Joseph Millett
Latest News on Joseph Millett:
BWW Review: THE SERVANT OF TWO MASTERS at Great River Shakespeare Festival (Jul 25, 2019)
BWW Review: CYMBELINE at Great River Shakespeare Festival (Jul 9, 2019)
BWW Review: An Unsettling MACBETH at Great River Shakespeare Festival (Jul 8, 2019)
BWW Review: THE SERVANT OF TWO MASTERS at Great River Shakespeare Festival (Jul 25, 2019)
BWW Review: CYMBELINE at Great River Shakespeare Festival (Jul 9, 2019)
BWW Review: An Unsettling MACBETH at Great River Shakespeare Festival (Jul 8, 2019)
BIO
Joseph Millett is an AEA stage manager currently teaching stage and production management at Virginia Tech. He spent four years at the Tony Award-winning Cincinnati Playhouse in the Park, and has also worked at the Dallas Theatre Center, PlayMakers Rep and the Clarence Brown Theatre, where he was resident stage manager from 2005-2009. He has worked off-Broadway at Manhattan theatre Club (6 productions, including John Patrick Shanley's "Four Dogs and a Bone") and the American Jewish Theatre (4 productions, including "Another Time" with Malcolm McDowell, Marian Seldes and James Waterston). In the summer of 2014, he will be the Production Manager at Great River Shakespeare in Minnesota.
Productions
News
BWW Review: THE SERVANT OF TWO MASTERS at Great River Shakespeare Festival
A rollicking adaptation of an 18th century farce provides a truly delightful night of theatre.
A rollicking adaptation of an 18th century farce provides a truly delightful night of theatre.
BWW Review: CYMBELINE at Great River Shakespeare Festival
The Great River Shakespeare Festival in Minnesota has taken up one of the Bard's more obscure plays as part of its Season 16 offerings. CYMBELINE is difficult to classify (one scholar called it a "comical-tragical-historical-pastoral-dramatic-romance")! But that also makes it a lot of fun.
The Great River Shakespeare Festival in Minnesota has taken up one of the Bard's more obscure plays as part of its Season 16 offerings. CYMBELINE is difficult to classify (one scholar called it a "comical-tragical-historical-pastoral-dramatic-romance")! But that also makes it a lot of fun.
BWW Review: An Unsettling MACBETH at Great River Shakespeare Festival
It's not surprising to feel somewhat uneasy sitting in a theater waiting for MACBETH to begin. At the Great River Shakespeare Festival's production you're confronted when you sit down with a stage set that feels fractured, unforgiving, ominous.
It's not surprising to feel somewhat uneasy sitting in a theater waiting for MACBETH to begin. At the Great River Shakespeare Festival's production you're confronted when you sit down with a stage set that feels fractured, unforgiving, ominous.
Cincinnati Playhouse in the Park Continues Season With RED 10/15-11/12
The Cincinnati Playhouse in the Park will continue its Marx Theatre season with John Logan's RED. Winner of the 2010 Tony Award for Best Play, RED begins previews in the Playhouse's Robert S. Marx Theatre October 15 and continues through November 12.
The Cincinnati Playhouse in the Park will continue its Marx Theatre season with John Logan's RED. Winner of the 2010 Tony Award for Best Play, RED begins previews in the Playhouse's Robert S. Marx Theatre October 15 and continues through November 12.
Cincinnati Playhouse in the Park Opens Season With God of Carnage 9/3
Cincinnati Playhouse in the Park will open its 2011-2012 season with Yasmina Reza's GOD OF CARNAGE.
Cincinnati Playhouse in the Park will open its 2011-2012 season with Yasmina Reza's GOD OF CARNAGE.
Cincinnati Playhouse in the Park Opens Season With God of Carnage 9/3
Cincinnati Playhouse in the Park will open its 2011-2012 season with Yasmina Reza's GOD OF CARNAGE.
Cincinnati Playhouse in the Park will open its 2011-2012 season with Yasmina Reza's GOD OF CARNAGE.
Cincinnati Playhouse in the Park Presents Julia Cho's The Piano Teacher 3/13
The Cincinnati Playhouse in the Park will continue its Thompson Shelterhouse season with Julia Cho's THE PIANO TEACHER. This unique and powerful play begins public previews on February 12 and continues through March 13.
The Cincinnati Playhouse in the Park will continue its Thompson Shelterhouse season with Julia Cho's THE PIANO TEACHER. This unique and powerful play begins public previews on February 12 and continues through March 13.
Cincinnati Playhouse in the Park Presents Julia Cho's The Piano Teacher 3/13
The Cincinnati Playhouse in the Park will continue its Thompson Shelterhouse season with Julia Cho's THE PIANO TEACHER. This unique and powerful play begins public previews on February 12 and continues through March 13.
The Cincinnati Playhouse in the Park will continue its Thompson Shelterhouse season with Julia Cho's THE PIANO TEACHER. This unique and powerful play begins public previews on February 12 and continues through March 13.
Black Rep Brings FIVE GUYS NAMED MOE to the Grandel, 3/24 - 4/25
FIVE GUYS NAMED MOE, take over the Grandel Stage on March 24th The Black Rep opens the third mainstage production of Season 33. The show features the music of legendary horn player Louis Jordan. Lead character Nomax, whose girlfriend has left him and who is without money, finds Big Moe, Four-Eyed Moe, Eat Moe, No Moe, and Little Moe emerging from his 1930's-style radio to comfort him. They sing the hit songs of songwriter and saxophonist Louis Jordan, whose new slant on jazz paved the way for rock and roll in the 1950s.
FIVE GUYS NAMED MOE, take over the Grandel Stage on March 24th The Black Rep opens the third mainstage production of Season 33. The show features the music of legendary horn player Louis Jordan. Lead character Nomax, whose girlfriend has left him and who is without money, finds Big Moe, Four-Eyed Moe, Eat Moe, No Moe, and Little Moe emerging from his 1930's-style radio to comfort him. They sing the hit songs of songwriter and saxophonist Louis Jordan, whose new slant on jazz paved the way for rock and roll in the 1950s.
Black Rep Brings FIVE GUYS NAMED MOE to the Grandel, 3/24 - 4/25
FIVE GUYS NAMED MOE, take over the Grandel Stage on March 24th The Black Rep opens the third mainstage production of Season 33. The show features the music of legendary horn player Louis Jordan. Lead character Nomax, whose girlfriend has left him and who is without money, finds Big Moe, Four-Eyed Moe, Eat Moe, No Moe, and Little Moe emerging from his 1930's-style radio to comfort him. They sing the hit songs of songwriter and saxophonist Louis Jordan, whose new slant on jazz paved the way for rock and roll in the 1950s.
FIVE GUYS NAMED MOE, take over the Grandel Stage on March 24th The Black Rep opens the third mainstage production of Season 33. The show features the music of legendary horn player Louis Jordan. Lead character Nomax, whose girlfriend has left him and who is without money, finds Big Moe, Four-Eyed Moe, Eat Moe, No Moe, and Little Moe emerging from his 1930's-style radio to comfort him. They sing the hit songs of songwriter and saxophonist Louis Jordan, whose new slant on jazz paved the way for rock and roll in the 1950s.
Black Rep Brings FIVE GUYS NAMED MOE to the Grandel, 3/24 - 4/25
FIVE GUYS NAMED MOE, take over the Grandel Stage on March 24th The Black Rep opens the third mainstage production of Season 33. The show features the music of legendary horn player Louis Jordan. Lead character Nomax, whose girlfriend has left him and who is without money, finds Big Moe, Four-Eyed Moe, Eat Moe, No Moe, and Little Moe emerging from his 1930's-style radio to comfort him. They sing the hit songs of songwriter and saxophonist Louis Jordan, whose new slant on jazz paved the way for rock and roll in the 1950s.
FIVE GUYS NAMED MOE, take over the Grandel Stage on March 24th The Black Rep opens the third mainstage production of Season 33. The show features the music of legendary horn player Louis Jordan. Lead character Nomax, whose girlfriend has left him and who is without money, finds Big Moe, Four-Eyed Moe, Eat Moe, No Moe, and Little Moe emerging from his 1930's-style radio to comfort him. They sing the hit songs of songwriter and saxophonist Louis Jordan, whose new slant on jazz paved the way for rock and roll in the 1950s.
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