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STAGE CREDITS

[Regional (UK)]
World Premiere, 1879
Edith


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BWW Review: THE MUSIC MAN Is What Great Musical Theatre Is All About

What do the 1950s have in common with 1912? Both were ages of innocence. When Meredith Willson wrote his story with Franklin Lacey about a con artist bamboozling an Iowa town in 1912, which formed the substance of his musical The Music Man (1957), the effect became like that of N. Richard Nash's The Rainmaker. People were jubilant, ecstatic and welcomed Professor Harold Hill, as they craved a good old-fashioned love story coated with ironic excitement. He was a charmer, and they saw way past his bad side. Now in a spectacular new production at 5-Star Theatricals, this company headed by Tony nominee Adam Pascal, keeps the show fantastically rousing and musically. almost perfect yet grounding the love story within the realm of  kitchen.sink believability. With splendid director Larry Raben, divine choreographer Peggy Hickey and fab musical director Brad Ellis at the helm, a marvlous 40 member cast takes the The Music Man and offers a much needed take on the way life should be, whether it's 1912, 1955 or 2019.
BWW Reviews: MUSIC MAN Marches Melodically Onto Moonlight Stage

What do the 1950s have in common with 1912? Ages of innocence, both. When Meredith Willson wrote his story with Franklin Lacey about a con artist bamboozling an Iowa town in 1912, which formed the substance of his musical The Music Man (1957), the effect became like that of N. Richard Nash's The Rainmaker. People were jubilant, ecstatic and welcomed Professor Harold Hill, as they craved a good old-fashioned love story coated with ironic excitement. He was a charmer, and they saw way past his bad side. Now in a spirited new production at Moonlight Amphitheatre, Vista , the company pulls out all the stops and yet presents a delightfully down.to.earth show that keeps the flavor of Meredith Willson in tact. With fast-paced direction from John Vaughn and a splendid cast led by David Engel as Hill , The Music Man offers an unrealistic yet refreshing look at the way life should be.
BWW Reviews: GCT's MUSIC MAN Brings Verve, Nostalgia and Hope to Valley Audiences

What do the 1950s have in common with 1912? Ages of innocence, both. When Meredith Willson wrote his story with Franklin Lacey about a con artist bamboozling an Iowa town in 1912, which formed the substance of his musical The Music Man (1957), the effect became like that of N. Richard Nash's The Rainmaker. People were jubilant, ecstatic and welcomed Professor Harold Hill, as they craved a good old-fashioned love story coated with ironic excitement. He was a charmer, and they saw way past his bad side. Now in a jubilant new production at GCT, the company pulls out all the stops and yet presents a delightfully down.to.earth show that keeps the flavor of Meredith Willson in tact. With fast-paced direction from Valerie Rachelle and a terrific cast led by Brent Schindele, The Music Man offers a refreshing look at the way life should be.

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