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BWW Review: NY OperaFest Shows COQ and BUTTERFLY as Works that Don't Go Away - They Get DayGlo-ed and Deconconstructed

There's lots going on in the world of opera in New York City, as shown by the gamut of offerings under the umbrella of the ongoing New York OperaFest, co-organized by the New York Opera Alliance and Opera America. In the last week, the New Opera NYC gave us a cockeyed look at Rimsky-Korsakov's LE COQ D'OR (THE GOLDEN COCKEREL), while Heartbeat Opera took an ax to Puccini, and gave us a 'Madama'-less BUTTERFLY.
New Opera NYC Presents GOLDEN COCKEREL

New Opera NYC presents a new production of Golden Cockerel by N. Rimsky-Korsakov from May 18-21, 2017 at the Loreto Theater, Sheen Center for Thought & Culture, 18 Bleecker Street, NYC. Performances: Thursday-Saturday at 7:30pm, Saturday and Sunday at 2pm. Tickets are $25-89
New Opera NYC Presents GOLDEN COCKEREL, 5/18-21

New Opera NYC presents a new production of Golden Cockerel by N. Rimsky-Korsakov from May 18-21, 2017 at the Loreto Theater, Sheen Center for Thought & Culture, 18 Bleecker Street, NYC. 
Photo Flash Exclusive: Jason C. Tramm Conducts Amore Opera's LA BOHEME

Jason Tramm, Artistic Director and principal conductor of the Morristown based MidAtlantic Opera leads the Amore Opera orchestra, chorus and featured soloists in Giacomo Puccini's La Bohème, arguably the world's most beloved opera. Directed by Nathan Hull, Amore Opera's fully staged production, with original sets designed by Richard Cerullo (for lower Manhattan's famed impresario Anthony Amato) opened December 18th and runs for 8 performances through January 3rd in the intimate 275 seat Loreto Theatre at the Sheen Center for Thought and Culture in New York City. Check out an exclusive look below!
BWW Reviews: LA BOHEME at Amora Opera: Small Company, Huge Voices

The vocal prowess of the Amore Opera singers is superb with rich nuance and controlled power behind the voices. Jonathan Winell plays the commanding role of Rodolfo with a generously sized voice to produce clarion top notes. Na Li Youm also performs with great range as Mimi. Showing dexterity in the role, she sings with ease and beauty. Julia Lima, Musetta, played the impassioned, volatile role with astonishing power and great musical expertise. The chorus produced a great bustling Café Momus scene of Act 2. Even the box office manager that had helped me an hour earlier made an appearance onstage.

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