Dancer, Choreographer and Teacher Aileen Passloff Has Passed Away
Aileen Passloff, dancer/choreographer/teacher and inspiration to generations of dancers, has passed away Tuesday, November 3rd, at 10:45 PM after a brave five-year battle with breast cancer. Arthur Aviles and Charlotte Hendrickson, two of Aileen's longtime friends and company members, were with her when she died.
David Gordon's DANCING HENRY FIVE Opens at Peak Performances, 10/6-9
David Gordon has the rare gift of slyly slipping profound commentary into what appears a wacky good time. Example: 'DANCING HENRY FIVE,' which will be revived after four years at Peak Performances, October 6-9. Using physical staging, movie, music and select bits of Shakespeare's own language, this severely condensed version (from five hours to one hour) of the Bard's anti-war play takes on contemporary relevance through its veiled, and sometimes not-so-veiled, allusions to present day politics, love and war, proving some things never change.
David Gordon's DANCING HENRY FIVE Opens at Peak Performances
David Gordon has the rare gift of slyly slipping profound commentary into what appears a wacky good time. Example: 'DANCING HENRY FIVE,' which will be revived after four years at Peak Performances, October 6-9. Using physical staging, movie, music and select bits of Shakespeare's own language, this severely condensed version (from five hours to one hour) of the Bard's anti-war play takes on contemporary relevance through its veiled, and sometimes not-so-veiled, allusions to present day politics, love and war, proving some things never change.
David Gordon's DANCING HENRY FIVE Opens at Peak Performances, 10/6-9
David Gordon has the rare gift of slyly slipping profound commentary into what appears a wacky good time. Example: 'DANCING HENRY FIVE,' which will be revived after four years at Peak Performances, October 6-9. Using physical staging, movie, music and select bits of Shakespeare's own language, this severely condensed version (from five hours to one hour) of the Bard's anti-war play takes on contemporary relevance through its veiled, and sometimes not-so-veiled, allusions to present day politics, love and war, proving some things never change.