Marcel Schwob
Latest News on Marcel Schwob:
Recordarán En Conversatorio Virtual La Vida Y Obra De Tomás Segovia (May 20, 2021)
BWW Review: BERNHARDT / HAMLET at Unicorn Theatre (Dec 9, 2019)
El INBA Lamenta El Fallecimiento De La Poeta Una Pérez Ruiz (Sep 19, 2018)
Recordarán En Conversatorio Virtual La Vida Y Obra De Tomás Segovia (May 20, 2021)
BWW Review: BERNHARDT / HAMLET at Unicorn Theatre (Dec 9, 2019)
El INBA Lamenta El Fallecimiento De La Poeta Una Pérez Ruiz (Sep 19, 2018)
News
Recordarán En Conversatorio Virtual La Vida Y Obra De Tomás Segovia
A 94 años de su nacimiento en Valencia, España, el poeta Tomás Segovia será recordado en un conversatorio virtual convocado por la Secretaría de Cultura federal y el Instituto Nacional de Bellas Artes y Literatura (INBAL), a través de la Coordinación Nacional de Literatura (CNL), este viernes 21 de mayo a las 12:00 horas por facebook.com/coordinacion.literatura.mx.
A 94 años de su nacimiento en Valencia, España, el poeta Tomás Segovia será recordado en un conversatorio virtual convocado por la Secretaría de Cultura federal y el Instituto Nacional de Bellas Artes y Literatura (INBAL), a través de la Coordinación Nacional de Literatura (CNL), este viernes 21 de mayo a las 12:00 horas por facebook.com/coordinacion.literatura.mx.
BWW Review: BERNHARDT / HAMLET at Unicorn Theatre
A strong cast presents an excellent Unicorn production of a very new play, Bernhardt/Hamlet, A Woman Unbounda by Theresa Rebeck. Bernhardt/Hamlet is a smart, comedic, reasonably accurate portrait of a middle-aged, financially strapped, giant of the nineteenth century French stage still with her powers intact, but with a paucity of mountains she still desires to climb.
A strong cast presents an excellent Unicorn production of a very new play, Bernhardt/Hamlet, A Woman Unbounda by Theresa Rebeck. Bernhardt/Hamlet is a smart, comedic, reasonably accurate portrait of a middle-aged, financially strapped, giant of the nineteenth century French stage still with her powers intact, but with a paucity of mountains she still desires to climb.
El INBA Lamenta El Fallecimiento De La Poeta Una Pérez Ruiz
El Instituto Nacional de Bellas Artes lamenta el fallecimiento de la poeta, editora y traductora Una Pérez Ruiz, ocurrido la madrugada de este miércoles 19 de septiembre en la Ciudad de México, a los 48 años.
El Instituto Nacional de Bellas Artes lamenta el fallecimiento de la poeta, editora y traductora Una Pérez Ruiz, ocurrido la madrugada de este miércoles 19 de septiembre en la Ciudad de México, a los 48 años.
Juan José Arreola Nos Introdujo De Manera Luminosa En Los Caminos De La Literatura: Luz Elena Gutiérrez De Velasco
“Escuchábamos con arrobo a Juan José Arreola, y nos mantenía en vilo con la fascinación de sus palabras. Recitaba en español y francés, nos introdujo de manera luminosa en los caminos de la literatura. Fuimos una generación afortunada”, afirmó Luz Elena Gutiérrez de Velasco, quien abordó la faceta de Arreola como docente.
“Escuchábamos con arrobo a Juan José Arreola, y nos mantenía en vilo con la fascinación de sus palabras. Recitaba en español y francés, nos introdujo de manera luminosa en los caminos de la literatura. Fuimos una generación afortunada”, afirmó Luz Elena Gutiérrez de Velasco, quien abordó la faceta de Arreola como docente.
Trap Door Theatre Takes REGARDING THE JUST on Five-City French Tour This Month
The Trap Door Theatre is proud to announce that they will embark on a 5 city tour to France with last season's production of Regarding the Just on November 1st. REGARDING THE JUST, translated and adapted by Pascal Collin and Nicholas Le Guevel from Albert Camus' Les Justes, will be directed by Valery Warnotte.
The Trap Door Theatre is proud to announce that they will embark on a 5 city tour to France with last season's production of Regarding the Just on November 1st. REGARDING THE JUST, translated and adapted by Pascal Collin and Nicholas Le Guevel from Albert Camus' Les Justes, will be directed by Valery Warnotte.
Trap Door Theatre to Take REGARDING THE JUST on Five-City French Tour, Beginning Nov 1
The Trap Door Theatre is proud to announce that they will embark on a 5 city tour to France with last season's production of Regarding the Just on November 1st. REGARDING THE JUST, translated and adapted by Pascal Collin and Nicholas Le Guevel from Albert Camus' Les Justes, will be directed by Valery Warnotte.
The Trap Door Theatre is proud to announce that they will embark on a 5 city tour to France with last season's production of Regarding the Just on November 1st. REGARDING THE JUST, translated and adapted by Pascal Collin and Nicholas Le Guevel from Albert Camus' Les Justes, will be directed by Valery Warnotte.
The Trap Door Theatre Stages REGARDING THE JUST, Now thru 7/5
The Trap Door Theatre presents Regarding the Just, translated and adapted by Pascal Collin and Nicholas Le Guevel from Albert Camus' Les Justes. The production is directed by Valery Warnotte.
The Trap Door Theatre presents Regarding the Just, translated and adapted by Pascal Collin and Nicholas Le Guevel from Albert Camus' Les Justes. The production is directed by Valery Warnotte.
The Trap Door Theatre to Stage REGARDING THE JUST, 6/5-7/5
The Trap Door Theatre presents Regarding the Just, translated and adapted by Pascal Collin and Nicholas Le Guevel from Albert Camus' Les Justes. The production is directed by Valery Warnotte.
The Trap Door Theatre presents Regarding the Just, translated and adapted by Pascal Collin and Nicholas Le Guevel from Albert Camus' Les Justes. The production is directed by Valery Warnotte.
Me Too, I am Catherine Deneuve Extends at Trap Door Theatre Thru 12/4
The Trap Door Theatre EXTENDS Me Too, I am Catherine Deneuve! Adding 4 more Performances!
The Trap Door Theatre EXTENDS Me Too, I am Catherine Deneuve! Adding 4 more Performances!
Trap Door Closes ME TOO, I AM CATHERINE DENEUVE, 11/20
Trap Door Theatre in concert with the Cultural Services of the French Consulate in Chicago, The Alliance Française de Washington, the Consulate General of France in Atlanta, the France-Atlanta festival, and CulturesFrance, and with the support of Etant donnes from FACE--French American Fund for the Performing Arts--is proud to present Me Too, I Am Catherine Deneuve. Additional support provided by France Chicago Center, Franke Institute for the Humanities, Norman Wait Harris Memorial Fund, Théâtre du Rond-Point/Paris in the USA, as well as the University of Chicago's Office of the Deputy Provost for the Arts, Office of the Dean of the College, and the Department of Romance Languages and Literatures.
Trap Door Theatre in concert with the Cultural Services of the French Consulate in Chicago, The Alliance Française de Washington, the Consulate General of France in Atlanta, the France-Atlanta festival, and CulturesFrance, and with the support of Etant donnes from FACE--French American Fund for the Performing Arts--is proud to present Me Too, I Am Catherine Deneuve. Additional support provided by France Chicago Center, Franke Institute for the Humanities, Norman Wait Harris Memorial Fund, Théâtre du Rond-Point/Paris in the USA, as well as the University of Chicago's Office of the Deputy Provost for the Arts, Office of the Dean of the College, and the Department of Romance Languages and Literatures.
Me Too, I am Catherine Deneuve Extends at Trap Door Theatre Thru 12/4
The Trap Door Theatre EXTENDS Me Too, I am Catherine Deneuve! Adding 4 more Performances!
The Trap Door Theatre EXTENDS Me Too, I am Catherine Deneuve! Adding 4 more Performances!
Trap Door Presents ME TOO, I AM CATHERINE DENEUVE, 10/14-11/20
Trap Door Theatre in concert with the Cultural Services of the French Consulate in Chicago, The Alliance Française de Washington, the Consulate General of France in Atlanta, the France-Atlanta festival, and CulturesFrance, and with the support of Etant donnes from FACE--French American Fund for the Performing Arts--is proud to present Me Too, I Am Catherine Deneuve. Additional support provided by France Chicago Center, Franke Institute for the Humanities, Norman Wait Harris Memorial Fund, Théâtre du Rond-Point/Paris in the USA, as well as the University of Chicago's Office of the Deputy Provost for the Arts, Office of the Dean of the College, and the Department of Romance Languages and Literatures.
Trap Door Theatre in concert with the Cultural Services of the French Consulate in Chicago, The Alliance Française de Washington, the Consulate General of France in Atlanta, the France-Atlanta festival, and CulturesFrance, and with the support of Etant donnes from FACE--French American Fund for the Performing Arts--is proud to present Me Too, I Am Catherine Deneuve. Additional support provided by France Chicago Center, Franke Institute for the Humanities, Norman Wait Harris Memorial Fund, Théâtre du Rond-Point/Paris in the USA, as well as the University of Chicago's Office of the Deputy Provost for the Arts, Office of the Dean of the College, and the Department of Romance Languages and Literatures.
Trap Door Presents ME TOO, I AM CATHERINE DENEUVE, 10/14-11/20
Trap Door Theatre in concert with the Cultural Services of the French Consulate in Chicago, The Alliance Française de Washington, the Consulate General of France in Atlanta, the France-Atlanta festival, and CulturesFrance, and with the support of Etant donnes from FACE--French American Fund for the Performing Arts--is proud to present Me Too, I Am Catherine Deneuve. Additional support provided by France Chicago Center, Franke Institute for the Humanities, Norman Wait Harris Memorial Fund, Théâtre du Rond-Point/Paris in the USA, as well as the University of Chicago's Office of the Deputy Provost for the Arts, Office of the Dean of the College, and the Department of Romance Languages and Literatures.
Trap Door Theatre in concert with the Cultural Services of the French Consulate in Chicago, The Alliance Française de Washington, the Consulate General of France in Atlanta, the France-Atlanta festival, and CulturesFrance, and with the support of Etant donnes from FACE--French American Fund for the Performing Arts--is proud to present Me Too, I Am Catherine Deneuve. Additional support provided by France Chicago Center, Franke Institute for the Humanities, Norman Wait Harris Memorial Fund, Théâtre du Rond-Point/Paris in the USA, as well as the University of Chicago's Office of the Deputy Provost for the Arts, Office of the Dean of the College, and the Department of Romance Languages and Literatures.
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