Photo Flash: GREASE Opens May 9 At GP Theatre
by Elisabeth Nebeker - Apr 23, 2010
The all-American ‘50s musical Grease, Grosse Pointe Theatre's last show of the season, opens Sunday, May 9th with a 2:00 p.m. matinee. Additional performances are May 13-15 at 8:00 p.m., May 16 at 2:00 p.m., May 19-22 at 8:00 p.m. and May 23 .4:00 p.m. Tickets are $22.00. Call 313-881-4004 or go to www.gpt.org for tickets or more information.
Meadow Brook Theatre Presents NO STRINGS ATTACHED
by BWW News Desk - Mar 23, 2010
Meadow Brook Theatre's 2009-2010 season interns proudly present two one act shows that are sure to keep audience members rolling in the aisles. This uproarious evening starts off with Puppet Play by Robert "Bo" Anderson. Big D is the successful star of a children's puppet show, yet his inability to cope with his emerging identity crisis puts the show in jeopardy. Similarly Mark's inability to acknowledge his feelings for Tina puts their relationship in peril. Will everyone own up to their true feelings and faults or will they continue to be society's puppets?
Meadow Brook Theatre Presents NO STRINGS ATTACHED, 3/22-3/23
by BWW News Desk - Mar 22, 2010
Meadow Brook Theatre's 2009-2010 season interns proudly present two one act shows that are sure to keep audience members rolling in the aisles. This uproarious evening starts off with Puppet Play by Robert "Bo" Anderson. Big D is the successful star of a children's puppet show, yet his inability to cope with his emerging identity crisis puts the show in jeopardy. Similarly Mark's inability to acknowledge his feelings for Tina puts their relationship in peril. Will everyone own up to their true feelings and faults or will they continue to be society's puppets?
Meadow Brook Theatre Presents NO STRINGS ATTACHED
by BWW News Desk - Feb 23, 2010
Meadow Brook Theatre's 2009-2010 season interns proudly present two one act shows that are sure to keep audience members rolling in the aisles. This uproarious evening starts off with Puppet Play by Robert "Bo" Anderson. Big D is the successful star of a children's puppet show, yet his inability to cope with his emerging identity crisis puts the show in jeopardy. Similarly Mark's inability to acknowledge his feelings for Tina puts their relationship in peril. Will everyone own up to their true feelings and faults or will they continue to be society's puppets?