BWW Review: A CHRISTMAS CAROL at Guthrie Theater
This week, A Christmas Carol dazzles its way back to the Guthrie. After co-directing Dickens' Holiday Classic, a film adaptation of A Christmas Carol during the 2020 holiday season, artistic director Joseph Haj is directing the 47th production of this classic at the Guthrie Theater.
BWW Review: Food, Family, Mortality in AUBERGINE at Park Square Theatre
AUBERGINE is, like its title, a quirky cross-cultural offering; like eggplant, it won't be to everyone's taste. It's a meditation circling around the ways food, family, memory, and mortality intertwine. Personally, I found it engaging though longer than it needs to be, at 2 hours and 10 minutes, including intermission.
Park Square To Open Theatre Season With AUBERGINE By Julia Cho
Park Square Theatre opens its 2019-2020 Theatre Season on the Andy Boss Trust Stage with the area premiere of Aubergine (SEPT 20 a?" OCT 20, 2019) by Julia Cho, author of The Language Archive. Aubergine will be directed by Park Square's Artistic Director Flordelino Lagundino a?" his Park Square directing debut.
Regional Premiere Of Mike Lew's TIGER STYLE! Announced At Olney Theatre Center
Tiger Style! by Mike Lew, an outrageous and cutting satire of Asian-American identity, completes Olney Theatre Center's 81st season in the Mulitz-Gudelsky Theatre Lab (July 17 - August 18, 2019). The production is directed by the boundary-pushing director Natsu Onoda Power, who recently pulled off the rare feat of winning two Helen Hayes Awards (one for direction, one for design) in a single evening. Invited press night is Saturday, July 20 at 7:45pm.
BWW Commentary: Ponder THE GREAT LEAP From Sports to Politics at the Guthrie's Proscenium Stage
The Guthrie''s Proscenium Stage recently opened a production of The Great Leap, where playwright Lauren Yee envisions two basketball games between the United States and China through two university teams: San Francisco University (SFU) and Beijing University. One of the play's premises asserts that the SFU coach, Saul, claimed to the Beijing coach Wen Chang at the first 1971 game: "No Chinese team will ever beat a US. basketball team."
BWW Review: THE GREAT LEAP Just Misses at Guthrie Theater
Lauren Yee is a talented playwright, with an ear for fast dialogue and a knack for creating pithy lines that work on several levels. This skill is clear in the title of her cross-cultural play now on the big proscenium stage at the Guthrie, and also pops up periodically through the two-act show. While the piece traverses some promising thematic terrain, it is too choppy and a little too predictable to work fully.
BWW Review: WE, THE INVISIBLES at Actors Theatre Of Louisville
Documentary-style theater is not a genre I am well-versed in. It very well may be that I have missed out on a preponderance of strong examples, but the only play that springs to mind readily is Moises Kaufman's The Laramie Project. Like that play, Stanton's we, the invisibles employs personal anecdote, newspaper articles, interviews and creative nonfiction devices to educate on and proliferate the significance of important social issues. In the case of invisibles, the anchor is the real-life alleged rape of a maid named Nafissatou Diallo by infamous former International Monetary Fund Leader Dominique Strauss-Kahn.
Annual PlayLabs Festival Runs October 17"23 at the Playwrights' Center
The Playwrights' Center's 45th anniversary season kicks off October 17 with PlayLabs, a week-long new play festival featuring Core Writers Christina Ham ('West of Central'), Susan Soon He Stanton ('we, the invisibles') and Ken Urban ('The Remains'). Tickets are free and can be reserved at pwcenter.org/playlabs.
BWW Review: Playwright Michael Elyanow Reimagines MEDEA in the Uncategorizable THE CHILDREN at Pillsbury House Theatre
Medea. Even if, like me, you've never seen or read the play, we all know the story of the mother who kills her children. Worst mother ever, right? But maybe, as they say on CRAZY EX-GIRLFRIEND, the situation is a bit more nuanced than that. Maybe there's more to the story, maybe other people in the story see it differently. Playwright Michael Elyanow (see also the beautiful play with music LULLABY) wanted to explore the story from the children's viewpoint. He writes in the playbill, 'I started writing THE CHILDREN as a response play where somebody does take action to defend those kids. In the writing, the piece revealed itself to be a fever dream, a time-traveling mystery, a fish-out-of-water comedy, a theatrical event with a perception shift in every scene until we get at what the play is ultimately, singularly about: trauma survival.' That's about as good of a description as I could imagine. THE CHILDREN is not an easy play to categorize, but it is a wonderful one to experience for 80 minutes. It'll challenge your perception of Medea, as well as your perception of time and space.
Playwrights' Center Announces 45th Anniversary Season
Since its founding in 1971, the Playwrights' Center has been imagining theater forward. For decades it has been one of the nation's most important organizations for developing new plays and launching the careers of playwrights.