Keith White's EGO SHOW In Concert To Play At Green Room 42
Broadway performer Keith White will present his solo show EGO SHOW at Green Room 42, showcasing an unseen side of himself through various characters, all controlled by their ego. Directed by Jordan Goodsell and accompanied by a 4 piece band.
Photos: Bobby Conte Brings ALONG THE WAY To Birdland
Birdland presented Bobby Conte in “Along the Way,” a solo concert celebrating his debut studio album. The concert featured an eclectic array of songs, all re-imagined and orchestrated by conductor/musician and producer, James Sampliner. Check out photos here!
Feinstein's 54 Below is Celebrating Valentine's Day
This February, FEINSTEIN'S/54 BELOW, Broadway's Supper Club & Private Event Destination, presents some of the brightest stars from Broadway, cabaret, jazz, and beyond celebrating Valentine's Day. To purchase tickets or for more information, visit www.54Below.com/Feinsteins or call (646) 476-3551.
BWW Review: EMERGENCY Has Hearts Racing at Hudson Guild Theater
Written by a father-son team (the perfect combination of doctor and composer), EMERGENCY features book, music and lyrics by Jeff Foy and Jacob Foy and is directed by Jeremy Quinn. In association with Visceral Entertainment, the production recently concluded a three-performance run at Hudson Guild as part of the New York Theater Festival's SummerFest series. Winner of the Ken Davenport Inner Circle Grant and the truly the perfect blend of comedy and the kind of drama that puts life into perspective, EMERGENCY wowed its audiences straight through to a standing ovation, and has undoubtedly left an impression on this critic's mind.
Alex Brightman, Alex Wyse, & More Will Perform THE SONGS OF DREW GASPARINI
FEINSTEIN'S/54 BELOW, Broadway's Supper Club, will present a Re-release Party for Drew Gasparini's beloved album I COULD USE A DRINK: THE SONGS OF DREW GASPARINI on Monday, September 9th, 2019 at 7pm and 9:30pm. Gasparini will be joined by original vocalists from the album including Alex Brightman (Beetlejuice, School of Rock), Kacie Sheik (Hair), Alex Wyse (Waitress, Spring Awakening), and more.
54 SONGS. 54 SINGERS. 54 SECONDS EACH. Returns To Feinstein's/54 Below
Back by popular demand after a wildly successful first edition in 2018, 54/54/54 features the longest setlist in Feinstein's/54 Below's history as 54 singers perform 54-second versions of their favorite songs, ranging from musical theatre, to pop, to originals, and everything in between.
BWW Review: BIRDY: Timeless Story of War and Friendship Achieves Liftoff at CommShakes
Pigeon keepers are an interesting and unique, albeit diminishing, subset of humans, and within that group is a subset, presumably small, of people who identify with the birds. Taking it one step further, Birdy, the protagonist in Naomi Wallace's adaptation of William Wharton's novel BIRDY, identifies, not with, but as a bird. Strange as it sounds, it may be the most sane response to an insane world in this drama that toggles back and forth between a pre-World War II Philadelphia suburb and an Army hospital in post-war Kentucky. It is a war story that plays out on the battlefield of an intense, intimate friendship, where the psychological wounds are more damaging and enduring than the physical ones. Steve Maler's skillful direction unleashes a dazzling palette of colorful performances, each actor contributing a broad brush stroke to the communal masterpiece.
Neil Simon's BROADWAY BOUND Bursts Onto Lewis University's Philip Lynch Theatre
Lewis University's Philip Lynch Theatre (PLT) continues 'chasing the dream' with the 3rd installment to Neil Simon's autobiographical trilogy, Broadway Bound. Simon has won three Tony Awards, a Pulitzer Prize, the Kennedy Center's Mark Twain Prize for American Humor, and has been nominated for four Academy Awards for his various plays and screenwritings. He has written over 30 plays and during the 1967 Broadway Season had four of his plays in production at the same time (Barefoot in the Park, The Odd Couple, Sweet Charity, and The Star-Spangled Girl). In 1987, Broadway Bound received four nominations for the Best Play and Drama Desk Award, was a nominee for the Tony Award Best Play, and was a finalist for the Pulitzer Prize in Drama.