Review: THE DA VINCI CODE, Salisbury Playhouse
by Cheryl Markosky - Apr 16, 2025
As I'm probably one of only a handful who hasn't read the book or seen the film of The Da Vinci Code, I was looking forward to the play based on Dan Brown's bestselling novel of 2003 described as thriller, mystery and treasure hunt.
Review: THE SHARK IS BROKEN, Theatre Royal Brighton
by Caroline Cronin - Apr 9, 2025
Ever wondered what went on behind the scenes during the making of Jaws?
It’s a well-documented story indeed, but those that aren’t familiar won’t be at a disadvantage when watching The Shark is Broken because it’s a carefully crafted comedy that works effectively as a standalone piece, even without the historical context.
Review: MANHUNT, Royal Court
by Gary Naylor - Apr 9, 2025
Raoul Moat is as unknowable at the end of his spree as he was at the beginning in this squandered opportunity to examine a hot button topic
BroadwayWorld UK's Olivier Awards 2025 Predictions
by BWW UK Critics - Apr 4, 2025
Established in 1976, the Olivier Awards celebrate the world-class status of London theatre, and are Britain’s most prestigious stage honours. Leading the way this year is Tom Scutt's Fiddler on the Roof which matches Hamilton's record-breaking 13 nominations, represented in every acting and creative category.
Photos: MY NEIGHBOUR TOTORO Extends in the West End
by Chloe Rabinowitz - Mar 19, 2025
The stage adaptation of Studio Ghibli’s My Neighbour Totoro will extend in the West End. To celebrate the extended season over 20,000 tickets have now been released for £25 or under, with brand new production images also released. See photos here!
Review: THE SCORE, Starring Brian Cox
by Cindy Marcolina - Feb 28, 2025
Transferring from a successful run in Bath a few years ago, Oliver Cotton wants to marry politics and art to work his way up to the encounter between an ageing Johann Sebastian Bach and Frederick II of Prussia. The marketing makes it out to be an explosive meeting between church and state, between a god-fearing, scripture-quoting composer and an atheist, belligerent, ruthless monarch. That’s not exactly how it goes and the theatricality of the event is rather underwhelming. Trevor Nunn directs Brian Cox in a lengthy and inconsistent script that swiftly turns into a vehicle for anecdotal politics and bite-size philosophy. Too long into the action, we discover that the catalyst is Bach’s indomitable rage. He found out that a blind young girl was brutally raped by the military and he chooses to hold the king accountable.
Review: KENREX, Southwark Playhouse
by Franco Milazzo - Feb 19, 2025
In a vigorous virtuoso performance that demands to be seen, Jack Holden brings to exhilarating life a true-life crime story from half a century ago.
Review Roundup: Jonathan Bailey in RICHARD II - What did the Critics Think?
by Aliya Al-Hassan - Feb 19, 2025
Richard II is played by Jonathan Bailey, whose past work includes Bridgerton, Fellow Travellers, Cassio in Nicholas Hytner’s National Theatre production of Othello and Edgar to Ian McKellen’s King Lear. He has also won an Olivier Award for his role of Jamie in Company and is Fiyero in the Wicked movie. What did the critics think of the show?
Review: RICHARD II, Starring Jonathan Bailey
by Cindy Marcolina - Feb 18, 2025
A nation in need, an unsuitable king, banishments, murders, attempted coups. Richard II has it all and so does Jonathan Bailey. He might be dancing through Hollywood and hanging out with the biggest celebs, but he proves that he’s still one of us with this triumphant return to the stage.
Review: EAST IS SOUTH, Hampstead Theatre
by Franco Milazzo - Feb 18, 2025
AI and ChatGPT are yesterday’s news but artificial general intelligence - and the very existential threat it presents - may very well be tomorrow’s.