Previews: ANYONE WHO HAD A HEART at Arthur Newman Theatre
Just in time for the Thanksgiving holiday, and in order to give back to the community he has lived in since 2005, Rickie McCabe, a comedian and singer, is producing a musical benefit to raise funds for the Coachella Valley Rescue Mission (cvrm.org), which has served the unhoused population in the Coachella Valley since 1971.
San Francisco Opera Presents Wagner's TRISTAN UND ISOLDE
San Francisco Opera will present Richard Wagner's Tristan und Isolde (Tristan and Isolde) from October 19–November 5 under the baton of Caroline H. Hume Music Director Eun Sun Kim who leads this monumental work for the first time.
Wagner's LOHENGRIN Comes to San Francisco Opera in October
San Francisco Opera presents Richard Wagner's Lohengrin from October 15–November 1 in director David Alden's staging, a co-production of London's Royal Opera, Covent Garden and Antwerp's Opera Vlaanderen. Learn more about the opera here!
BWW Review: DAS RHEINGOLD at Home Computer Screens
On Saturday, March 6, 2021, San Francisco Opera did a wonderful thing. The company put the opening opera of Wagner’s Ring of the Nibelungen online, free to the world of opera lovers and the universe of the curious. Anyone with access to the Internet can see the entire Ring on weekends in March, and I, for one, am extremely grateful.Â
BWW Review: THE BEL CANTO TRIO Kicks Off San Diego Opera's Detour Series in La Jolla
The San Diego Opera's first Detour Series performance this season belonged to the new Bel Canto Trio, starring tenor Joshua Guerrero, soprano Julie Adams, and bass-baritone Nicholas Brownlee. All are outstanding young award winners with impressive voices and resumes. Music director and pianist Christopher Allen was their accompanist.
One Found Sound Announces Winter And Spring Program In San Francisco
One Found Sound, a conductorless chamber orchestra founded by graduates of the San Francisco Conservatory of Music, is pleased to announce the final events of its 2019 a?" 2020 Season. The group's opening concert of the new year will take place at Heron Arts in San Francisco, Friday, February 21 at 8 p.m. with guest soprano Julie Adams. Tickets are now on sale at onefoundsound.org/concerts.
BWW Review: LA BOHEME at Des Moines Metro Opera: A Breathtaking, Beautiful and Tragic Production
In 2002, I was indirectly introduced to La Boheme. My introduction came when I was introduced to a musical that had come out and became a phenomenon on Broadway just 6 years earlier. The show quickly became a favorite musical of mine and showed me the impact that theatre can have on people. Since then I've seen Rent multiple times, but did not get the opportunity to see a production of La Boheme until Des Moines Metro Opera's production which opened on June 28. While it would be easy to talk about all the influences La Boheme had on Rent I going to do my best not to, and to focus on this breathtaking production.
George London Foundation Recital Series Presents Julie Adams and Emily D'Angelo
To conclude its 23rd season, the George London Foundation Recital Series presents two women who have won George London Awards within the past four years and who are fast making their mark in the opera world. Soprano Julie Adams, a 2015 award winner, and mezzo-soprano Emily D'Angelo, who won her George London Award in 2018, are joined by Ken Noda, piano, at The Morgan Library and Museum on Sunday, May 5, 2019,
BWW Review: Lushly Romantic THE LIGHT IN THE PIAZZA Ushers in New Era for Street Theatre Company
Craig Lucas' evocative libretto and Adam Guettel's lushly romantic (and Tony Award-winning) score, notwithstanding - and putting aside the momentous occasion of Street Theatre Company inaugurating a new theater venue - perhaps the most notable attribute of the Ernie Nolan-directed version of The Light in the Piazza debuting tonight is its stellar cast of artists who bring the show to life with such apparent ardor. Continuing through April 20, STC's The Light in the Piazza is beautifully sung and impressively acted by Nolan's impeccably cast ensemble in a production fairly redolent of mid-century Florence and it serves as the perfect introduction to STC's new home.