Julia Fioravanti
Latest News on Julia Fioravanti:
BWW Review: Gloucester Stage Signs Off 39th Season With World Premiere MY STATION IN LIFE (Oct 17, 2018)
BWW Review: TRUE WEST: Sam Shepard's Classic Tale of Sibling Rivalry (Aug 21, 2018)
A.R.T. Announces C1's WIG OUT At OBERON 4/26 - 5/13 (Mar 26, 2018)
BWW Review: Gloucester Stage Signs Off 39th Season With World Premiere MY STATION IN LIFE (Oct 17, 2018)
BWW Review: TRUE WEST: Sam Shepard's Classic Tale of Sibling Rivalry (Aug 21, 2018)
A.R.T. Announces C1's WIG OUT At OBERON 4/26 - 5/13 (Mar 26, 2018)
News
BWW Review: Gloucester Stage Signs Off 39th Season With World Premiere MY STATION IN LIFE
Simon Geller and WVCA-FM, his one-man classical music radio station, were part of the local color of Gloucester, Massachusetts, for 24 years. From 1964 until he retired in 1988, Geller lived, breathed, ate, and slept to single-handedly produce commercial-free broadcasts from his in-home studio, doing it his way with meager financial support from his listeners. Playwright Ken Riaf, who lives and works in Gloucester as a practicing attorney, has been developing MY STATION IN LIFE with the Gloucester Stage Company since last season's NeverDark reading. Ken Baltin returns to GSC for the first time since appearing in Neil Simon's LAST OF THE RED HOT LOVERS (2009) to bring his interpretation to this most interesting character.
Simon Geller and WVCA-FM, his one-man classical music radio station, were part of the local color of Gloucester, Massachusetts, for 24 years. From 1964 until he retired in 1988, Geller lived, breathed, ate, and slept to single-handedly produce commercial-free broadcasts from his in-home studio, doing it his way with meager financial support from his listeners. Playwright Ken Riaf, who lives and works in Gloucester as a practicing attorney, has been developing MY STATION IN LIFE with the Gloucester Stage Company since last season's NeverDark reading. Ken Baltin returns to GSC for the first time since appearing in Neil Simon's LAST OF THE RED HOT LOVERS (2009) to bring his interpretation to this most interesting character.
BWW Review: TRUE WEST: Sam Shepard's Classic Tale of Sibling Rivalry
TRUE WEST is a dark, yet humorous play by the late Sam Shepard, one of America's foremost playwrights. Joe Short directs a stellar cast of Nael Nacer, Alexander Platt, Mark Cohen, and Marya Lowry in a story of family dysfunction, dramatic conflict, and sibling rivalry, set in a Southern California suburb where Hollywood and the Mojave Desert compete to influence the lives of a pair of brothers.
TRUE WEST is a dark, yet humorous play by the late Sam Shepard, one of America's foremost playwrights. Joe Short directs a stellar cast of Nael Nacer, Alexander Platt, Mark Cohen, and Marya Lowry in a story of family dysfunction, dramatic conflict, and sibling rivalry, set in a Southern California suburb where Hollywood and the Mojave Desert compete to influence the lives of a pair of brothers.
A.R.T. Announces C1's WIG OUT At OBERON 4/26 - 5/13
Company One Theatre (C1), in collaboration with American Repertory Theater (A.R.T.) presents, Wig Out! by Tarell Alvin McCraney. Previews begin Thursday, April 26, with press opening on Saturday, April 28 at 7pm. Performances continue through May 13 at OBERON (2 Arrow Street, Cambridge, MA). Tickets $25 - $35 are now on sale at americanrepertorytheater.org, by phone at 617-547-8300, an in person at the Loeb Drama Center Ticket Services Office (64 Brattle Street, Cambridge). Group, student, and senior discounts are available.
Company One Theatre (C1), in collaboration with American Repertory Theater (A.R.T.) presents, Wig Out! by Tarell Alvin McCraney. Previews begin Thursday, April 26, with press opening on Saturday, April 28 at 7pm. Performances continue through May 13 at OBERON (2 Arrow Street, Cambridge, MA). Tickets $25 - $35 are now on sale at americanrepertorytheater.org, by phone at 617-547-8300, an in person at the Loeb Drama Center Ticket Services Office (64 Brattle Street, Cambridge). Group, student, and senior discounts are available.
Liars & Believers Pushes The Boundaries Of Devised Theatre, Inviting The Public Into The Process
Liars & Believers (LAB), continues its risk-taking experimentation by inviting the public into the creative process with a free workshop presentation of their newest production, A Story Beyond. The showing will be followed by an interactive developmental discussion with the audience and ensemble. It will be presented on March 29, 2018 @ 7:30 at the BCA Black Box Theater, 539 Tremont Street in Boston's South End. Tickets are free and can be reserved at https://www.eventbrite.com/e/a-story-beyond-workshop-showing-tickets-43211175790.
Liars & Believers (LAB), continues its risk-taking experimentation by inviting the public into the creative process with a free workshop presentation of their newest production, A Story Beyond. The showing will be followed by an interactive developmental discussion with the audience and ensemble. It will be presented on March 29, 2018 @ 7:30 at the BCA Black Box Theater, 539 Tremont Street in Boston's South End. Tickets are free and can be reserved at https://www.eventbrite.com/e/a-story-beyond-workshop-showing-tickets-43211175790.
BWW Review: Fresh Ink Theatre Offers a Breath of Fresh Air with NOMAD AMERICANA
World premiere production of Kira Rockwell's NOMAD AMERICANA introduces the eccentric Echo family, whose vagabond lifestyle allows them the freedom to be who they are while looking for the magic in the universe. The play is a gently meandering character study and a breath of fresh air.
World premiere production of Kira Rockwell's NOMAD AMERICANA introduces the eccentric Echo family, whose vagabond lifestyle allows them the freedom to be who they are while looking for the magic in the universe. The play is a gently meandering character study and a breath of fresh air.
BWW Review: World Premiere DON'T GIVE UP THE SHIP at Fresh Ink Theatre Company
DON'T GIVE UP THE SHIP invokes gender-bending, magical realism, and a real-life war hero, but has trouble staying afloat when the narrative jumps back and forth between two centuries. A pair of good performances in the roles of well-drawn characters aren't enough to keep this ship on course.
DON'T GIVE UP THE SHIP invokes gender-bending, magical realism, and a real-life war hero, but has trouble staying afloat when the narrative jumps back and forth between two centuries. A pair of good performances in the roles of well-drawn characters aren't enough to keep this ship on course.
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