Josh Goldman
Latest News on Josh Goldman:
Review: LITTLE WOMEN: THE BROADWAY MUSICAL (Dec 1, 2022)
Huntington Theatre Company Celebrates Virtual Gala Featuring Billy Porter, Kate Baldwin and More (Jun 17, 2020)
BWW Review: New Rep's OLIVER!: Singing and Dancing Orphans, But No Dog (Dec 17, 2019)
Review: LITTLE WOMEN: THE BROADWAY MUSICAL (Dec 1, 2022)
Huntington Theatre Company Celebrates Virtual Gala Featuring Billy Porter, Kate Baldwin and More (Jun 17, 2020)
BWW Review: New Rep's OLIVER!: Singing and Dancing Orphans, But No Dog (Dec 17, 2019)
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Review: LITTLE WOMEN: THE BROADWAY MUSICAL
Have there ever been such devoted sisters as the four March girls, birthed by Louisa May Alcott in her postbellum semi-autobiographical novel LITTLE WOMEN? Director Ilyse Robbins shows her abiding affection for the story with her devotion to its heart and soul on display in the production of the 2005 Broadway Musical at Greater Boston Stage Company.
Have there ever been such devoted sisters as the four March girls, birthed by Louisa May Alcott in her postbellum semi-autobiographical novel LITTLE WOMEN? Director Ilyse Robbins shows her abiding affection for the story with her devotion to its heart and soul on display in the production of the 2005 Broadway Musical at Greater Boston Stage Company.
Huntington Theatre Company Celebrates Virtual Gala Featuring Billy Porter, Kate Baldwin and More
Huntington Theatre Company celebrated its first ever virtual gala fundraiser, Spotlight on Trailblazers, on Monday, June 15, 2020, streaming on the Huntington's Facebook and YouTube channels. The event will be reprised in a highlights version broadcast on Boston's WCVB-TV Channel 5 on Saturday, June 20 at 7:30pm.
Huntington Theatre Company celebrated its first ever virtual gala fundraiser, Spotlight on Trailblazers, on Monday, June 15, 2020, streaming on the Huntington's Facebook and YouTube channels. The event will be reprised in a highlights version broadcast on Boston's WCVB-TV Channel 5 on Saturday, June 20 at 7:30pm.
BWW Review: New Rep's OLIVER!: Singing and Dancing Orphans, But No Dog
New Repertory Theatre dusts off an old chestnut for a family-friendly, non-holiday, crowd-pleasing offering as their gift for the season. Lionel Bart's OLIVER!, based on Charles Dickens' novel OLIVER TWIST, is known to be a little dark, with its themes of orphans, child exploitation, and vast income inequality (sound familiar?), but in the hands of New Rep's new Artistic Director, Michael J. Bobbitt, the darkness is lightened up with jaunty performances, a smattering of silly antics, and a set design (Luciana Stecconi) that skews to the cartoonish. With almost a dozen capable adults anchoring the cast, the seven children of all ages are given free rein to behave like children, albeit amazingly talented and spirited ones.
New Repertory Theatre dusts off an old chestnut for a family-friendly, non-holiday, crowd-pleasing offering as their gift for the season. Lionel Bart's OLIVER!, based on Charles Dickens' novel OLIVER TWIST, is known to be a little dark, with its themes of orphans, child exploitation, and vast income inequality (sound familiar?), but in the hands of New Rep's new Artistic Director, Michael J. Bobbitt, the darkness is lightened up with jaunty performances, a smattering of silly antics, and a set design (Luciana Stecconi) that skews to the cartoonish. With almost a dozen capable adults anchoring the cast, the seven children of all ages are given free rein to behave like children, albeit amazingly talented and spirited ones.
BWW Review: SONGS FOR A NEW WORLD at Gloucester Stage
There's good news and bad news in the Gloucester Stage production of Jason Robert Brown's SONGS FOR A NEW WORLD. The inspiring song cycle from 1995 shows the composer's promise that has been fulfilled, as evidenced by his three Tony Awards, and there is much to enjoy in both the music and lyrics (when you can hear them). The five-member cast features quality vocalists, but they often lose focus while they are busily moving around the stage in Director Robert Walsh's zeal to substitute action for the nonexistent connective libretto.
There's good news and bad news in the Gloucester Stage production of Jason Robert Brown's SONGS FOR A NEW WORLD. The inspiring song cycle from 1995 shows the composer's promise that has been fulfilled, as evidenced by his three Tony Awards, and there is much to enjoy in both the music and lyrics (when you can hear them). The five-member cast features quality vocalists, but they often lose focus while they are busily moving around the stage in Director Robert Walsh's zeal to substitute action for the nonexistent connective libretto.
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