Review: ROUGH MAGIC, Shakespeare's Globe
At Rough Magic prepare to enter Shakespeare’s wondrous world to become a Guardian of Destiny. The audience interaction is aimed at children in the audience, who choose which department they wish to join. Options include Fairy, Ghost, Spirit or Witch. The playful atmosphere is instantly set at The Sam Wanamaker Playhouse, the beautiful Jacobean-styled candle-lit indoor small theatre, which is located within Shakespeare’s Globe.
Shakespeare's Globe Announces Full Cast of MACBETH
Shakespeare’s Globe has announced the full cast for the 2022 Playing Shakespeare with Deutsche Bank production of Macbeth, directed by Sarah Frankcom. This marks Sarah’s directorial return following her tenure as Artistic Director of LAMDA.
Shakespeare's Globe Announces New Winter Season Events
These include: a panel discussion with Maxine Peake, Artistic Director Michelle Terry and Co-Director of Education Professor Farah Karim-Cooper, dubbed 'Hamlet and She' as part of a 'Women and Power' festival; the hit feminist comedy podcast, The Guilty Feminist, returns for another live recording in the Playhouse hosted by Deborah Frances-White; and more!
Globe Announces New Co-Directors Of Education, Farah Karim-Cooper and Lucy Cuthbertson
Shakespeare's Globe has announced that Professor Farah Karim-Cooper and Lucy Cuthbertson have been confirmed as Co-Directors of Education, leading the largest education department in a theatre in the country. Lucy and Farah were joint interim leaders throughout the Globe's year of closure, creating over 600 events and courses, and supporting the nation's sudden critical need for quality home learning.
Photo Flash: RED RIDING HOOD VERSUS THE WOLF Opens in Milton Keynes
After a run of sold out previews, Stantonbury Theatre's second in-house pantomime opens for the festive season tonight. Directed by Stantonbury artistic director Lucy Cuthbertson and written by Kerry Frampton and Ben Hales, the show takes a fresh look at the well-known tale of Red Riding Hood in what is becoming a recognisably Stantonbury style - rejecting expectations, challenging the stereotypes of classic fairy tales, foregrounding female protagonists and genuinely offering something for every generation.