Review: GOD OF CARNAGE, Lyric Hammersmith Theatre
It’s good fun, but the last half hour of the 90 interval-less minutes drags. The dissection of their personalities and attitudes towards society doesn’t really go anywhere, but it’s an amusing, hyperbolic, melodramatic cut-out of a pretentious dispute between well-off fantoccini made to detonate in a controlled environment.
Photos: Inside Rehearsal For GOD OF CARNAGE at the Lyric Hammersmith
Step inside the rehearsal room for God of Carnage and take a first look at Yasmina Reza’s Olivier and Tony Award-winning dark comedy, translated by Academy Award-winning Christopher Hampton (The Father). Directed by Lyric Associate Director Nicholai La Barrie, this fresh revival pokes fun at wealth, power and greed, and is the unmissable darkly funny roller-coaster you won’t want to end.
Cast Revealed For GOD OF CARNAGE at the Lyric Hammersmith Theatre
The Lyric Hammersmith Theatre has announced full casting for the revival of Yasmina Reza’s savagely dark comedy God of Carnage, in a translation by Christopher Hampton, which won both the Tony and Olivier Award for Best Comedy in 2009, as well as picking up Tony Awards for Best Play and Best Actress for Marcia Gay Harden.
BWW Review: SMALL ISLAND, National Theatre
Rufus Norris’ stage production of Andrea Levy’s Small Island was hailed as a triumph on its debut in 2019. The epic story of race, friendship and betrayal set among the Windrush generation was a welcome distraction when streamed during lockdown and now makes an exultant return to the grandeur of the Olivier’s stage.
Cast Announced For SMALL ISLAND As Rehearsals Begin
Casting for the revival of the critically acclaimed production Small Island is announced today as the company begin rehearsals. Adapted by Helen Edmundson from Andrea Levy's prize-winning novel and directed by Rufus Norris, the production will open on 24 February in the Olivier theatre.
BWW Review: CANDIDA, Orange Tree Theatre
Among the new writing and nurturing of talent during a season at Richmond's Orange Tree Theatre, there is always a revival of a more classic piece. Artistic Director Paul Miller has an historical weakness for Bernard Shaw, with a new version of Candida being the fourth Shaw play he has directed at the theatre since 2014.
Photo Flash: First Look at THE BAY AT NICE at Menier Chocolate Factory
The Menier Chocolate Factory presents major revival of David Hare's The Bay at Nice. Richard Eyre directs Martin Hutson, Ophelia Lovibond, David Rintoul and Penelope Wilton. The production opens on 19 March, with previews from 14 March, and runs until 4 May. Tickets go on sale to supporters of the Menier on 21 January, with public booking opening at 9am on 28 January.
BETRAYAL Leads March's Top 10 New London Shows
London is never short of temptations, whether splashy West End shows, epic dramas or bold fringe offerings. From a starry Pinter and tasty musical treat to a portrait of grief, here are some of this month's most eye-catching openings. Don't forget to check back for BroadwayWorld's reviews!
Richard Eyre Directs Penelope Wilton In Revival Of David Hare's THE BAY AT NICE
The Menier Chocolate Factory today announces a major revival of David Hare's The Bay at Nice. Richard Eyre directs Martin Hutson, Ophelia Lovibond, David Rintoul and Penelope Wilton. The production opens on 19 March, with previews from 14 March, and runs until 4 May. Tickets go on sale to supporters of the Menier on 21 January, with public booking opening at 9am on 28 January.
BWW Interview: James Cooney Talks HAMLET Tour
Almost two years after its first performance, the Royal Shakespeare Company's critically acclaimed Hamlet returns to the stage. A revival of Simon Godwin's 2016 production, this international tour brings together old and new faces.
As the tour reaches its London leg, James Cooney spoke to us about returning to the play, the bond between Horatio and Hamlet, and dealing with self-doubt as an actor.
BWW Review: TITUS ANDRONICUS, Barbican Theatre
It was September of this year that I first saw this particular Titus Andronicus, at the Royal Shakespeare Theatre. Back then, I was struck by how timely a production this seemed: corruption of power, toxic masculinity and the silencing of women all at the forefront under Blanche McIntyre's direction. A month later, the Harvey Weinstein scandal broke. Two months after that, the production transferred to the Barbican Theatre. Today, it proves an even more powerful and potent production, on both the Barbican and global stage.
BWW Interview: Hannah Morrish Talks TITUS ANDRONICUS
Hannah Morrish plays her first season at the Royal Shakespeare Company, appearing in no less than three of the Rome MMVII shows. Playing Lavinia in Titus Andronicus, Portia in Julius Caesar and Virgilia in Coriolanus, Hannah spoke to us about the female voice and timeliness of this season.
BWW Interview: Antony Byrne Talks ANTONY & CLEOPATRA
Rome wasn't built in a day...but the Royal Shakespeare Company's Rome MMXVII Season comes pretty close! As performances get underway for Julius Caesar, rehearsals begin for the Barbican transfer of Antony and Cleopatra. Playing the titular role, Antony Byrne takes us through his time at the RSC, from audience member to actor.
HAMILTON Leads December's Top 10 New London Shows
London is never short of temptations, whether splashy West End shows, epic dramas or bold fringe offerings. From a feverishly anticipated musical to sci-fi and Shakespeare, here are some of this month's most eye-catching openings. Don't forget to check back for BroadwayWorld's reviews and find our top Christmas picks here!