Tesseract Theatre Company Wins Big at the 2025 St. Louis Theater Circle Awards Gala
by James Lindhorst - Mar 25, 2025
Tesseract Theatre Company dominated at The St. Louis Theater Circle Awards on Monday evening winning 10 awards, including Outstanding Production of a Musical for ANASTASIA: THE MUSICAL and Outstanding Production of a Drama for Matthew Lopez’s THE INHERITANCE Parts 1 & 2. ANASTASIA and THE INHERITANCE each picked up five awards. Directors Brittanie Gunn and Stephen Peirick were honored for Outstanding Direction of a Musical and Drama. Each production picked up two acting awards as well.
Spotlight: TERENCE BLANCHARD at Younes and Soraya Nazarian Center for the Performing Arts
by BWW Special Offer - Mar 24, 2025
Terence Blanchard Returns to The Soraya to Debut His Two Operas in Concert CHAMPION & FIRE SHUT UP IN MY BONES. Highlights from two operas by composer and jazz trumpeter Terence Blanchard, Featuring Blanchard, the E-Collective and Turtle Island Quartet, Visuals by Andrew F. Scott, Vocalists Justin Austin and Adrienne Danrich, A Soraya Commission in collaboration with LA Opera Off Grand.
Review: COSÍ FAN TUTTE at LA Opera
by Andrew Child - Mar 11, 2025
Whether thanks to Cavanagh’s approach or director Shawna Lucey’s reinventions, the opera never seems to warrant excuse or apology. Justin Austin and Anthony León never miss a chance for silliness, strutting about the stage with ridiculous levels of machismo to match their preposterous mustache disguises.
Houston Grand Opera Announces World Premiere Song Cycle A VOICE WITHIN
by A.A. Cristi - Mar 4, 2025
Houston Grand Opera has announced the world premiere of A Voice Within, a new song cycle created by HGO Composer-in-Residence Joel Thompson and librettist and Houston poet laureate emeritus Deborah D.E.E.P. Mouton, inspired by the life stories of residents of Houston's Third Ward.
Feature: The Muny’s 30 Nods Leads the St Louis Theater Circle Awards Nominations
by James Lindhorst - Feb 4, 2025
The St. Louis Theater Circle has announced their 2025 nominations for their annual awards. Each year, the Circle honors excellence in professional theater with awards in 34 categories for producing, directing, acting, and technical theatre. This year The Muny leads all companies with 30 nominations spread across their seven musicals presented in their 106th season. STAGES St. Louis, The New Jewish Theatre, and The Repertory Theater of St. Louis earned 19 nominations each. St. Louis Shakespeare Festival’s production of AS YOU LIKE IT and STAGES St. Louis production of RAGTIME are the most nominated productions of the year with 10 nods each.
Opera Theatre of St. Louis Announces Their 50th Anniversary Festival Season
by James Lindhorst - Jun 11, 2024
Opera Theatre of Saint Louis (OTSL) announced repertory and celebrations for a landmark 50th season in 2025, celebrating five decades of artistic innovation and discovery since the company’s founding in 1976. The 2025 Festival Season opens on May 24, 2025, with Johann Strauss II’s effervescent Die Fledermaus, which has not been seen at Opera Theatre since 1989. The season continues with the company’s 44th world premiere, This House, with music by Ricky Ian Gordon and libretto by Pulitzer Prize-winner Lynn Nottage and her daughter Ruby Aiyo Gerber. Next, Opera Theatre will present an all-new staging of Donizetti’s Don Pasquale — the very first opera that the company ever performed. Britten’s enchanting adaptation of Shakespeare’s A Midsummer Night’s Dream rounds out the season. In addition to four mainstage productions, Opera Theatre will continue to present the annual young artist showcase, Center Stage. This concert shines a spotlight on the members of OTSL’s highly selective Young Artist Programs, accompanied onstage by members of the St. Louis Symphony Orchestra, which has served as OTSL’s Festival Season orchestra since 1978.
Review: THE BARBER OF SEVILLE at Opera Theatre Of St. Louis
by Steve Callahan - May 28, 2024
Spring fever? If you’ve been made a bit dozy by these warm spring days the new production at Opera Theatre of Saint Louis will, with a bang, hoist you wide awake in all your senses. Rossini’s The Barber of Seville opened Saturday to an audience that packed the Loretto-Hilton theatre to the rafters.