Critics' Choice: Christiana Rose's Best Children's Shows of 2024
In an evolving year of children’s theatre, the themes of climate change and sustainability reign supreme, with a lean towards immersive and inclusive theatre with excellent changes in the industry meaning prior access resources are provided as a matter of course. These resources are often made available in the form of helpful visual guides, sensory and symbol maps, all of which are brilliantly inclusive for those with neurodiversity or additional needs.
Review: ROUGH MAGIC, Shakespeare's Globe
At Rough Magic prepare to enter Shakespeare’s wondrous world to become a Guardian of Destiny. The audience interaction is aimed at children in the audience, who choose which department they wish to join. Options include Fairy, Ghost, Spirit or Witch. The playful atmosphere is instantly set at The Sam Wanamaker Playhouse, the beautiful Jacobean-styled candle-lit indoor small theatre, which is located within Shakespeare’s Globe.
Review: MIDSUMMER MECHANICALS, Globe Theatre
Whether you’re bored by the Bard or a dedicated groundling, taking children to see Shakespeare is a daunting prospect. But be not afeard; for this summer the Globe premieres its first full-scale production for families. And it’s an absolute dream.
BWW Review: SLEEPING BEAUTY AND THE BEAST and PUSS IN MOON BOOTS, Battersea Arts Centre and On Demand
The Sleeping Trees are doing it all. After their phenomenal first online lockdown panto from last year, they’re back not only with an in-person takeover of Battersea Arts Centre, but with an incredible on-demand show too. Catering for all types of audiences and their needs, Sleeping Beauty and the Beast (at the theatre) and Puss in Moon Boots (in living rooms everywhere) couldn’t be more different, but they both share Sleeping Trees’ perfectly brilliant Christmas spirit. Unlikely heroes and evil villains lead to adventures like no others in their utterly unexpected and captivating mash-ups.
BWW Review: THE LEGEND OF MOBY DICK WHITTINGTON, YouTube
Not even a pandemic could stop brilliant comedy trio Sleeping Trees to spread their customary Christmas cheer. In a year ridden with uncertainty and the subversion of habitual theatre conventions, the company have created a joyous, hilarious, heartwarming, and absolutely ingenious panto for the whole family to enjoy - preferably in their jammies.
BWW Review: GOLDILOCKS AND THE THREE MUSKETEERS, Battersea Arts Centre
Comedy trio Sleeping Trees bring Christmas to Battersea Arts Centre with their latest fairy-tale mash-up. After Cinderella and the Beanstalk and Scrooge and the Seven Dwarves, James Dunnell-Smith, Joshua George Smith, and John Woodburn venture into Wonderland in classic Sleeping Trees style. Goldilocks and the Three Musketeers is rambunctious and properly laugh-out-loud funny.
Photo Flash: RED RIDING HOOD VERSUS THE WOLF Opens in Milton Keynes
After a run of sold out previews, Stantonbury Theatre's second in-house pantomime opens for the festive season tonight. Directed by Stantonbury artistic director Lucy Cuthbertson and written by Kerry Frampton and Ben Hales, the show takes a fresh look at the well-known tale of Red Riding Hood in what is becoming a recognisably Stantonbury style - rejecting expectations, challenging the stereotypes of classic fairy tales, foregrounding female protagonists and genuinely offering something for every generation.
Photo Flash: ROBIN HOOD Opens At Stantonbury Theatre
Noted theatrical idiots Splendid Productions team up with panto powerhouse Greenwich Theatre and the legendary performers of Stantonbury Campus to present the most swash-buckling pantomime in the land and put an arrow in your bow, a song in your heart and a smile on your face - an unmissable Christmas treat for all the family!