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Lillian Wright
Latest News on Lillian Wright:
BWW Review: PLANTATION! at Lookingglass Theatre Company (Mar 6, 2018)
Seeing Place Closes LOOK BACK IN ANGER, 10/30 (Oct 30, 2010)
The Seeing Place Theater Group Closes LOOK BACK IN ANGER 10/30 (Oct 30, 2010)
BWW Review: PLANTATION! at Lookingglass Theatre Company (Mar 6, 2018)
Seeing Place Closes LOOK BACK IN ANGER, 10/30 (Oct 30, 2010)
The Seeing Place Theater Group Closes LOOK BACK IN ANGER 10/30 (Oct 30, 2010)
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BWW Review: PLANTATION! at Lookingglass Theatre Company
Under the taut direction of David Schwimmer, Kevin Douglas's new comedy PLANTATION! succeeds in making audiences both laugh out loud and cringe. In PLANTATION!, Douglas explores one wealthy white woman's attempt to make reparations for the benefits her family reaped from slavery. Douglas does so by posing the question: Does making amends actually work? And for whom does making amends actually benefit? The twist in PLANTATION!, however, is that these serious questions are explored almost entirely through the lens of broad, dramatic, zinger-filled satire. The all-female cast succeeds in landing each and every joke in this production, which brings the broadly comic nature of Douglas's writing to the forefront.
Under the taut direction of David Schwimmer, Kevin Douglas's new comedy PLANTATION! succeeds in making audiences both laugh out loud and cringe. In PLANTATION!, Douglas explores one wealthy white woman's attempt to make reparations for the benefits her family reaped from slavery. Douglas does so by posing the question: Does making amends actually work? And for whom does making amends actually benefit? The twist in PLANTATION!, however, is that these serious questions are explored almost entirely through the lens of broad, dramatic, zinger-filled satire. The all-female cast succeeds in landing each and every joke in this production, which brings the broadly comic nature of Douglas's writing to the forefront.
Seeing Place Closes LOOK BACK IN ANGER, 10/30
The Seeing Place Theater spends a good deal of their rehearsal processes not doing the play. They remove the text completely at the beginning. Think Whose Line is it Anyway? - but not so shticky. They improvise their way through the situations of a play until they are telling the same story as the playwright. There's a lot of falling down, a lot of failure. Many times, they do not accomplish the demands of a scene right away. It isn't until the final week or two that they add the lines and their productions begin to take the shape that the audience will see. Thus, their whole rehearsal process is spent exploring the characters and the situations in which they find themselves. In this way, the play becomes more than just words. It is a true collaboration between all of the artists involved. Every member of the ensemble - from actors to directors to designers - is called upon to bring their own viewpoints to the table. That is what gives The Seeing Place its unique stamp.
The Seeing Place Theater spends a good deal of their rehearsal processes not doing the play. They remove the text completely at the beginning. Think Whose Line is it Anyway? - but not so shticky. They improvise their way through the situations of a play until they are telling the same story as the playwright. There's a lot of falling down, a lot of failure. Many times, they do not accomplish the demands of a scene right away. It isn't until the final week or two that they add the lines and their productions begin to take the shape that the audience will see. Thus, their whole rehearsal process is spent exploring the characters and the situations in which they find themselves. In this way, the play becomes more than just words. It is a true collaboration between all of the artists involved. Every member of the ensemble - from actors to directors to designers - is called upon to bring their own viewpoints to the table. That is what gives The Seeing Place its unique stamp.
The Seeing Place Theater Group Closes LOOK BACK IN ANGER 10/30
Theater productions with an edge, a message and purpose, stories such as Clifford Odet's Waiting for Lefty and now the John Osborne's Look Back in Anger, October 13 - 30, Wed-Sat @ 8pm, Sat Matinees @ 2pm at ATA's Sargent Theater, 314 West 54th St. 4th floor. $18 General Admission, $15 Students & Seniors. www.smarttix.com 212-868-4444
Theater productions with an edge, a message and purpose, stories such as Clifford Odet's Waiting for Lefty and now the John Osborne's Look Back in Anger, October 13 - 30, Wed-Sat @ 8pm, Sat Matinees @ 2pm at ATA's Sargent Theater, 314 West 54th St. 4th floor. $18 General Admission, $15 Students & Seniors. www.smarttix.com 212-868-4444
Seeing Place Theater Presents LOOK BACK IN ANGER, Opens 10/13
The Seeing Place Theater, well known for their fly-on-the-wall realism, bring this relevant, forgotten classic back to life.
The Seeing Place Theater, well known for their fly-on-the-wall realism, bring this relevant, forgotten classic back to life.
Seeing Place Presents LOOK BACK IN ANGER, 10/13-30
The Seeing Place Theater spends a good deal of their rehearsal processes not doing the play. They remove the text completely at the beginning. Think Whose Line is it Anyway? - but not so shticky. They improvise their way through the situations of a play until they are telling the same story as the playwright. There's a lot of falling down, a lot of failure. Many times, they do not accomplish the demands of a scene right away. It isn't until the final week or two that they add the lines and their productions begin to take the shape that the audience will see. Thus, their whole rehearsal process is spent exploring the characters and the situations in which they find themselves. In this way, the play becomes more than just words. It is a true collaboration between all of the artists involved. Every member of the ensemble - from actors to directors to designers - is called upon to bring their own viewpoints to the table. That is what gives The Seeing Place its unique stamp.
The Seeing Place Theater spends a good deal of their rehearsal processes not doing the play. They remove the text completely at the beginning. Think Whose Line is it Anyway? - but not so shticky. They improvise their way through the situations of a play until they are telling the same story as the playwright. There's a lot of falling down, a lot of failure. Many times, they do not accomplish the demands of a scene right away. It isn't until the final week or two that they add the lines and their productions begin to take the shape that the audience will see. Thus, their whole rehearsal process is spent exploring the characters and the situations in which they find themselves. In this way, the play becomes more than just words. It is a true collaboration between all of the artists involved. Every member of the ensemble - from actors to directors to designers - is called upon to bring their own viewpoints to the table. That is what gives The Seeing Place its unique stamp.
The Seeing Place Theater Group Presents LOOK BACK IN ANGER 10/13-10/30
Theater productions with an edge, a message and purpose, stories such as Clifford Odet's Waiting for Lefty and now the John Osborne's Look Back in Anger, October 13 - 30, Wed-Sat @ 8pm, Sat Matinees @ 2pm at ATA's Sargent Theater, 314 West 54th St. 4th floor. $18 General Admission, $15 Students & Seniors. www.smarttix.com 212-868-4444
Theater productions with an edge, a message and purpose, stories such as Clifford Odet's Waiting for Lefty and now the John Osborne's Look Back in Anger, October 13 - 30, Wed-Sat @ 8pm, Sat Matinees @ 2pm at ATA's Sargent Theater, 314 West 54th St. 4th floor. $18 General Admission, $15 Students & Seniors. www.smarttix.com 212-868-4444
Seeing Place Theater Presents LOOK BACK IN ANGER, Opens 10/13
The Seeing Place Theater, well known for their fly-on-the-wall realism, bring this relevant, forgotten classic back to life.
The Seeing Place Theater, well known for their fly-on-the-wall realism, bring this relevant, forgotten classic back to life.
Seeing Place Presents LOOK BACK IN ANGER, 10/13-30
The Seeing Place Theater spends a good deal of their rehearsal processes not doing the play. They remove the text completely at the beginning. Think Whose Line is it Anyway? - but not so shticky. They improvise their way through the situations of a play until they are telling the same story as the playwright. There's a lot of falling down, a lot of failure. Many times, they do not accomplish the demands of a scene right away. It isn't until the final week or two that they add the lines and their productions begin to take the shape that the audience will see. Thus, their whole rehearsal process is spent exploring the characters and the situations in which they find themselves. In this way, the play becomes more than just words. It is a true collaboration between all of the artists involved. Every member of the ensemble - from actors to directors to designers - is called upon to bring their own viewpoints to the table. That is what gives The Seeing Place its unique stamp.
The Seeing Place Theater spends a good deal of their rehearsal processes not doing the play. They remove the text completely at the beginning. Think Whose Line is it Anyway? - but not so shticky. They improvise their way through the situations of a play until they are telling the same story as the playwright. There's a lot of falling down, a lot of failure. Many times, they do not accomplish the demands of a scene right away. It isn't until the final week or two that they add the lines and their productions begin to take the shape that the audience will see. Thus, their whole rehearsal process is spent exploring the characters and the situations in which they find themselves. In this way, the play becomes more than just words. It is a true collaboration between all of the artists involved. Every member of the ensemble - from actors to directors to designers - is called upon to bring their own viewpoints to the table. That is what gives The Seeing Place its unique stamp.
The Seeing Place Theater Group Presents LOOK BACK IN ANGER 10/13-10/30
Theater productions with an edge, a message and purpose, stories such as Clifford Odet's Waiting for Lefty and now the John Osborne's Look Back in Anger, October 13 - 30, Wed-Sat @ 8pm, Sat Matinees @ 2pm at ATA's Sargent Theater, 314 West 54th St. 4th floor. $18 General Admission, $15 Students & Seniors. www.smarttix.com 212-868-4444
Theater productions with an edge, a message and purpose, stories such as Clifford Odet's Waiting for Lefty and now the John Osborne's Look Back in Anger, October 13 - 30, Wed-Sat @ 8pm, Sat Matinees @ 2pm at ATA's Sargent Theater, 314 West 54th St. 4th floor. $18 General Admission, $15 Students & Seniors. www.smarttix.com 212-868-4444
Boomerang Theatre Company Presents THE COMEDY OF ERRORS 6/20-7/25
The Boomerang Theatre Company (Tim Errickson, Artistic Director; Francis Kuzler, Managing Director) will present Shakespeare's THE COMEDY OF ERRORS from June 20th thru July 19th, 2009 in Central Park. The production will also play a special performance in Fort Totten Park in Bayside Queens on July 25th, 2009. The show is an outdoor production, and is free to the public. For more information, please visit www.boomerangtheatre.org.
The Boomerang Theatre Company (Tim Errickson, Artistic Director; Francis Kuzler, Managing Director) will present Shakespeare's THE COMEDY OF ERRORS from June 20th thru July 19th, 2009 in Central Park. The production will also play a special performance in Fort Totten Park in Bayside Queens on July 25th, 2009. The show is an outdoor production, and is free to the public. For more information, please visit www.boomerangtheatre.org.
Boomerang Theatre Company Presents THE COMEDY OF ERRORS 6/20-7/25
The Boomerang Theatre Company (Tim Errickson, Artistic Director; Francis Kuzler, Managing Director) will present Shakespeare's THE COMEDY OF ERRORS from June 20th thru July 19th, 2009 in Central Park. The production will also play a special performance in Fort Totten Park in Bayside Queens on July 25th, 2009. The show is an outdoor production, and is free to the public. For more information, please visit www.boomerangtheatre.org.
The Boomerang Theatre Company (Tim Errickson, Artistic Director; Francis Kuzler, Managing Director) will present Shakespeare's THE COMEDY OF ERRORS from June 20th thru July 19th, 2009 in Central Park. The production will also play a special performance in Fort Totten Park in Bayside Queens on July 25th, 2009. The show is an outdoor production, and is free to the public. For more information, please visit www.boomerangtheatre.org.
Attend 'Serial Killers Anonymous' With YOUR LITHOPEDIAN At The Brick 6/5-7/4
In YOUR LITHOPEDION a serial killer attempts to reform and becomes the founder of Serial Killers Anonymous, which totally wrecks his marriage. It's a dark, don't-bring-your-kids comedy about boredom, dysfunction, community and child murder. You'll never think of 80's music in the same way again.
In YOUR LITHOPEDION a serial killer attempts to reform and becomes the founder of Serial Killers Anonymous, which totally wrecks his marriage. It's a dark, don't-bring-your-kids comedy about boredom, dysfunction, community and child murder. You'll never think of 80's music in the same way again.
SECRET AGENDA OF TREES At Wild Project Opens 3/19
THE SECRET AGENDA OF TREES is set in a rural community in the backwoods of America where escape and fantasy substitute for hope: a tattered bond holds together Veronica, a 13-year-old girl who survives on a dream-life filled with Rosemary Clooney and Veronica Lake, and her mother, who dulls the pain of work at a slaughterhouse with booze and meth. As Veronica develops a dubious crush on a tattooed boy from study hall, and her mother invites a mysterious stranger into their ramshackle home, the cycles of dependency become increasingly dangerous and holding the world at bay may prove impossible.
THE SECRET AGENDA OF TREES is set in a rural community in the backwoods of America where escape and fantasy substitute for hope: a tattered bond holds together Veronica, a 13-year-old girl who survives on a dream-life filled with Rosemary Clooney and Veronica Lake, and her mother, who dulls the pain of work at a slaughterhouse with booze and meth. As Veronica develops a dubious crush on a tattooed boy from study hall, and her mother invites a mysterious stranger into their ramshackle home, the cycles of dependency become increasingly dangerous and holding the world at bay may prove impossible.
McKenna's Award-Winning SECRET AGENDA OF TREES Debuts 3/15
THE SECRET AGENDA OF TREES ? a new play by Colin McKenna ? will debut Off-Broadway with previews beginning Sunday, March 15 prior to its official press opening on Thursday, March 19 at The Wild Project (195 East 3rd Street) in Manhattan.
THE SECRET AGENDA OF TREES ? a new play by Colin McKenna ? will debut Off-Broadway with previews beginning Sunday, March 15 prior to its official press opening on Thursday, March 19 at The Wild Project (195 East 3rd Street) in Manhattan.
Photo Flash: THE SECRET AGENDA OF TREES At The Wild Project
Colin McKenna's The Secret Agenda of Trees begins previews Sunday, March 15 at 7pm at The Wild Project (195 East 3rd Street), prior to its official press opening Thursday, March 19. THE SECRET AGENDA OF TREES A new play by Colin McKenna Opens March 19 at The Wild Project (195 East 3rd Street)
Colin McKenna's The Secret Agenda of Trees begins previews Sunday, March 15 at 7pm at The Wild Project (195 East 3rd Street), prior to its official press opening Thursday, March 19. THE SECRET AGENDA OF TREES A new play by Colin McKenna Opens March 19 at The Wild Project (195 East 3rd Street)
SECRET AGENDA OF TREES At Wild Project Opens 3/19
THE SECRET AGENDA OF TREES is set in a rural community in the backwoods of America where escape and fantasy substitute for hope: a tattered bond holds together Veronica, a 13-year-old girl who survives on a dream-life filled with Rosemary Clooney and Veronica Lake, and her mother, who dulls the pain of work at a slaughterhouse with booze and meth. As Veronica develops a dubious crush on a tattooed boy from study hall, and her mother invites a mysterious stranger into their ramshackle home, the cycles of dependency become increasingly dangerous and holding the world at bay may prove impossible.
THE SECRET AGENDA OF TREES is set in a rural community in the backwoods of America where escape and fantasy substitute for hope: a tattered bond holds together Veronica, a 13-year-old girl who survives on a dream-life filled with Rosemary Clooney and Veronica Lake, and her mother, who dulls the pain of work at a slaughterhouse with booze and meth. As Veronica develops a dubious crush on a tattooed boy from study hall, and her mother invites a mysterious stranger into their ramshackle home, the cycles of dependency become increasingly dangerous and holding the world at bay may prove impossible.
McKenna's Award-Winning SECRET AGENDA OF TREES Debuts 3/15
THE SECRET AGENDA OF TREES ? a new play by Colin McKenna ? will debut Off-Broadway with previews beginning Sunday, March 15 prior to its official press opening on Thursday, March 19 at The Wild Project (195 East 3rd Street) in Manhattan.
THE SECRET AGENDA OF TREES ? a new play by Colin McKenna ? will debut Off-Broadway with previews beginning Sunday, March 15 prior to its official press opening on Thursday, March 19 at The Wild Project (195 East 3rd Street) in Manhattan.
Parking Lot Lonely Heart: Money Changes Nothing
In Colin McKenna's 'Parking Lot Lonely Heart', a man, suddenly rich from accident insurance hires a prostitute to replace the daughter he never knew. A world premiere, part of Boomerang Theatre Company?s 10th Anniversary Season.
In Colin McKenna's 'Parking Lot Lonely Heart', a man, suddenly rich from accident insurance hires a prostitute to replace the daughter he never knew. A world premiere, part of Boomerang Theatre Company?s 10th Anniversary Season.
FREQUENTLY ASKED QUESTIONS
How many Broadway shows has Lillian Wright been in?
Lillian Wright has appeared on Broadway in 2 shows.
How many West End shows has Lillian Wright been in?
Lillian Wright has not appeared in the West End.
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