Larry Gesling
Latest News on Larry Gesling:
Wake Up With BWW 5/6: Lucille Lortel Award Winners, and More! (May 6, 2019)
Photo Flash: First Look at AND THEN THERE WERE NONE at The Morgan-Wixson (May 5, 2019)
The Morgan-Wixson Mainstage Presents AND THEN THERE WERE NONE (Apr 25, 2019)
Wake Up With BWW 5/6: Lucille Lortel Award Winners, and More! (May 6, 2019)
Photo Flash: First Look at AND THEN THERE WERE NONE at The Morgan-Wixson (May 5, 2019)
The Morgan-Wixson Mainstage Presents AND THEN THERE WERE NONE (Apr 25, 2019)
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Wake Up With BWW 5/6: Lucille Lortel Award Winners, and More!
Good morning, BroadwayWorld! Kick off a brand new week by catching up on the latest Broadway news!
Good morning, BroadwayWorld! Kick off a brand new week by catching up on the latest Broadway news!
Photo Flash: First Look at AND THEN THERE WERE NONE at The Morgan-Wixson
The Morgan-Wixson Mainstage presents its third show of 2019, And Then There Were None. Directed by Michael Thomas-Visgar and produced by Larry Gesling, this classic whodunnit runs May 4 through May 26.
The Morgan-Wixson Mainstage presents its third show of 2019, And Then There Were None. Directed by Michael Thomas-Visgar and produced by Larry Gesling, this classic whodunnit runs May 4 through May 26.
The Morgan-Wixson Mainstage Presents AND THEN THERE WERE NONE
The Morgan-Wixson Mainstage presents its third show of 2019, And Then There Were None. Directed by Michael Thomas-Visgar and produced by Larry Gesling, this classic whodunnit runs May 4 through May 26.
The Morgan-Wixson Mainstage presents its third show of 2019, And Then There Were None. Directed by Michael Thomas-Visgar and produced by Larry Gesling, this classic whodunnit runs May 4 through May 26.
BWW Review: MARY POPPINS The Broadway Musical Proves Anything Can Happen When You Let It
When Santa Monica's Morgan-Wixson Theatre decided to present MARY POPPINS The Broadway Musical as the final production of their 2017-18 Mainstage season, the group had no idea how the old theater adage "The Show Must Go On" would prove the title character's belief that "anything can happen when you let it." You see, the original directing team deserted the production a month before it was due to open, with an incomplete cast in place and tickets already having been sold. How could the challenge be met on time? Let me assure you, thanks to its new directors Kristie Mattsson and Aric Martin, musical directors Andrew Lederman and Daniel Koh, choreographers Lauren Blair and Holly Weber, and producers Anne & Larry Gesling, Spencer Johnson, and Meredith Wright, I would never have known such an additional challenge had been in place given the incredible quality of the production I saw!
When Santa Monica's Morgan-Wixson Theatre decided to present MARY POPPINS The Broadway Musical as the final production of their 2017-18 Mainstage season, the group had no idea how the old theater adage "The Show Must Go On" would prove the title character's belief that "anything can happen when you let it." You see, the original directing team deserted the production a month before it was due to open, with an incomplete cast in place and tickets already having been sold. How could the challenge be met on time? Let me assure you, thanks to its new directors Kristie Mattsson and Aric Martin, musical directors Andrew Lederman and Daniel Koh, choreographers Lauren Blair and Holly Weber, and producers Anne & Larry Gesling, Spencer Johnson, and Meredith Wright, I would never have known such an additional challenge had been in place given the incredible quality of the production I saw!
Review: LITTLE WOMEN, THE MUSICAL Celebrates the Power of Family to Overcome Life's Challenges
LITTLE WOMEN, THE MUSICAL with book by Allan Knee, music by Jason Howland and lyrics by Mindi Dickstein, is based on the beloved 1869 classic novel by Louisa May Alcott. It's a song-filled adaptation of the touching tale of young love, achieving dreams, and the power of family to overcome even the most difficult of life's challenges. No doubt almost every young woman read the novel at some point during their lives, devouring the tale of the March sisters adventures (budding author Jo, practical Meg, sweet Beth, and romantic Amy) who are coming of age during the Civil War under the care of their doting mother, whom they call Marmee, while their father is away fighting for the North. They gather together to read his too infrequent letters, each warmly cuddling together around their beloved mother like a safe cocoon in a world being torn apart by violence around them.
LITTLE WOMEN, THE MUSICAL with book by Allan Knee, music by Jason Howland and lyrics by Mindi Dickstein, is based on the beloved 1869 classic novel by Louisa May Alcott. It's a song-filled adaptation of the touching tale of young love, achieving dreams, and the power of family to overcome even the most difficult of life's challenges. No doubt almost every young woman read the novel at some point during their lives, devouring the tale of the March sisters adventures (budding author Jo, practical Meg, sweet Beth, and romantic Amy) who are coming of age during the Civil War under the care of their doting mother, whom they call Marmee, while their father is away fighting for the North. They gather together to read his too infrequent letters, each warmly cuddling together around their beloved mother like a safe cocoon in a world being torn apart by violence around them.
Review: MOON OVER BUFFALO Generates Laughs Galore at the Morgan-Wixson Theatre in Santa Monica
Ken Ludwig is a two-time Olivier Award-winning playwright whose work is performed throughout the world in more than thirty countries and over twenty languages. He has written twenty-five plays and musicals, with six Broadway productions and seven in London's West End. I learned about his incredible way with comedic farce when I saw his first Broadway play, Lend Me A Tenor, which won two Tony Awards and was called 'one of the classic comedies of the 20th century" by The Washington Post. So when I heard the Morgan-Wixson Theatre in Santa Monica was presenting Ludwig's MOON OVER BUFFALO, one of his other comedic farces I had never seen before, I knew I was in for a treat watching all the missed communications, mistaken identities, secrets, and lies collide hilariously backstage. And I was not disappointed.
Ken Ludwig is a two-time Olivier Award-winning playwright whose work is performed throughout the world in more than thirty countries and over twenty languages. He has written twenty-five plays and musicals, with six Broadway productions and seven in London's West End. I learned about his incredible way with comedic farce when I saw his first Broadway play, Lend Me A Tenor, which won two Tony Awards and was called 'one of the classic comedies of the 20th century" by The Washington Post. So when I heard the Morgan-Wixson Theatre in Santa Monica was presenting Ludwig's MOON OVER BUFFALO, one of his other comedic farces I had never seen before, I knew I was in for a treat watching all the missed communications, mistaken identities, secrets, and lies collide hilariously backstage. And I was not disappointed.
BWW Review: COMPANY Musically Examines the Benefits and Pitfalls of Marriage
Over the years, I have seen many productions of COMPANY and am pleased to tell you the current production at the Morgan-Wixson in Santa Monica is by far the best one I have ever seen thanks to the brilliant direction and fabulous casting done by Kristin Towers-Rowles, herself a triple-threat performer who could no doubt shine in any of the musical's roles herself. The entire revival is perfect in all aspects including musical direction by Daniel Koh, the glorious 70s costumes designed by Michael Mullen, the fabulous multi-level New York-inspired set designed by William Wilday, evocative, attention-focusing lighting designed by Donny Jackson, and the fun choreography by Jaime Pierce, which all combine to make this the perfect introduction to Sondheim's body of work.
Over the years, I have seen many productions of COMPANY and am pleased to tell you the current production at the Morgan-Wixson in Santa Monica is by far the best one I have ever seen thanks to the brilliant direction and fabulous casting done by Kristin Towers-Rowles, herself a triple-threat performer who could no doubt shine in any of the musical's roles herself. The entire revival is perfect in all aspects including musical direction by Daniel Koh, the glorious 70s costumes designed by Michael Mullen, the fabulous multi-level New York-inspired set designed by William Wilday, evocative, attention-focusing lighting designed by Donny Jackson, and the fun choreography by Jaime Pierce, which all combine to make this the perfect introduction to Sondheim's body of work.
BWW Review: GLORIOUS! Shares Florence Foster Jenkins' Lack of Musical Talent with Comedic Flare
Santa Monica's Morgan-Wixson Theatre is sharing the comedy so prevalent in Florence Foster Jenkins performances by presenting "GLORIOUS! the True Story of Florence Foster Jenkins, the Worst Singer in The World" written by Peter Quilter through February 5, 2017. It is a hilarious and heart-warming comedy, somewhat similar to the 2016 film Florence Foster Jenkins starring Meryl Streep. As directed by Anne Gesling, and thanks to the brilliant performance of AnnaLisa Erickson as Florence, we get to know the real woman who truly believes she is the best opera singer in the world - with a remarkable ability to ignore the taunts and laughter from her critics and audiences in the pursuit of her dream. Erickson's ability to overplay Florence's brutally imperfect singing and flamboyant physical style to perfection is captivating.
Santa Monica's Morgan-Wixson Theatre is sharing the comedy so prevalent in Florence Foster Jenkins performances by presenting "GLORIOUS! the True Story of Florence Foster Jenkins, the Worst Singer in The World" written by Peter Quilter through February 5, 2017. It is a hilarious and heart-warming comedy, somewhat similar to the 2016 film Florence Foster Jenkins starring Meryl Streep. As directed by Anne Gesling, and thanks to the brilliant performance of AnnaLisa Erickson as Florence, we get to know the real woman who truly believes she is the best opera singer in the world - with a remarkable ability to ignore the taunts and laughter from her critics and audiences in the pursuit of her dream. Erickson's ability to overplay Florence's brutally imperfect singing and flamboyant physical style to perfection is captivating.
BWW Review: ALL SHOOK UP Searches for Love with the Music of Elvis Presley
The iconic music of Elvis Presley inspired writer Joe Dipietro to create ALL SHOOK UP, a musical set in 1955 utilizing the rock 'n roll star's songs. The bottom line with Elvis's music is that it makes a lot of people very happy, even 50 years after it was recorded. And Dipietro thought, what other type of entertainment form does that? And that's when he came up with the Shakespeare comedies, which are very much about love and finding your joy, marriage, passion, and all the good stuff of life. And of course, frequent cases of mistaken identity!
The iconic music of Elvis Presley inspired writer Joe Dipietro to create ALL SHOOK UP, a musical set in 1955 utilizing the rock 'n roll star's songs. The bottom line with Elvis's music is that it makes a lot of people very happy, even 50 years after it was recorded. And Dipietro thought, what other type of entertainment form does that? And that's when he came up with the Shakespeare comedies, which are very much about love and finding your joy, marriage, passion, and all the good stuff of life. And of course, frequent cases of mistaken identity!
BWW Review: PRIVATE EYES by Steven Dietz Takes a 'Comedy of Suspicion' a Bit Too Far
Nothing is ever quite what it seems. Matthew's wife, Lisa, is having an affair with Adrian, a British theatre director. Or perhaps the affair is part of the play being rehearsed. Or perhaps Matthew has imagined all of it simply to have something to report to Frank, his therapist. Finally, there is Cory-the mysterious woman who seems to shadow the others-who brings the story to its surprising conclusion. Or does she? The audience itself plays the role of detective in this hilarious "relationship thriller" about love, lust and the power of deception. But unfortunately, the PRIVATE EYES story is impossible to follow as it is so non-linear that you never know who to believe when.
Nothing is ever quite what it seems. Matthew's wife, Lisa, is having an affair with Adrian, a British theatre director. Or perhaps the affair is part of the play being rehearsed. Or perhaps Matthew has imagined all of it simply to have something to report to Frank, his therapist. Finally, there is Cory-the mysterious woman who seems to shadow the others-who brings the story to its surprising conclusion. Or does she? The audience itself plays the role of detective in this hilarious "relationship thriller" about love, lust and the power of deception. But unfortunately, the PRIVATE EYES story is impossible to follow as it is so non-linear that you never know who to believe when.
BWW Review: NEXT TO NORMAL Asks Who is Crazier? The One Who Gets Help or the One Who Hopes for the Best?
NEXT TO NORMAL tells the story of a mother, Diana Goodman, who struggles with bipolar disorder and the effect that her illness has on her family. This contemporary musical is an emotional powerhouse that addresses such issues as grieving a loss, ethics in modern psychiatry, and the day-to-day reality of suburban life. With provocative lyrics and a thrilling score, this musical shows how far two parents will go to keep themselves sane and their family's world intact. The production plays more like a modern operetta as there is little dialogue with most of the story being told via the story-forwarding song lyrics.
NEXT TO NORMAL tells the story of a mother, Diana Goodman, who struggles with bipolar disorder and the effect that her illness has on her family. This contemporary musical is an emotional powerhouse that addresses such issues as grieving a loss, ethics in modern psychiatry, and the day-to-day reality of suburban life. With provocative lyrics and a thrilling score, this musical shows how far two parents will go to keep themselves sane and their family's world intact. The production plays more like a modern operetta as there is little dialogue with most of the story being told via the story-forwarding song lyrics.
BWW Reviews: Mel Brooks' THE PRODUCERS Brings Laughter to the Max at the Morgan Wixson Theater
Bialystock and Bloom! Those names should strike terror and hysteria in anyone familiar with Mel Brooks' classic cult comedy film. Now as a big Broadway musical, THE PRODUCERS once again sets the standard for modern, outrageous, in-your-face humor. The 2001 Tony Award Winning Best Musical based on Brooks' 1968 film of the same name, has been wowing audiences around the world, and now at the Morgan Wixson Theater in Santa Monica through August 2, 2014.
Bialystock and Bloom! Those names should strike terror and hysteria in anyone familiar with Mel Brooks' classic cult comedy film. Now as a big Broadway musical, THE PRODUCERS once again sets the standard for modern, outrageous, in-your-face humor. The 2001 Tony Award Winning Best Musical based on Brooks' 1968 film of the same name, has been wowing audiences around the world, and now at the Morgan Wixson Theater in Santa Monica through August 2, 2014.
BWW Reviews: SPAMALOT Brings the Magic of Broadway to Santa Monica
It's difficult to know where to start with my praise for this outrageously spectacular production. Starting with a remarkable cast able to transform themselves into what seemed to be hundreds of characters in a matter of seconds, every single element combined brilliantly to make the production shine from start to finish.
It's difficult to know where to start with my praise for this outrageously spectacular production. Starting with a remarkable cast able to transform themselves into what seemed to be hundreds of characters in a matter of seconds, every single element combined brilliantly to make the production shine from start to finish.
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