Review: Going for Baroque with ENLIGHTENMENT and BULLOCK
by Richard Sasanow - Jan 28, 2025
The 17th and 18th centuries rode roughshod over the programming at the 92NY the other night, when that brilliant British baroque ensemble, the Orchestra of the Age of Enlightenment, and superb guest soloist, soprano Julia Bullock, bathed the audience in the warmth of what itself acknowledged was a lineup of ‘chestnuts.’
Olivier Messiaen's HARAWI Comes to the Wallis
by Stephi Wild - Sep 17, 2024
Harawi realizes Olivier Messiaen’s deeply affecting, hour-long song cycle for voice and piano in a newly physicalized and dramatized dimension featuring AMOC* Company members soprano Julia Bullock, pianist Conor Hanick, choreographer/ dancers Bobbi Jene Smith and Or Schraiber, with direction by Zack Winokur.
Review: JULIA BULLOCK AND BRETTON BROWN, Bold Tendencies
by Matthew Paluch - Aug 27, 2024
Since 2007, Bold Tendencies has been bringing “radical practices, new generations of talent, learning opportunities and sought-after disciplines to Peckham” - and judging by the performance I saw: Julia Bullock and Bretton Brown, the original mission is still very much in full swing.
Conductor Christian Reif Reveals 2024-2025 Season
by Stephi Wild - Jul 18, 2024
Conductor Christian Reif announces his 2024-2025 season, leading the Gävle Symphony Orchestra and debuting with the Los Angeles Philharmonic, Detroit Symphony Orchestra, and Phoenix Symphony.
Video: Watch Excerpts from The Met Opera's EL NIÑO
by Blair Ingenthron - May 4, 2024
Watch excerpts from The Met Opera's El Niño, running through May 17th. In these videos, the chorus sings 'For With God No Thing Shall Be Impossible,' from Part I and 'In the Day of the Great Slaughter' from Part II during the final dress rehearsal.
Review: John Adams's EL NINO Finally Arrives at the Met After World Travels
by Richard Sasanow - Apr 24, 2024
Back in December, I saw the chamber version of John Adams’s EL NINO—dubbed EL NINO: NATIVITY RECONSIDERED—at the Cathedral of St. John the Divine. Pared down to its essence, it was wonderful, starred two of the singers who made their debuts in the premiere at the Met, soprano Julia Bullock and bass-baritone Davone Tines plus countertenor Anthony Roth Costanzo, who were at their best. It was a somber evening in a dramatic setting—a far cry from the oratorio/opera’s over-the-top welcome to Lincoln Center last night, in Lileana Blain-Cruz’s production that made me wonder what Franco Zeffirelli might have done with it. Think the Parisian throngs in Act II of the Met’s LA BOHEME (which, of course, is one of the Met’s most popular productions with audiences).