Nancy Carroll, Jared Harris, and More Will Lead The RSC's HAMLET
The Royal Shakespeare Company has announced further casting for Hamlet, directed by the multi award-winning Rupert Goold and running in the Royal Shakespeare Theatre from Saturday 8 February – Saturday 29 March 2025, with press night on Tuesday 18 February 2025.
THE BUDDHA OF SUBURBIA and More Set For RSC's Winter Season at the Barbican
Alongside one world premiere, three new Shakespeare productions and a major revival going on sale at Stratford, RSC Co-Artistic Directors, Daniel Evans and Tamara Harvey, have announced their first Winter season at the Barbican, which sees two critically acclaimed productions transfer from Stratford-upon-Avon.
Video: Michael Stuhlbarg Talks Returning to Broadway in PATRIOTS
Tony-nominated actor Michael Stuhlbarg joined Good Morning America on Thursday to discuss returning to Broadway in the play Patriots, after almost 20 years away. 'It's a good comeback, indeed,' the actor admitted. 'I'm so happy to be back. It's been a wonderful run so far. It's an amazing company...we're having a great time.' Watch the full interview!
Review Roundup: Peter Morgan's PATRIOTS Arrives on Broadway
Michael Stuhlbarg is back on Broadway in Patriots, the timely new play by Peter Morgan, and directed by two-time Olivier Award winner Rupert Goold. BroadwayWorld is pulling together the concensus from the New York City critics and you can check out they are saying about the new play below!
Photos: PATRIOTS Company Celebrates Opening Night
Michael Stuhlbarg is back on Broadway in Patriots, the timely new play by Peter Morgan, and directed by two-time Olivier Award winner Rupert Goold. The production officially opened earlier this week at the Ethel Barrymore Theatre and BroadwayWorld was there for the celebration. Check out photos of the cast and creative team on the red carpet here!
Review: COLD WAR, Almeida Theatre
It raised eyebrows when it was announced: Paweł Pawlikowski’s Oscar nominated Cold War is hardly five years old, not nearly enough time for it to have fallen off the cultural radar. If a stage adaptation isn’t rejuvenating a lost classic, what does it want to achieve?