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George London Foundation For Singers Announces 2018-19 Season

The George London Foundation for Singers has been honoring, supporting, and presenting the finest young opera singers in the U.S. and Canada since 1971. The foundation and the George London Awards (the prize of the foundation's annual competition) are named for the legendary Canadian-American bass-baritone, one of the greatest opera singers of 20th century, who devoted much of his time and energy in his later years to the support and nurturing of young opera singers.
George London Foundation Announces Singers for 2018-19 Season

The George London Foundation for Singers has been honoring, supporting, and presenting the finest young opera singers in the U.S. and Canada since 1971. The foundation and the George London Awards (the prize of the foundation's annual competition) are named for the legendary Canadian-American bass-baritone, one of the greatest opera singers of 20th century, who devoted much of his time and energy in his later years to the support and nurturing of young opera singers.
The 2018 George London Awards Public Finals Round Is Friday, 2/16

On Friday, February 16, 2018, 16 of the best young American and Canadian opera singers will perform with pianist Craig Rutenberg before a panel of judges and an enthusiastic audience at The Morgan Library & Museum. At the event's conclusion, six of them will be named this year's winners of the George London Award, an honor that has been conferred upon hundreds of the best young singers since 1971. The award, currently a $10,000 prize, is named for the legendary Canadian-American bass-baritone, one of the greatest opera singers of 20th century.
BWW Review: Damrau and Camarena Radiate Star-Power in the Met's PURITANI

The last time soprano Diana Damrau and tenor Javier Camarena appeared together at the Met, they reinvented the deadly Mary Zimmerman production of Bellini's LA SONNAMBULA and made it into something wonderful. This time around, while the duo tried their hardest, they still couldn't quite bring the company's elderly production of IL PURITANI (also by Bellini) back to life, although they came pretty close, using all the considerable star-power they could muster.

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