Katherine Litz

Dancer, Choreographer and Teacher Aileen Passloff Has Passed Away

Aileen Passloff, dancer/choreographer/teacher and inspiration to generations of dancers, has passed away Tuesday, November 3rd, at 10:45 PM after a brave five-year battle with breast cancer.  Arthur Aviles and Charlotte Hendrickson, two of Aileen's longtime friends and company members, were with her when she died.

Gerard Forde to Lead Q&A Following Performance of FREDDY

Curator, writer and translator Gerard Forde will lead a Q&A discussion following the Thursday, Sept. 28 performance of Freddy at the Caminito Theatre on the campus of Los Angeles City College.

Fountain Theatre's FREDDY World Premiere to Tell Story of '60s Avant-Garde Hero

A naive young woman falls under the spell of Fred Herko, a brilliant ballet dancer of extraordinary charisma and talent and a fiery denizen of Andy Warhol's Factory.

Fountain Theatre's FREDDY World Premiere to Tell Story of '60s Avant-Garde Hero

A naive young woman falls under the spell of Fred Herko, a brilliant ballet dancer of extraordinary charisma and talent and a fiery denizen of Andy Warhol's Factory.

David Gordon's DANCING HENRY FIVE Opens at Peak Performances, 10/6-9

David Gordon has the rare gift of slyly slipping profound commentary into what appears a wacky good time. Example: 'DANCING HENRY FIVE,' which will be revived after four years at Peak Performances, October 6-9. Using physical staging, movie, music and select bits of Shakespeare's own language, this severely condensed version (from five hours to one hour) of the Bard's anti-war play takes on contemporary relevance through its veiled, and sometimes not-so-veiled, allusions to present day politics, love and war, proving some things never change.

David Gordon's DANCING HENRY FIVE Opens at Peak Performances

David Gordon has the rare gift of slyly slipping profound commentary into what appears a wacky good time. Example: 'DANCING HENRY FIVE,' which will be revived after four years at Peak Performances, October 6-9. Using physical staging, movie, music and select bits of Shakespeare's own language, this severely condensed version (from five hours to one hour) of the Bard's anti-war play takes on contemporary relevance through its veiled, and sometimes not-so-veiled, allusions to present day politics, love and war, proving some things never change.