BIO
Madeline Myers is a composer and lyricist for musical theater in New York City. Her musicals include Double Helix, Flatbush Avenue, The Devil’s Apprentice, (world premiere Copenhagen, Denmark, 2018), and Masterpiece (O’Neill Musical Theater Conference 2018 semi-finalist).
Named to the Broadway Women’s Fund 2022 “Women to Watch on Broadway” list, Madeline is a 2022 Kleban Prize finalist for lyric writing, a winner of the 2021 Billie Burke Ziegfeld Award presented by New York Stage & Film and the Ziegfeld Club, a 2020, 2019, 2018, and 2017 Jonathan Larson Grant finalist, 2019 York Theatre Company NEO Writer, a 2021, 2020, 2019, 2018, and 2017 ASCAP Plus Award recipient, and a 2016-2017 Dramatists Guild Fellow. Madeline is a UNC-Greensboro commissioned writer for their 2021 virtual season.
Madeline’s musicals have been developed at Bay Street Theater, the York Theatre, Goodspeed Musicals (Johnny Mercer Writers Grove), the New Dramatists Composer-Librettist Studio, the Fingerlakes Musical Theater Festival, Musical Theater Factory, the NMI Disney Imagineering New Voices Project, the New York Theatre Barn, and the Johnny Mercer Songwriting Project.
When not writing musicals, Madeline enjoys reading, walking in Central Park, and volunteering. She is an active volunteer with Central Synagogue’s unhoused breakfast program and the founder of a 2020 voter registration/Census count initiative for the New York unhoused community. In 2018, Madeline created the Blair School of Music Student Citizen Award given to a female student demonstrating excellence in personal character and contributions to the community. Madeline sits on the Alumni Board of the Vanderbilt University Ingram Scholarship Program, of which she is a proud alumna. She is an original member of the music department of the Broadway production of Hamilton.
Madeline is a member of ASCAP and the Dramatists Guild. She is represented by Chris Till at Verve Talent and Literary Agency. @madelinesmyers www.madelinemyers.com