Oratorio Society of New York to Open Season with Mozart 'Great' Mass at Carnegie Hall
The Oratorio Society of New York fulfills its role as New York's champion of the grand choral tradition with the opening program of its 2016-17 season: Mozart's "Great" Mass in C Minor, written to celebrate the composer's marriage, and Bruckner's Te Deum, a gem of a 19th-century choral masterwork that Bruckner called "the pride of my life."
Mozart, Bach, Britten and More Slated for Oratorio Society of New York's 2016-17 Season
The Oratorio Society of New York (OSNY), New York's standard for grand choral performance, will mark its 2016-17 season with performances of symphonic choral masterworks of Handel, Mozart, Bruckner, and Britten, ending with Bach's monumental Mass in B Minor. Leading the OSNY for its 144th season will be Kent Tritle, in his 12th year as Music Director.
Oratorio Society of New York to Open Season with Mozart 'Great' Mass at Carnegie Hall
The Oratorio Society of New York fulfills its role as New York's champion of the grand choral tradition with the opening program of its 2016-17 season: Mozart's "Great" Mass in C Minor, written to celebrate the composer's marriage, and Bruckner's Te Deum, a gem of a 19th-century choral masterwork that Bruckner called "the pride of my life."
Mozart, Bach, Britten and More Slated for Oratorio Society of New York's 2016-17 Season
The Oratorio Society of New York (OSNY), New York's standard for grand choral performance, will mark its 2016-17 season with performances of symphonic choral masterworks of Handel, Mozart, Bruckner, and Britten, ending with Bach's monumental Mass in B Minor. Leading the OSNY for its 144th season will be Kent Tritle, in his 12th year as Music Director.
THE MERRY WIVES OF WINDSOR Plays Boston Midsummer Opera, Now thru 7/28
Falstaff in love? Is the world his oyster? Not if these quick-witted housewives have their way, as Boston audiences will discover when Boston Midsummer Opera (BMO) presents its eighth season production, The Merry Wives of Windsor, Otto Nicolai's tuneful 1849 version of Shakespeare's humorous tale. This popular European opera, rarely seen in the United States, will be fully staged and costumed and presented at the Tsai Performance Center, Boston University for three performances only, today, July 24, 26 and 28. Director Antonio Ocampo-Guzman makes his BMO debut and nationally acclaimed conductor Susan Davenny Wyner will lead the BMO orchestra. The opera will be sung in an English translation by John Moriarty, and is the first professional production of this opera in New England.
THE MERRY WIVES OF WINDSOR Plays Boston Midsummer Opera, 7/24-7/28
Falstaff in love? Is the world his oyster? Not if these quick-witted housewives have their way, as Boston audiences will discover when Boston Midsummer Opera (BMO) presents its eighth season production, The Merry Wives of Windsor, Otto Nicolai's tuneful 1849 version of Shakespeare's humorous tale. This popular European opera, rarely seen in the United States, will be fully staged and costumed and presented at the Tsai Performance Center, Boston University for three performances only, July 24, 26 and 28.
Austin Pendleton Directs Boston Midsummer Opera's DON PASQUALE, Now thru 7/29
For its seventh season Boston Midsummer Opera (BMO) presents the comic piece, Donizetti's Don Pasquale, playing at the Tsai Performance Center at Boston University for three performances only, tonight, July 25, 27, and 29. Obie Award winner/Tony Award nominee Austin Pendleton directs the fully staged and costumed production. Music director and nationally acclaimed conductor Susan Davenny Wyner leads the performances, which will be performed with orchestra and sung in English. Metropolitan Opera bass Ricardo Lugo will sing the role of Don Pasquale.
Austin Pendleton Directs Boston Midsummer Opera's DON PASQUALE, 7/25-29
For its seventh season Boston Midsummer Opera (BMO) presents the comic piece, Donizetti's Don Pasquale, playing at the Tsai Performance Center at Boston University for three performances only, July 25, 27, and 29. Obie Award winner/Tony Award nominee Austin Pendleton directs the fully staged and costumed production. Music director and nationally acclaimed conductor Susan Davenny Wyner leads the performances, which will be performed with orchestra and sung in English. Metropolitan Opera bass Ricardo Lugo will sing the role of Don Pasquale.
