Arts On The Horizon Announces 2019-2020 Season
Arts on the Horizon, a non-verbal theatre company for children ages zero to six, is excited to present its 7th season. As the first theatre company in the United States to stage performances specifically geared towards this age group, Arts on the Horizon shows are performed solely with sound, movement, and live music to engage children at any stage of language development and also children whose first language may not be English.
The 3rd Annual Logan Festival Of Solo Performance to Feature Nationally Celebrated Performers
The 3rd Annual Logan Festival of Solo Performance, presented with generous support from the Reva & David Logan Foundation, will run at 1st Stage from July 11-21, 2019. This innovative festival, acclaimed in The Washington Post with "three plays prove the power of one," will gather celebrated solo performers from across the country for two-weeks of performances, workshops, discussions, and events. The main stage festival schedule features:
BWW Review: THE BURN at The Hub Theatre
There's a burgeoning sense of paranoia throughout The Burn, the first show of The Hub Theatre's 2019 season. Written by Philip Dawkins as something of an analogue to Arthur Miller's The Crucible - itself an acknowledged allegory for McCarthyism - The Burn is a sharp and deeply felt look at how fear grows and manifests itself in the pain of others. Its contemporary high school setting handily provides both a relatable set of characters and a convenient grapevine through which said fear makes its journey: social media. This is not a new trend, but The Burn has more on its mind than our over-use of social media; it's accepting of the reality social media has given us, and explores what sort of choices it leads us to.
The Hub Theatre Presents THE BURN By Philip Dawkins
The Hub Theatre, specializing in new plays that highlight our common humanity, is excited to present the regional premiere of The Burn by playwright Philip Dawkins, directed by The Hub's Artistic Director, Matt Bassett. The Burn, the first full production in The Hub's 11th season, will run from April 26 - May 11, 2019 on the stage of NextStop Theatre in Herndon. The Hub is pleased to welcome back playwright Philip Dawkins, whose previous scripts under Bassett's direction - Failure: A Love Story and The Happiest Place on Earth - were audience favorites that brought The Hub six Helen Hayes Award nominations. The Hub's production of Happiest was recently remounted at Hub Founding Artistic Director Helen R. Murray's new artistic home, the Aurora Fox in Colorado.
NextStop Theatre to Host The Hub's Season Opener
The Hub Theatre, Northern Virginia's award-winning professional theatre sharing new plays that celebrate our common humanity, is pleased to announce that the first full production of Season 11 will take place at NextStop Theatre this coming Spring.
The Hub Theatre Announces New Leadership and New Plays For Season 11
The Hub Theatre, under new Artistic Director, Matt Bassett, announced their 2018-19 season and welcomed a new staff member today. Bassett will be joined by KELSEY MESA as Associate Artistic Director for this season featuring a regional premiere by a favorite Hub playwright, the world premiere of the inaugural play by a vibrant new voice, and a number of events both familiar and brand new to The Hub.
The Hub And JCCNV Present The World Premiere Of THE SECRETS OF THE UNIVERSE (AND OTHER SONGS)
The Hub Theatre, continues its foray into new plays that highlight our common humanity with the world premiere of The Secrets of the Universe (and other songs) by playwright Marc Acito. Secrets, the final production in The Hub's 10th season, will run from July 6-29, 2018 at the John Swayze Theatre in Fairfax, Virginia and is a Co-Production with the Jewish Community Center of Northern Virginia. Secrets marks The Hub's third production by Marc Acito, after audience favorite Birds of a Feather (2012 Helen Hayes Outstanding New Play winner; Outstanding Ensemble nominee), and How I Paid for College (starring Broadway's Tony Nominated Alex Brightman). The show will be directed by Hub's founding Artistic Director, Helen R. Murray, and produced by incoming Artistic Director, Matt Bassett.
BWW Review: THE PAVILION isn't Grand at the Hub Theatre
The Pavilion, directed by Kelsey Mea, is not the high school nostalgia love story that the play's description details. Instead the production takes a strange turn towards an unnecessary exploration of the existential which overpowers the love story between two former high school sweethearts at its center.
Cast and Creative Announced for Hub's THE PAVILION
THE HUB continues its 2017-2018 season in March with the return of Hub's inaugural play, THE PAVILION by Craig Wright. Hailed by critics as an 'an Our Town for our time,' this play is by turns poetic and comic, romantic and philosophical. Peter returns to his twenty-year high-school reunion with dreams of winning back Kari, the girl he left behind after an unexpected pregnancy ended their relationship. Standing in Peter's way is Kari's bitter-as-ever resentment, her husband and the fact that Peter still hasn't grown up. As the night progresses, both Peter and Kari are led, through their interactions with a host of characters all played by a virtuosic Narrator, to face the consequences of choices made long ago and start back into life with newfound strength and bittersweet resolve.
Arts on the Horizon Sets 2016-17 Season of Theatre for the Very Young
Arts on the Horizon, an interactive theatre for children ages zero to six, is excited to announce its 2016 -2017 season. As the first theatre company in the United States to stage completely non-verbal performances for young audiences, Arts on the Horizon shows are performed solely with sound, movement and live music to engage children at any stage of language development and also children whose first language may not be English.
BWW Review: Hub Theatre's THE HAPPIEST PLACE ON EARTH Rounds out an Excellent Season
If you're looking for new, compelling, finely-crafted plays, look no further than the Hub Theatre. Their recently-concluded run of Philip Dawkins' autobiographical tour-de-force The Happiest Place on Earth is more evidence, as if any were needed, that they are a company to be reckoned with on the Washington theatre scene. Not only do they have an unerring eye for innovative scripts, they know how to give their playwrights the high-value productions they deserve.