A SEANCE WITH MOM Returns Next Month
Eighteen séances in April, May and June did not do the trick, so award-winning actress/playwright/comedian Nancy Redman will join forces with iconic director Austin Pendleton for 18 more sessions of 'A Séance With Mom' from August 21 to September 3 at Chain Studio Theatre.
A SEANCE WITH MOM Adds 14 Additional Performances
Four April seances did not do the trick, so Award winning actress/playwright/comedian NANCY REDMAN joins forces with iconic director AUSTIN PENDLETON for fourteen more sessions of 'A SÉANCE WITH MOM'. The plot?? In this new solo comedy/drama, Nadine wants to summon her mother from the grave to tell her something very important!! May 24-June 4 at Chain Studio Theatre, 312 W. 36th St.
Nancy Redman Returns To United Solo Festival
Actress/playwright/stand-up comedian Nancy Redman returns to the United Solo Theatre Festival with her new one-woman show At Wit's End: A Home for Retired Comics, directed by Bill Cosgriff, Saturday October 19 at 2 PM at Theatre Row, 410 West 42nd Street. Nancy is delighted to have as director of her new show the multi-talented Bill Cosgriff, an award winning playwright, actor, and director. Nancy's past three appearances on the United Solo Theatre Festival - the world's largest solo theatre festival currently in its 10th anniversary season - earned her three special awards. For her one-woman shows: The Doctor Is Not In and CLUTTER: I'm Saving My Life and It's Killing Me, she was honored with the Best Comedian Award. For her EMERGENCY A La Carte, she was named Best Stand-Up.
Nancy Redman Returns to United Solo Festival October 19
Actress/playwright/stand-up comedian Nancy Redman returns to the United Solo Theatre Festival with her new one-woman show At Wit's End: A Home for Retired Comics, directed by Bill Cosgriff, Saturday October 19 at 2 PM at Theatre Row, 410 West 42nd Street.
BWW Review: Two Nights in Seville, Part 2 - a New Gypsy in Town for Met's CARMEN
It's that time of the year again, when the flu season gives artistic administrators big headaches, trying to fill in the blanks when a headliner calls in sick. CARMEN's been a particular headache, with mezzo Sophie Koch out of action in the title role after rehearsals had started. Luckily, Clementine Margaine--scheduled for the second cast--was able to step into her flamenco shoes for the first night--and all to follow--doing a bang-up job.
BWW Review: DANCES PATRELLE Opens Its 26th Repertory Season with Macbeth
Francis Patrelle, who is (remarkably!) celebrating his 45th year as a sought-after dance teacher in New York City, explains in a program note that he decided to bring back his 1995 balletic rendering of Shakespeare's Macbeth because 'the story has a lot to tell us about our own times; deep themes of power, corruption and the futility of man which continue to illuminate our existence.'
Tickets Go on Sale This Sunday for American Ballet Theatre's 2016 Spring Season
American Ballet Theatre's 2016 Spring season will be highlighted by a World Premiere work by Alexei Ratmansky, the American Premiere of Ratmansky's The Golden Cockerel and a revival of Frederick Ashton's La Fille mal gardee. Tickets for ABT's Spring Season at the Metropolitan Opera House go on sale at the box office on Sunday, March 20 at 12 Noon.
BWW REVIEWS: Lyric Opera of Chicago's CAROUSEL Is Huge, Audaciously Daring, and Bracingly Human
When one of the world's major opera houses announced its plans to present the best-known works of Broadway's Rodgers and Hammerstein over a five-season span, no one had reason to believe that the Lyric Opera of Chicago would present a 'Carousel' starring a slew of Broadway, television, opera and ballet stars alongside the cream of Chicago's theatrical and vocal talent (60 actors, singers and dancers in all), supported by an orchestra of 37 players, and all overseen by the same director and musical director who would bring 'The Sound of Music' and 'Peter Pan' to live television, Carrie Underwood, Christopher Walken and all.
School of American Ballet's 2015 Winter Ball Raises Over $1.39 Million
The School of American Ballet's 2015 Winter Ball took place at Lincoln Center's David H. Koch Theater on Monday, March 9, 2015 and raised more than $1.39 million for scholarships and school programs. Legendary French jeweler, Van Cleef & Arpels sponsored the glamorous, black-tie dinner dance for the eighth consecutive year. The evening began with cocktails at 7pm and dinner at 8pm, followed by a student performance choreographed specially for the occasion, and The Encore dessert and dancing. The proceeds from this event enhance every aspect of the School's extraordinary ballet training program, helping to provide more than $1.9 million annually in student scholarships, as well as supporting faculty, maintaining world-class studios and offering vital student programs beyond the classroom.