Review: ROUGH MAGIC, Shakespeare's Globe
At Rough Magic prepare to enter Shakespeare’s wondrous world to become a Guardian of Destiny. The audience interaction is aimed at children in the audience, who choose which department they wish to join. Options include Fairy, Ghost, Spirit or Witch. The playful atmosphere is instantly set at The Sam Wanamaker Playhouse, the beautiful Jacobean-styled candle-lit indoor small theatre, which is located within Shakespeare’s Globe.
Review: FANGIRLS, Lyric Hammersmith
Australian smash hit Fangirls encapsulates everything it is to be a mega fan of something. A sequin-embellished crusade of obsession and desperation, Yve Blake’s musical stretches from euphoric highs to gutting lows, without ever losing its sense of fun.
Review: ECHO, Royal Court Theatre
Intricately weaving together a tapestry of different times and places, Nassim Soleimanpour’s ECHO is a feat of creative technology. Performed by a different celebrated actor each night, the performance offers a sharply intelligent take on immigration and national identity.
Review: HELLO, DOLLY!, The London Palladium
Well, we got there in the end and thankfully, it was worth the wait. Initially due to open back in 2020, Dominic Cooke’s adaptation of Hello, Dolly! has finally arrived in the West End.
Review: I'M GONNA MARRY YOU TOBEY MAGUIRE, Southwark Playhouse
Ever wanted to experience a sugar rush for nearly two hours straight? Samantha Hurley’s campy dark comedy I’m Gonna Marry You Tobey Maguire feels like exactly that. Complete with lipgloss, butterfly clips, and Cosmo mag, it’s a noughties teen fever dream.