92NY Presents Jamal Aliyev, Cello & Fazıl Say, Piano, Play Franck, Say, And More
by A.A. Cristi - Oct 20, 2022
The 92nd Street Y, New York (92NY), one of New York's leading cultural venues, presents Jamal Aliyev, cello & Fazıl Say, piano, play Franck, Say, and more, on November 1, 2022 at 7:30pm ET in the Kaufmann Concert Hall.
New Programming Added to Carnegie Hall+
by Chloe Rabinowitz - Mar 18, 2022
Carnegie Hall today announced new programming that has been added this month to Carnegie Hall+, a new premium subscription video on-demand channel, curated by Carnegie Hall, that offers instant access to unforgettable performances by celebrated artists from renowned stages all around the world.
BWW Feature: ONLINE VIRTUAL OPERA TOUR at Home Computer Screens
by Maria Nockin - Jun 12, 2021
Los Angeles Opera’s presentation of Oedipus Rex by Igor Stravinsky is available online from June 17 to July 18, 2021. The libretto is by Jean Cocteau. The cast includes: Oedipus, Russell Thomas; Jocasta, J’nai Bridges; Creon, John Relyea; Tiresias, Morris Robinson; Narrator, Stephen Fry; Conductor, James Conlon.
BWW Feature: ONLINE OPERA VIRTUAL TOUR SEPT. OCT. 10-17 at Home Computer Screens
by Maria Nockin - Oct 9, 2020
On Los Angeles Operaa??s website, Ashley Faatoalia, tenor, and Louise Thomas, piano, collaborate for a a?oeLiving Room Recital.a?? They perform songs by Schubert, Williams, Fauré, Bonds and Gordon as well as Spirituals and arias by Mozart, Gershwin and Puccini.
Live Audiences Return To Wigmore Hall in August
by Stephi Wild - Jul 31, 2020
In response to the British government's announcement that indoor performances with socially distanced audiences will be possible from 1 August, Wigmore Hall Director John Gilhooly will unveil ambitious plans for the autumn season at a one-off re-opening concert on 1 August.
Metropolitan Opera Announces Cast Change For LE NOZZE DI FIGARO
by A.A. Cristi - Nov 7, 2019
Etienne Dupuis will sing the Count in the February 5, 8, and 11 performances of Mozart's Le Nozze di Figaro, replacing Mariusz Kwiecień. Mariusz Kwiecień sings the performances on February 14, 19 and 22mat as previously announced.
BWW Review: THE BARBER OF SEVILLE at Lyric Opera Of Chicago
by Emily McClanathan - Oct 2, 2019
Lyric Opera of Chicago opens its 65th season with Gioachino's Rossini's romantic comedy, THE BARBER OF SEVILLE. Tara Faircloth directs this exuberant revival of Lyric's 2013/14 production, originally directed by Rob Ashford, while Sir Andrew Davis conducts the Lyric Opera Orchestra and Michael Black serves as chorus master. Beautifully designed and masterfully sung, this production leans into the farcical comedy that ensues when Figaro, the eponymous barber, plays matchmaker for a wealthy count and a witty young woman.
Photo Flash: Lyric Opera Presents THE BARBER OF SEVILLE
by A.A. Cristi - Sep 27, 2019
Rossini's popular comedic masterpiece, The Barber of Seville, will open Lyric Opera of Chicago's 65th season on Saturday, September 28 at 6pm. There will be eight performances through October 27 at the Lyric Opera House, 20 N. Wacker Dr., Chicago. Tickets start at $49 for adults and just $20 for children, and are available now at lyricopera.org/Barber or by calling 312-827-5600.
Lyric Launches Season with STARS OF LYRIC OPERA AT MILLENNIUM PARK
by Julie Musbach - Aug 14, 2019
Lyric Opera of Chicago launches its 65th season with the 19th annual Stars of Lyric Opera at Millennium Park concert at the Jay Pritzker Pavilion on Friday, September 6, at 7pm. The free outdoor performance, presented in cooperation with The City of Chicago and Millennium Park, annually attracts capacity crowds to the pavilion, great lawn, and surrounding areas of the park.
Wigmore Hall Announces 2019/20 Season
by Stephi Wild - Jan 23, 2019
As its programming for 2019/20 again affirms, the spirit of Wigmore Hall is exemplified by both continuity and renewal: artists who have enjoyed decades of association with the Hall and artists it has nurtured into the primes of their careers; the indispensable composers of the past and the innovators and improvisers of today; participatory projects for older people and for children; the irreplaceable immediacy of live concerts and their mediation through technology, bringing them to ever wider audiences via Wigmore Hall's own streaming service or via partners like the BBC.