Kate Wingfield

Review Roundup: KLEPTOCRACY At Arena Stage

Arena Stage at the Mead Center for American Theater presents the world premiere of Kenneth Lin's timely cautionary tale of capitalism run amok, Kleptocracy. Inspired by the power struggle between the richest of the Oligarchs and an ambitious Vladimir Putin after the collapse of the Soviet Union, Lin (House of Cards) explores U.S. - Russia relations then and now. Directed by Jackson Gay, and by special arrangement with Robert Ahrens, Mickey Liddell and Michael Mills, Kleptocracy runs January 18 - February 24, 2019 in the Kreeger Theater.

Review Roundup: MACBETH with Machine Guns at Shakespeare Theatre

Provocative director Liesl Tommy brings Broadway savvy, storytelling flair and a revolutionary sensibility to Macbeth, Shakespeare's masterpiece of suspense. In a world beset by civil war and invasion, Macbeth and his artful lady begin a series of murders, designed to further their own ambitions, only to plunge their lives into madness.

Review Roundup: WNO's DEAD MAN WALKING

The Washington National Opera opened Dead Man Walking on February 25, which continues throughMarch 11, 2017 in the Opera House. It is based on Sister Helen Prejean's acclaimed 1993 memoir, which tells of her time working with death row inmates at Louisiana State Penitentiary and of a particular relationship she developed with one of the inmates. The opera explores the human conflicts posed by society's demands for vengeance and the Christian imperative for forgiveness and love. The lyrical score by composer Jake Heggie (WNO's Moby-Dick, 2014) is widely regarded as a modern classic, while Terrence McNally's balanced libretto has been called one of the most perfect librettos of an American opera ever written.