SRO Productions' SILENCE! THE MUSICAL Begins Today
SILENCE! The Musical (lyrics & music by Jon Kaplan & Al Kaplan and book by Hunter Bell) is being produced by Standing Room Only Productions at Obsidian Theater (www.obsidiantheater.org). With direction by Chris Patton, music direction by Eduardo Guzman, choreography by Eric Dano and assistant direction and stage management by Lauren Hainley, the production begins today, June 9, and continues through June 25, 2016.
BWW Interview: SRO Productions Talks SILENCE!
I got the opportunity to speak with actors Chris Gibson and Rachel Landon, Stage Manager Lauren Hainley, and Choreographer Eric Dano about SRO's upcoming production of SILENCE! THE MUSICAL. The musical is a parody of the 1991 Academy Award winning film, THE SILENCE OF THE LAMBS starring Jodie Foster and Anthony Hopkins.
The show is directed by Chris Patton and stars Chris Gibson, Rachel Landon,Bryan Kaplun, Chaney Moore, Tom Stell, Kiefer Slaton, Maryann Williams, Taelon J. Stonecipher, and Heather Buzonas. SILENCE! THE MUSICAL will make its Houston premiere and run from June 9 - June 25, 2016 at Obsidian Theater.
Photo Flash: Meet the Cast of SRO Productions' SILENCE! THE MUSICAL
SILENCE! The Musical (lyrics & music by Jon Kaplan & Al Kaplan and book by Hunter Bell) will be produced by Standing Room Only Productions at Obsidian Theater (www.obsidiantheater.org). With direction by Chris Patton, music direction by Eduardo Guzman, choreography by Eric Dano and assistant direction and stage management by Lauren Hainley, the production will run June 9 through June 25, 2016. BroadwayWorld has a sneak peek at the cast in costume below!
SRO Productions to Stage SILENCE! THE MUSICAL This Summer
SILENCE! The Musical (lyrics & music by Jon Kaplan & Al Kaplan and book by Hunter Bell) will be produced by Standing Room Only Productions at Obsidian Theater (www.obsidiantheater.org). With direction by Chris Patton, music direction by Eduardo Guzman, choreography by Eric Dano and assistant direction and stage management by Lauren Hainley, the production will run June 9 through June 25, 2016.
Photo Flash: Inside Look at SPEAKEASY: A NEW MUSICAL, Now in Performances!
SPEAKEASY is a new musical revue conceived, written and developed by Houstonian's Rachel Landon and Liz Tinder. The world premiere will be stage April 1 - 16 at Obsidian Theater. Tickets can be purchased at www.sro-productions.com or call 713-300-2358. SPEAKEASY is a lavish, gin soaked romp that dives into the Prohibition with both feet and will leave you thirsty for more.
BWW Review: THE ROCKY HORROR SHOW at Pitch Me This Productions
Pitch Me This Productions has done a great job bringing THE ROCKY HORROR SHOW to life for this year's annual dose of absolute pleasure and sins of the flesh. The circus idea is fun, even if it doesn't truly make a ton of thematic sense with the Gothic material.
BWW Interview: Eduardo Guzman from Pitch Me This (PMT) Talks MIDTOWN LIVE 2K15
Pitch Me This (PMT) Productions has decided to take MIDTOWN LIVE, the 'concert that started it all', on tour. PMT proudly kicks off its second season with its signature musical theater concert MIDTOWN LIVE 2K15 (tour).
I had a conversation with Artistic Director, Eduardo Guzman, about the show which opens Thursday August 20, 2015 at Island ETC in Downtown Galveston and will tour through Art Park Players in Deer Park and the Alley Kat Bar & Lounge in Houston.
BWW Reviews: Stage Door's LEGALLY BLONDE Makes You Think Pink
While I, and all of the other insanely giving and informed people, have always been aware that self-centeredness and shallow preoccupations are not traits of silly, frivolous women but of silly, frivolous people - LEGALLY BLONDE has convinced the world and looked fabulous doing it. What? Like it's hard. Well, it is hard. Duh. That's why it's impressive.
BWW Reviews: Pearland Thatre Guild's TARZAN is Wholly Entertaining
The stage musical of TARZAN may be Disney's biggest Broadway flop. The company reportedly sunk anywhere between $12 million to $15 million into the overinflated musical. The problem that may reviewers and audiences had with the show was that the often-repeated stunning visuals ceased to be astounding after about the first 10 minutes of the production. When I saw that the Pearland Theatre Guild was producing the musical, I initially thought that the community theater group must have been completely out of their minds to program such an ambitious and notoriously unsuccessful musical. With the allure of the macabre, I was drawn to the production thinking I'd see a train crash into a sinking ship. To my surprise, the Houston premiere production was rather buoyant and wholly entertaining.