ERNIE'S SECRET LIFE Comes to Dixon Place Next Month
Dixon Place will present the world premiere of Concrete Temple Theatre’s Ernie’s Secret Life, an episodic odyssey that fuses ever-changing puppetry and stagecraft with humor, music, and a raw understanding of our profound collective reality. Learn more about the show and how to get tickets here!
La Escuela Nacional De Pintura, Escultura Y Grabado La Esmeralda Continúa Con El Ciclo Taller De Artista Invitado
La Escuela Nacional de Pintura, Escultura y Grabado La Esmeralda del Instituto Nacional de Bellas Artes y Literatura (Inbal) presentará como parte de su programa de Taller de Artista Invitado “La Esmeralda” 2021-2022/2, una serie de conferencias virtuales con Daniel Toca, el jueves 10 de febrero, a las 17:00; Anibal Catalan, viernes 18 de febrero, a las 17:00; Alejandra Espino, lunes 7 de marzo, a las 11:00; y Alberto Castro Leñero, viernes 11 de marzo, a las 17:00, las transmisiones se realizarán por Facebook: /INBAmx y /LaEsmeraldaENPE.
La MaMa Will Present the US Premiere of THE WAITRESS & THE ROBBER
La MaMa in association with Concrete Temple Theatre and Playfactory Mabangzen will present the U.S. premiere of THE WAITRESS & THE ROBBER, written by Renee Philippi and directed by Ms. Philippi and Eric Nightengale, with an original score by Lewis Flinn. THE WAITRESS & THE ROBBER begins performances on Thursday, April 9 for a limited engagement through Sunday, April 26. Press Opening is Sunday, April 12 at 3:00 pm. Performances are at the Ellen Stewart Theatre at La MaMa (66 East 4th Street, between Bowery and 2nd Avenue, 2nd Floor). The performance schedule is Thursday - Saturday at 7:00 pm; Sunday at 3:00 pm. Tickets are $25 ($20 for Students/Seniors). To purchase tickets, visit http://lamama.org/waitress-robber/
Stunning Puppet-Forward Production PACKRAT Premieres At Dixon Place
Dixon Place presents Concrete Temple Theater's next multi-media puppet-theater creation PACKRAT, written and directed by Renee Philippi with puppetry design and construction by Carlo Adinolfi and an original score by Lewis Flinn. PACKRAT begins performances on Friday, January 31 for a limited engagement through Friday, February 14. Performances are at Dixon Place (161A Chrystie Street, between Rivington & Delancey). The performance schedule is Fridays & Saturdays at 7:30 pm. Tickets are $19 in advance; $22 at the door. (For Students/Seniors/ID NYC: $17 in advance and $20 at-the-door.) To purchase tickets, visit www.dixonplace.org. The running time is 60 minutes with no intermission; recommended for ages 7 and up.
LO (OR DEAR MR. WELLS) Explores Uncomfortable Territory In Sex And Power
Lo (or Dear Mr. Wells) is a daring two-hander that asks whether an intimate relationship with glaring power imbalances can be anything but coercive. It depicts a relationship between a 15-year-old high school student and her English teacher, exploring questions of consent, sex and power. Written by Toronto-based playwright Rose Napoli, it was nominated in 2018 for a Dora Award for Best New Play, highlighting Napoli's unflinching honesty in difficult territory. It is on the GCTC main stage with two previews on April 30 and May 1 and an opening night on May 2. It runs until May 17, 2019.
Canadian Alliance of Film & Television Costume Arts & Design Awards Winners Announced
Joanna Syrokomla and Cynthia Amsden, Co-Chairs of the Canadian Alliance of Film & Television Costume Arts & Design (CAFTCAD) Awards are very pleased to announce the official winners of this evening's gala. The CAFTCAD Awards congratulate the nominees and the winners and thank the team who worked diligently to make this evening possible, the generosity of the sponsors, as well as all the costumers who submitted their designs. We look forward to the 2020 CAFTCAD Awards.
BRIC Presents Laura Anderson Barbata's THE EYE OF THE BEHOLDER
Victorian Mexican Indigenous mezzo soprano Julia Pastrana was billed as "The Ugliest Woman in the World." A title given to her by her manager-husband Theodore Lent, she was exhibited by him and others in the United States and Europe during her life and after her death for 150 years. Chronicling 10 years of work to have Pastrana's body repatriated to Mexico for burial, the renowned artist Laura Anderson Barbata conducts audiences through a series of stories, exercises, and thought experiments towards an experience of radical empathy and a re-examination of the value of a human life.
BRIC Announces Programming For Milestone 40th Anniversary Season
BRIC, the pioneering NYC arts-and-media organization and leading presenter of free cultural programming in Brooklyn, announces programming for its milestone 40th Anniversary season at BRIC House (September 2018-May 2019)-the organization's award-winning 40,000SF Downtown Brooklyn home. The season at BRIC House-its first under newly appointed BRIC President Kristina Newman-Scott-highlights the central idea that has animated BRIC's identity from the very beginning: that to create the future we want to see, artists must be supported in their role as civic leaders and citizens must be empowered to speak in their own creative voice. The season also deepens the organization's inclusive approach to both local and global discussions, and the places where they intersect.
CYRANO, KING LIZ, WE'RE GONNA DIE and More Set for Amphibian Stage Productions' 2018 Season
Amphibian Stage Productions, the contemporary theatre cultural explorers call home, has announced its 2018 Season, featuring classic and new work by diverse playwrights, the return of the Phib Comedy Series with an all-star cast of comedians curated by Baron Vaughn, and the ever-popular National Theatre Live screenings in partnership with The Modern Art Museum of Fort Worth.
BRIC Announces Fall 2016 Programming
In its award-winning arts center in downtown brooklyn, BRIC presents and incubates fresh work by artists and media-makers reflecting NYC's diversity.