Review: JANE EYRE at Austin Shakespeare
Austin Shakespeare’s production of Jane Eyre offers a strikingly modern and feminist take on the iconic story of a woman’s resilience against the oppressive forces of her time. With music, movement, and a thoughtful focus on Jane’s journey as a woman rather than just her romantic entanglements, this production breathes new life into the well-known narrative.
JANE EYRE Comes to Austin Shakespeare Next Month
Austin Shakespeare will be the first American theater company to stage a new version of Jane Eyre, recently developed by the National Theatre of Great Britain and The Bristol Old Vic Theatre. It will run Nov. 9-24 at the Long Center’s Rollins Theatre with a low-priced preview Nov. 8. Regular tickets start at $28.
Review: Kristin Chenoweth and Alan Cumming at Wolf Trap
Every once in a while, you see the billing for a concert and think to yourself “That’s an interesting combination”. This was my exact thought at Wolf Trap with Broadway superstars Kristin Chenoweth and Alan Cumming on the same bill. Don’t get me wrong, their talent is not to be questioned. It’s more the fact that Kristin Chenoweth has a very squeaky clean Christian raised wholesome personality while Alan Cumming is more no filter. Based on that, the evening felt like two different concerts with me and my wife enjoying one half of the program more than the other.
BWW Q&A: Rebekah Scallet on RED at New Jewish Theatre
New Jewish Theatre presents Red by John Logan. Running Thursday, July 25 through Sunday, August 11, performances will take place in the J’s Wool Studio Theatre. Rebekah Scallet (Artistic Director) is in her second full season with the New Jewish Theatre. Last season she directed the St. Louis Theatre Circle Award-nominated production of The Immigrant.
Review: RED at New Jewish Theatre is a Stimulating Story About an Artist and His Art
The New Jewish Theatre’s production of John Logan’s RED is sensational. Knoll’s directorial vision immerses the audience into Rothko’s studio, his painting techniques, and his fragile mind. Harris and Petrillo’s phenomenal portrayal and the production staff’s sensational work create a stimulating and layered story about both the artist and his art.
Review: The McCallum Theatre Hosts an Intimate Evening with Kristin Chenoweth
From the moment her iconic voice could be heard singing a gentle ballad version of 'Que Sera Sera' from off-stage the audience could feel that familiar warmth of authenticity fill the entire theatre. A friend, an ally, a spiritual powerhouse of talent was about to enter. When the gorgeous 4'11' frame dressed in a navy blue sequin knee-length dress, and silver three-inch bejeweled platform heels walked into the spotlight she was greeted by thunderous applause. With every word she sang of the 1956 Doris Day hit it felt like a large invisible hand reached out and captured all 1,127 people in attendance; we gladly remained there for the duration of the evening.
'RAYMOND SCOTT REIMAGINED' Releases on Violinjazz Recordings
Violinjazz Recordings, the label of acclaimed Grammy-nominated musician Jeremy Cohen, principal violinist and founder of Classical Crossover specialists Quartet San Francisco, has announced the release of 'Raymond Scott Reimagined,' an unprecedented new collaboration teaming Quartet San Francisco with accomplished Grammy/Emmy Award-winning composer/producer/arranger Gordon Goodwin and revered Grammy-winning a cappella group Take 6.
RAYMOND SCOTT REIMAGINED, An Unprecedented Musical Journey Arrives July 21 Via Violinjazz Recordings
Violinjazz Recordings, the label of acclaimed Grammy-nominated musician Jeremy Cohen, principal violinist and founder of Classical Crossover specialists Quartet San Francisco, has announced the release of 'Raymond Scott Reimagined,' an unprecedented new collaboration teaming Quartet San Francisco with accomplished Grammy/Emmy Award-winning composer/producer/arranger Gordon Goodwin and revered Grammy-winning a cappella group Take 6.