror and beauty. 'The unobtainable distance, no matter how small, is an infinity,' Jackson has said. 'Artists go to that space. It is a space where others cannot or do not want to go, a space which is real and often dangerous, and they report back from there'.
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