BWW Review: ROMEO AND JULIET, Regent's Park Open Air Theatre
“Two households, both alike in dignity”, and so begins arguably Shakespeare’s most popular tragedy. In 424 years since its premiere it’s safe to say not all productions have been alike in status - unlike the famous Capulet and Montague houses of Verona. Romeo Montague and Juliet Capulet might as well be the most beloved and regarded couple of the past five centuries. But is Romeo and Juliet a love story? In short, no, not really. It’s a political tragedy that features immature teenage infatuation.
Regent's Park Open Air Theatre Announces the Return of MISCHIEF MOVIE NIGHT
Other acts previously announced including Luisa Omielan, Aisling Bea, Jimmy Carr and Paul Chowdhry, and Canned Laughter present a comedy fundraiser in support of the Trussell Trust featuring Lolly Adefope, Kemah Bob, Jen Brister, Bridget Christie, Ed Gamble, Rosie Jones, Jamali Maddix, Rose Matafeo, Mawaan Rizwan, and Suzi Ruffell.
Regent's Park Open Air Theatre Confirms Extended 2021 Season
Regent's Park Open Air Theatre led the industry last summer, being the first major London theatre to re-open amidst the coronavirus pandemic. Welcoming audiences of over 30,000, the theatre was widely celebrated as being at the forefront introducing new measures to safeguard theatre audiences, performers and staff.
History Re-Visited This October At The RSC With THE WHIP
The Royal Shakespeare Company has today announced that Juliet Gilkes Romero's urgent and provocative new play, The Whip, will receive its online premiere this October as part of Black History Month. The new audio recording is commissioned by the Royal Shakespeare Company and directed by Kimberley Sykes.
Regent's Park Open Air Theatre Announce Creative Teams For ROMEO AND JULIET and CAROUSEL
Regent's Park Open Air Theatre have today confirmed the lead creatives for Romeo and Juliet and Carousel, which play during their 2020 season. Creating Romeo and Juliet (27 June a?" 25 July), director Kimberley Sykes is joined by Naomi Dawson (designer), Shelley Maxwell (movement director), Lee Curran (lighting designer) and Giles Thomas (sound designer and composer). Joining the already announced director Timothy Sheader and choreographer Drew McOnie to create Carousel (31 July a?" 19 September) are Tom Scutt (set and costume designer), Tom Deering (musical supervisor), Aideen Malone (lighting designer) and Nick Lidster for Autograph (sound designer).
RSC Announces Casting For THE WHIP
As the 19th Century dawns, politicians of all political persuasions gather in London to abolish the slave trade once and for all. But will the price of freedom turn out to be a multi-billion pound pay off to the slave owners, even though such a bailout could drive the country into economic and political ruin?
BWW Review: AS YOU LIKE IT, Barbican Centre
After spending most of the year in its hometown of Stratford-upon-Avon, the Royal Shakespeare Company's newest As You Like It kicks off their London Season at the Barbican Centre. Directed by Kimberley Sykes, the production is a delicate and inventive voyage into a Forest of Arden that feels truer than Shakespeare's fictional real world. It never forgets that it's a comedy at heart, and Lucy Phelps' precise physicality plays into the genre. She has Rosalind win the audience's fondness wink by wink, pulling them towards her side through chuckles and playful nudges.
& JULIET Leads November's Top 10 New London Shows
London is never short of temptations, whether splashy West End shows, epic dramas or bold fringe offerings. From highly anticipated musicals to mountaineering and Welsh apocalypse, here are some of this month's most eye-catching openings. Don't forget to check back for BroadwayWorld's reviews, interviews and features!
Royal Shakespeare Company Announces 2020 Summer Season
On announcing the season Gregory Doran, RSC Artistic Director, said: a?oeCreated in Stratford-upon-Avon, shared around the world, crossing borders of creativity, community, culture and technology, our new season celebrates Shakespeare's unique contribution to world culture, whilst at the same time asking us to consider our own place within society, our families and community. Whether experiencing our work on stage in Stratford-upon-Avon, on nationwide tours, in schools and local communities, through live cinema screenings or via the latest digital innovations, the shared experiences and emotional connections forged through live theatre feel as urgent and necessary today as they ever havea??.