Lillian Green

Stephen Schwartz & More Set for New Season of AMERICAN SONGBOOK AT NJPAC on Thirteen
by Caryn Robbins - Mar 29, 2016

The award-winning composer and special guests perform selections from his catalog of stage and screen favorites like 'Magic to Do' from Pippin; 'When You Believe' from the DreamWorks' animated feature, The Prince of Egypt; 'Day By Day' from Godspell and several selections from the Broadway hit Wicked, including 'Defying Gravity.'

Cabaret Stars of the Present and Future Are Highlights of 2013 Nightlife Awards at The Town Hall
by Stephen Hanks - Jan 18, 2013

When it comes to the number of award shows staged in a given season, the film, TV and recording industry no longer leave New York Cabaret in the stardust. Kicking off a 10-week period during which the Big Apple cabaret scene will now feature four award ceremonies (including the first-ever BroadwayWorld.com Awards on February 21, the 28th annual Bistro Awards on March 4, and the 27th annual MAC Awards on March 21), the 11th annual Nightlife Awards (voted on by a select group of cabaret and nightlife writers and critics) was staged at The Town Hall on January 14 and, for the most part, was a pleasantly entertaining event. Co-produced by Max Weintraub and nightlife impresario Scott Siegel (Broadway by the Year, 11 O'Clock Numbers at 11 O'Clock, Broadway Ballyhoo, et al), this year's show featured the usual mix of nightclub singing legends, budding cabaret stars, solid veterans of musical theater, outstanding jazz vocalists, stellar instrumentalists, and quirky comedians, almost all delivering the goods under the smooth direction of Scott Coulter.

BWW Reviews: Catherine Russell Mesmerizes Lincoln Center's Allen Room With Swinging Tribute to Her Dad and Satchmo
by Stephen Hanks - Apr 11, 2012

Supported by a superb 10-piece orchestra (including six horn players), Catherine Russell's set at the Allen Room for Jazz at Lincoln Center was a tribute to songs her dad Luis recorded or performed with the great Louis Armstrong from the late 1920s through the 1930s. By the end of her show, Russell had clearly proven that she has become one of the finest interpreters of jazz and blues on the contemporary music scene.