Review: BLITHE SPIRIT at Seattle Rep
Dear Readers, I do love a good farce. That rollicking romp with oodles of physical comedy and improbable situations. Combine that with a good comedy of manners and it’s gold. What that spells is Noël Coward’s classic “Blithe Spirit” and lucky for us, it’s playing at the Seattle rep. And while there were a few little hiccups, the show is a laugh riot!
Denver Center Theatre Company Announces Playwrights For The 18th Annual Colorado New Play Summit
The Denver Center Theatre Company has announced playwrights, dates, and details for the 2024 Colorado New Play Summit (CNPS). The 18th annual festival will take place over one weekend on February 24-25, and feature readings of new plays by Terence Anthony, Nina McConigley and Matthew Spangler, Andrew Rosendorf, and Vauhini Vara. The festival will also feature 2022 CNPS World Premieres, Cebollas by Leonard Madrid and Rubicon by Kirsten Potter.
BWW Review: Seattle Rep's World Premiere IBSEN IN CHICAGO Tickles While It Captivates
When a show works, when all the elements come together from cast to crew, from set to script, it's just a joy to behold. But when that script is a brand-new piece and you realize you're seeing the birth of something incredible it becomes even more special. Such is the case with the World Premiere of David Grimm's 'Ibsen in Chicago' currently playing at the Seattle Rep, a wonderful new work that manages to sneak up on you with how engaging and meaningful it is amidst all the laughs.
Photo Flash: Seattle Rep presents World Premiere of IBSEN IN CHICAGO
With great excitement, Seattle Repertory Theatre presents its world premiere production of the new comedy, Ibsen in Chicago. The story from playwright David Grimm (Measure for Pleasure; The Miracle at Naples) follows a group of Scandinavian immigrants working to put on the world premiere of Ghosts, a new play by the revered and controversial Norwegian dramatist of the time, Henrik Ibsen. Ibsen in Chicago was commissioned and developed by Seattle Rep through the organization's 'The Other Season,' program, and will run February 2 - March 4, 2018 (opening night is Wednesday, February 7, 2018) in the Leo K. Theatre. Tickets are on sale now through the Seattle Rep Box Office at 206.443.2222 and online at seattlerep.org.
Seattle Rep presents World Premiere of IBSEN IN CHICAGO
With great excitement, Seattle Repertory Theatre presents its world premiere production of the new comedy, Ibsen in Chicago. The story from playwright David Grimm (Measure for Pleasure; The Miracle at Naples) follows a group of Scandinavian immigrants working to put on the world premiere of Ghosts, a new play by the revered and controversial Norwegian dramatist of the time, Henrik Ibsen. Ibsen in Chicago was commissioned and developed by Seattle Rep through the organization's 'The Other Season,' program, and will run February 2 - March 4, 2018 (opening night is Wednesday, February 7, 2018) in the Leo K. Theatre. Tickets are on sale now through the Seattle Rep Box Office at 206.443.2222 and online at seattlerep.org.
Complete Casting Announced For Seattle Rep's World Premiere Of IBSEN IN CHICAGO
Seattle Repertory Theatre today announced the full ensemble cast of its world premiere production of playwright David Grimm's clever comedy, Ibsen in Chicago. Under the direction of Artistic Director Braden Abraham, Ibsen In Chicago follows an unlikely ensemble of Scandinavian immigrants as they work to rehearse a controversial new play written by their fellow countryman Henrik Ibsen.
BWW 2016 Seattle Critic's Choice Awards (Jay's Picks)
It's been a crazy year, Dear Readers. Lots of ups, lots of downs, and LOTS of emotions. And I'm not just talking about on stage. But let's not dwell on the bad things that may have happened in the world and focus on some of the amazing things Seattle theater companies gave us this past year, and let me tell you there were quite a few. So many in fact that in some categories I simply had to call out more than the usual Honorable Mentions as some performances just needed to be noted. You'll see what I mean especially when you get to the female categories as the ladies were certainly bringing it this year.
But let's get started shall we? Out of the myriad shows I saw this year in Seattle, here are the shows and performances that truly stood out to me.
BWW Review: Powerful Political and Historical Tension in ACT's World Premiere DAISY
In our current political climate where candidates regularly hurl insults at each other on things such as penis size it's hard to remember that politics used to be about the candidate's stand on issues as well. So when did that change? When did we go from building up our own candidate in an ad to tearing down the other candidate with scandal, derision and fear? ACT might have the answer to that with their world premiere play "Daisy" that takes a look into the creation of one of the most infamous political ads and one of the first attack ads ever created.
ACT to Stage World Premiere of Political Thriller DAISY
With a Presidential election looming, a group of advertisers working for Lyndon B. Johnson unleash the most infamous political commercial ever conceived, the "Daisy ad". The ad played once, but it carved a scar into the American psyche. Based on actual persons and events, ACT presents the world premiere of political thriller Daisy by Sean Devine. This explosive play explores the power of manipulation in advertising and the clear moment in television history that launched the age of negative attack ads, and forever changed how we elect our leaders.
ASSASSINS, 2016 Young Playwrights Festival & More Coming Up at ACT
A Contemporary Theatre announces the spring shows that will occur during the debut season of Artistic Director John Langs. Highlights include the haunting and hilarious musical Assassins, the sixth co-production with The 5th Avenue Theatre, is now running through May 8. ACT celebrates eight talented writers in the 2016 Young Playwrights Festival Mar 10-12 and the world premiere of Worse Than Tigers opens Mar 24. April brings the heartbreaking, hilarious, sort-of-adaptation of Anton Chekhov's The Seagull with Aaron Posner's Stupid f**king Bird.
Artistic Director John Langs Introduces ACT Theatre's Core Company
ACT - A Contemporary Theatre and Artistic Director John Langs are thrilled to announce ACT's first Core Company. Each year, a group of actors will join ACT in a year-long creative endeavor, performing and contributing as artistic ambassadors to ACT's Mainstage season. Langs has assembled the talents of Keiko Green, Kirsten Potter, Lorenzo Roberts, Jasmine Jean Sim, G. Valmont Thomas, Connor Toms, and R. Hamilton Wright for 2016.
BWW Reviews: ACT's SEVEN WAYS TO GET THERE Feels Anticlimactic
There are two main problems with doing a show about therapy, such as ACT's world premiere of "Seven Ways to Get There" currently playing. First, that someone else's therapy on stage can be good for the author but often times deadly for the audience. Luckily Bryan Willis and Dwayne J. Clark's new play avoids that trap. But the larger trap is that therapy doesn't really have a definite ending so you either portray an unrealistic look at the world of therapy or, as is the case here, the play just kind of ends as the people involved with the therapy continue onward working on their issues. And while the show definitely has engaging characters and performances, that lack of closure and finality for the audience doesn't work out so well theatrically.
BWW Reviews: Deconstructed Feminism in ACT's RAPTURE, BLISTER, BURN
Even from childhood we've always wanted what the other kid has. You never wanted to play with a toy so much as when someone else is playing with it. Such is the way sometimes with relationships, specifically the ones in "Rapture, Blister, Burn" currently playing at ACT. But even the relationship issues are only a small part of the show as it also takes a witty look at how far feminism has come and how far we still have to go.