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Leon Bakst
Latest News on Leon Bakst:
Ku-ring-gai Philharmonic Orchestra Completes 2024 Season With A Concert At The Concourse, Chatswood (Oct 23, 2024)
Further Casting Announced For THE LIGHT PRINCESS In Concert At Cadogan Hall (May 11, 2018)
BWW Review: ABT's SLEEPING BEAUTY (Jul 6, 2016)
Ku-ring-gai Philharmonic Orchestra Completes 2024 Season With A Concert At The Concourse, Chatswood (Oct 23, 2024)
Further Casting Announced For THE LIGHT PRINCESS In Concert At Cadogan Hall (May 11, 2018)
BWW Review: ABT's SLEEPING BEAUTY (Jul 6, 2016)
Productions
News
Ku-ring-gai Philharmonic Orchestra Completes 2024 Season With A Concert At The Concourse, Chatswood
Featuring Rimsky-Korsakov’s sensuous Scheherazade, Gershwin’s spectacular Rhapsody in Blue (in its centenary year) and Peter Sculthorpe’s iconic Australian masterpiece Kakadu, KPO artistic director Paul Terracini will lead the orchestra in this concert that spotlights popular international Aussie star Simon Tedeschi at the piano.
Featuring Rimsky-Korsakov’s sensuous Scheherazade, Gershwin’s spectacular Rhapsody in Blue (in its centenary year) and Peter Sculthorpe’s iconic Australian masterpiece Kakadu, KPO artistic director Paul Terracini will lead the orchestra in this concert that spotlights popular international Aussie star Simon Tedeschi at the piano.
Further Casting Announced For THE LIGHT PRINCESS In Concert At Cadogan Hall
Club 11 London & Alex Parker Theatre Company in partnership are excited to announce further casting for The Light Princess in Concert, featuring already announced Rosalie Craig and Hadley Fraser, at Cadogan Hall at 630pm, Sunday 1st July 2018, directed by Paul Foster and musical direction under Alex Parker.
Club 11 London & Alex Parker Theatre Company in partnership are excited to announce further casting for The Light Princess in Concert, featuring already announced Rosalie Craig and Hadley Fraser, at Cadogan Hall at 630pm, Sunday 1st July 2018, directed by Paul Foster and musical direction under Alex Parker.
BWW Review: ABT's SLEEPING BEAUTY
Alexei Ratmansky's 2015 version of 'Sleeping Beauty,' based on the Stepanov notation of the original 1890 version, as well as Diaghilev's production in 1921, has always posed a problem for me. I saw it last year with a friend, and our reaction was the same: why do we need this new 'Sleeping Beauty?' It's beautiful to look at, lavish to the extreme, but is there anything really new in this 'Sleeping Beauty' that we have not seen before? With every new version of this classic we want to see the choreographer's mind and heart at work; why was this warhorse tackled again? What speaks to the soul, how can the ballet literally take wings and have us fly with it? That is the problem with 'Sleeping Beauty.' For all its beauty, it remains earthbound. It's better to read about than view. History is indeed interesting, but not at these prices, especially if you're trying to build a new audience as the baby boomers are now in their sixties and moving on. Who will take their places at the ballet, especially at these prices?
Alexei Ratmansky's 2015 version of 'Sleeping Beauty,' based on the Stepanov notation of the original 1890 version, as well as Diaghilev's production in 1921, has always posed a problem for me. I saw it last year with a friend, and our reaction was the same: why do we need this new 'Sleeping Beauty?' It's beautiful to look at, lavish to the extreme, but is there anything really new in this 'Sleeping Beauty' that we have not seen before? With every new version of this classic we want to see the choreographer's mind and heart at work; why was this warhorse tackled again? What speaks to the soul, how can the ballet literally take wings and have us fly with it? That is the problem with 'Sleeping Beauty.' For all its beauty, it remains earthbound. It's better to read about than view. History is indeed interesting, but not at these prices, especially if you're trying to build a new audience as the baby boomers are now in their sixties and moving on. Who will take their places at the ballet, especially at these prices?
Mariinsky Ballet, Cloud Gate, ABT & More Set for The Music Center's 2015-16 Dance Season
With the continued growth of its celebrated Glorya Kaufman Presents Dance at The Music Center series, and the success of its highly popular participatory dance experiences, The Music Center has become an important hub for dance in Los Angeles. Its 2015-2016 dance season is a prime example of the commitment of The Music Center to present distinctive dance experiences to Southern California audiences, especially by internationally renowned artists in classical ballet and contemporary expression.
With the continued growth of its celebrated Glorya Kaufman Presents Dance at The Music Center series, and the success of its highly popular participatory dance experiences, The Music Center has become an important hub for dance in Los Angeles. Its 2015-2016 dance season is a prime example of the commitment of The Music Center to present distinctive dance experiences to Southern California audiences, especially by internationally renowned artists in classical ballet and contemporary expression.
BWW Reviews: American Ballet Theatre's SLEEPING BEAUTY
Remember history class in high school? The teacher presented a lecture and told us how exciting a certain historical period had been, going on to incessantly bore us because we had no recourse other than to take indecipherable notes we couldn't understand later, finally coming to the conclusion that history was, and always would be, a painstaking bore, better consigned to the college professors we were bound to meet sooner or later on our educational journey to adulthood and, hopefully, a job. That's very much what I thought about the American Ballet Theater's new production of Alexei Ratmansky's 'Sleeping Beauty.' I hate to sound churlish, but so much ink, not to mention so many dollars, have been lavished on this production, that, beyond some more extra performances and, probably, a showing on Great Performances, it will disappear within two years. At least it will be in the archives for future generations to watch.
Remember history class in high school? The teacher presented a lecture and told us how exciting a certain historical period had been, going on to incessantly bore us because we had no recourse other than to take indecipherable notes we couldn't understand later, finally coming to the conclusion that history was, and always would be, a painstaking bore, better consigned to the college professors we were bound to meet sooner or later on our educational journey to adulthood and, hopefully, a job. That's very much what I thought about the American Ballet Theater's new production of Alexei Ratmansky's 'Sleeping Beauty.' I hate to sound churlish, but so much ink, not to mention so many dollars, have been lavished on this production, that, beyond some more extra performances and, probably, a showing on Great Performances, it will disappear within two years. At least it will be in the archives for future generations to watch.
Mariinsky Ballet, Cloud Gate, ABT & More Set for The Music Center's 2015-16 Dance Season
With the continued growth of its celebrated Glorya Kaufman Presents Dance at The Music Center series, and the success of its highly popular participatory dance experiences, The Music Center has become an important hub for dance in Los Angeles. Its 2015-2016 dance season is a prime example of the commitment of The Music Center to present distinctive dance experiences to Southern California audiences, especially by internationally renowned artists in classical ballet and contemporary expression.
With the continued growth of its celebrated Glorya Kaufman Presents Dance at The Music Center series, and the success of its highly popular participatory dance experiences, The Music Center has become an important hub for dance in Los Angeles. Its 2015-2016 dance season is a prime example of the commitment of The Music Center to present distinctive dance experiences to Southern California audiences, especially by internationally renowned artists in classical ballet and contemporary expression.
BWW Reviews: PAUL TAYLOR DANCE COMPANY
As I was going to the Paul Taylor performance I saw a woman wearing a mink coat and my brain retreated to my early teenage years when all those Blackglama ads were in vogue. You remember them: 'What becomes a legend most?' Among those featured in the advertisements were Rudolf Nureyev, Margot Fonteyn, and Martha Graham, among the many icons.
As I was going to the Paul Taylor performance I saw a woman wearing a mink coat and my brain retreated to my early teenage years when all those Blackglama ads were in vogue. You remember them: 'What becomes a legend most?' Among those featured in the advertisements were Rudolf Nureyev, Margot Fonteyn, and Martha Graham, among the many icons.
BWW Interviews: Andris Liepa
Andris Liepa was born in 1962 into a famous artistic family; his father Maris Liepa was one of the Bolshoi's legendary dancers. Andris trained at Moscow Ballet School and then joined the Bolshoi Ballet Company, dancing the leads in The Nutcracker, Sleeping Beauty, Giselle, Swan Lake and many more.
Andris Liepa was born in 1962 into a famous artistic family; his father Maris Liepa was one of the Bolshoi's legendary dancers. Andris trained at Moscow Ballet School and then joined the Bolshoi Ballet Company, dancing the leads in The Nutcracker, Sleeping Beauty, Giselle, Swan Lake and many more.
NY City Center Celebrates 100 Years Of The Ballets Russes With 2009 Fall For Dance Festival 9/22 Thru 10/3
New York City Center's acclaimed Fall for Dance Festival, running September 22 - October 3, 2009, will feature 20 companies in 10 nights of dance and will pay tribute to the 100th Anniversary of the Ballets Russes.
New York City Center's acclaimed Fall for Dance Festival, running September 22 - October 3, 2009, will feature 20 companies in 10 nights of dance and will pay tribute to the 100th Anniversary of the Ballets Russes.
Frederic Franklin, Raven Wilkinson, Eleanor D'Antuono Open DanceTalk Series at FFD Festival 9/23
New York City Center's acclaimed Fall for Dance Festival, running September 22 - October 3, 2009, will feature 20 companies in 10 nights of dance and will pay tribute to the 100th Anniversary of the Ballets Russes. The sixth annual Festival will once again offer all tickets for only $10. Tickets will go on sale Sunday, September 13 at 11:00 am.
New York City Center's acclaimed Fall for Dance Festival, running September 22 - October 3, 2009, will feature 20 companies in 10 nights of dance and will pay tribute to the 100th Anniversary of the Ballets Russes. The sixth annual Festival will once again offer all tickets for only $10. Tickets will go on sale Sunday, September 13 at 11:00 am.
NY City Center Celebrates 100 Years Of The Ballets Russes With 2009 Fall For Dance Festival 9/22 Thru 10/3
New York City Center's acclaimed Fall for Dance Festival, running September 22 - October 3, 2009, will feature 20 companies in 10 nights of dance and will pay tribute to the 100th Anniversary of the Ballets Russes.
New York City Center's acclaimed Fall for Dance Festival, running September 22 - October 3, 2009, will feature 20 companies in 10 nights of dance and will pay tribute to the 100th Anniversary of the Ballets Russes.
Frederic Franklin, Raven Wilkinson, Eleanor D'Antuono Open DanceTalk Series at FFD Festival 9/23
New York City Center's acclaimed Fall for Dance Festival, running September 22 - October 3, 2009, will feature 20 companies in 10 nights of dance and will pay tribute to the 100th Anniversary of the Ballets Russes. The sixth annual Festival will once again offer all tickets for only $10. Tickets will go on sale Sunday, September 13 at 11:00 am.
New York City Center's acclaimed Fall for Dance Festival, running September 22 - October 3, 2009, will feature 20 companies in 10 nights of dance and will pay tribute to the 100th Anniversary of the Ballets Russes. The sixth annual Festival will once again offer all tickets for only $10. Tickets will go on sale Sunday, September 13 at 11:00 am.
NY City Center Celebrates 100 Years Of The Ballets Russes With 2009 Fall For Dance Festival 9/22 Thru 10/3
New York City Center's acclaimed Fall for Dance Festival, running September 22 - October 3, 2009, will feature 20 companies in 10 nights of dance and will pay tribute to the 100th Anniversary of the Ballets Russes.
New York City Center's acclaimed Fall for Dance Festival, running September 22 - October 3, 2009, will feature 20 companies in 10 nights of dance and will pay tribute to the 100th Anniversary of the Ballets Russes.
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