Joseph Barron
Latest News on Joseph Barron:
Princeton Symphony Orchestra Announces 2025-26 Season (Mar 8, 2025)
Review: Thar's Gold – DAS RHEINGOLD – at Atlanta Opera in Tomer Zvulun's Entry into 'The Ring' (May 2, 2023)
Programming Added to Jack, Joseph and Morton Mandel Opera & Humanities Festival (Apr 25, 2023)
Princeton Symphony Orchestra Announces 2025-26 Season (Mar 8, 2025)
Review: Thar's Gold – DAS RHEINGOLD – at Atlanta Opera in Tomer Zvulun's Entry into 'The Ring' (May 2, 2023)
Programming Added to Jack, Joseph and Morton Mandel Opera & Humanities Festival (Apr 25, 2023)
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News
Princeton Symphony Orchestra Announces 2025-26 Season
by A.A. Cristi - Mar 8, 2025
The Princeton Symphony Orchestra (PSO) has announced its 2025-26 Season with a line-up of superb guest artists assembled by Edward T. Cone Music Director Rossen Milanov. Audience favorite Aubree Oliverson returns to the PSO stage along with violinist Bella Hristova who last performed with the orchestra in 2014.
by A.A. Cristi - Mar 8, 2025
The Princeton Symphony Orchestra (PSO) has announced its 2025-26 Season with a line-up of superb guest artists assembled by Edward T. Cone Music Director Rossen Milanov. Audience favorite Aubree Oliverson returns to the PSO stage along with violinist Bella Hristova who last performed with the orchestra in 2014.
Review: Thar's Gold " DAS RHEINGOLD " at Atlanta Opera in Tomer Zvulun's Entry into 'The Ring'
by Richard Sasanow - May 2, 2023
There are no supernatural women arriving on horseback to escort slain warriors to the afterlife--just a trio of mermaids, a couple of giants and a loveless dwarf, along with a bunch of gods, demi-gods and grotesque humans in Richard Wagner’s DAS RHEINGOLD, the first part of the composer’s Ring cycle (officially DER RING DES NIBELUNGEN). Saturday night’s audience stayed to cheer the opening of General and Artistic Director Tomer Zvulun’s production after nearly three intermission-less hours.
by Richard Sasanow - May 2, 2023
There are no supernatural women arriving on horseback to escort slain warriors to the afterlife--just a trio of mermaids, a couple of giants and a loveless dwarf, along with a bunch of gods, demi-gods and grotesque humans in Richard Wagner’s DAS RHEINGOLD, the first part of the composer’s Ring cycle (officially DER RING DES NIBELUNGEN). Saturday night’s audience stayed to cheer the opening of General and Artistic Director Tomer Zvulun’s production after nearly three intermission-less hours.
Programming Added to Jack, Joseph and Morton Mandel Opera & Humanities Festival
by Chloe Rabinowitz - Apr 25, 2023
The Cleveland Orchestra announced updates to its inaugural Jack, Joseph and Morton Mandel Opera & Humanities Festival: The American Dream, which takes place this spring at Severance Music Center and with Cleveland partner organizations.
by Chloe Rabinowitz - Apr 25, 2023
The Cleveland Orchestra announced updates to its inaugural Jack, Joseph and Morton Mandel Opera & Humanities Festival: The American Dream, which takes place this spring at Severance Music Center and with Cleveland partner organizations.
Guest Performers and Programming Announced For The Hart Institute For Women Conductors Annual Showcase Concert
by Stephi Wild - Jan 18, 2023
The Dallas Opera has announced guest performers and programming for the upcoming Linda and Mitch Hart Institute for Women Conductors Showcase Concert on Saturday, January 28, at 7:30pm at the Margot and Bill Winspear Opera House (2403 Flora St., Dallas, TX).
by Stephi Wild - Jan 18, 2023
The Dallas Opera has announced guest performers and programming for the upcoming Linda and Mitch Hart Institute for Women Conductors Showcase Concert on Saturday, January 28, at 7:30pm at the Margot and Bill Winspear Opera House (2403 Flora St., Dallas, TX).
Dallas Opera Announces 2022-23 Season
by Chloe Rabinowitz - Mar 17, 2022
Programming for The Dallas Opera’s 2022/2023 Season was announced today by Ian Derrer, The Dallas Opera’s Kern Wildenthal General Director and CEO, and Emmanuel Villaume, the Mrs. Eugene McDermott Music Director, in celebration of the company’s 65th Anniversary.
by Chloe Rabinowitz - Mar 17, 2022
Programming for The Dallas Opera’s 2022/2023 Season was announced today by Ian Derrer, The Dallas Opera’s Kern Wildenthal General Director and CEO, and Emmanuel Villaume, the Mrs. Eugene McDermott Music Director, in celebration of the company’s 65th Anniversary.
Opera Grand Rapids Presents Family-Friendly Comedic Opera THE MARRIAGE OF FIGARO
by Julie Musbach - Mar 21, 2018
Opera Grand Rapids will present a classically-staged production of "The Marriage of Figaro," May 4 and 5, 2018 at DeVos Performance Hall.
by Julie Musbach - Mar 21, 2018
Opera Grand Rapids will present a classically-staged production of "The Marriage of Figaro," May 4 and 5, 2018 at DeVos Performance Hall.
Berkshire Opera Festival Announces Third Season, ft. Verdi's Rigoletto
by Caryn Robbins - Jan 15, 2018
Berkshire Opera Festival (BOF) is proud to present Giuseppe Verdi's masterpiece, Rigoletto for its third season, with performances August 25, 28, and 31 at the historic Colonial Theatre in Pittsfield.
by Caryn Robbins - Jan 15, 2018
Berkshire Opera Festival (BOF) is proud to present Giuseppe Verdi's masterpiece, Rigoletto for its third season, with performances August 25, 28, and 31 at the historic Colonial Theatre in Pittsfield.
First Full U.S. Staging of Dvorak's DIMITRIJ to Open at Bard SummerScape
by BWW News Desk - Jul 28, 2017
Opening next Today, July 28, Bard SummerScape presents the long overdue American staged premiere of Dimitrij (1882). Set to a libretto by Marie Cervinkova-Riegrova, one of the relatively few 19th-century women to contribute to the genre, Antonín Dvorák's grand opera is rarely produced outside the Czech Republic, and only received its U.S. concert premiere more than a century after its composition.
by BWW News Desk - Jul 28, 2017
Opening next Today, July 28, Bard SummerScape presents the long overdue American staged premiere of Dimitrij (1882). Set to a libretto by Marie Cervinkova-Riegrova, one of the relatively few 19th-century women to contribute to the genre, Antonín Dvorák's grand opera is rarely produced outside the Czech Republic, and only received its U.S. concert premiere more than a century after its composition.
Bard SummerScape 2017 Presents First Fully Staged Production Of DIMITRIJ, 7/28-8/6
by BWW News Desk - Jul 28, 2017
Committed since its inception to reviving important but neglected operas, Bard SummerScape has long proven itself “an indispensable part of the summer operatic landscape” (Musical America). With the long overdue American staged premiere of Antonín Dvo?ák's Dimitrij as its operatic centerpiece, this year's immersion in “Chopin and His World” is no exception.
by BWW News Desk - Jul 28, 2017
Committed since its inception to reviving important but neglected operas, Bard SummerScape has long proven itself “an indispensable part of the summer operatic landscape” (Musical America). With the long overdue American staged premiere of Antonín Dvo?ák's Dimitrij as its operatic centerpiece, this year's immersion in “Chopin and His World” is no exception.
First Full U.S. Staging of Dvorak's DIMITRIJ to Open at Bard SummerScape
by BWW News Desk - Jul 24, 2017
Opening next Friday, July 28, Bard SummerScape presents the long overdue American staged premiere of Dimitrij (1882). Set to a libretto by Marie Cervinkova-Riegrova, one of the relatively few 19th-century women to contribute to the genre, Antonín Dvorák's grand opera is rarely produced outside the Czech Republic, and only received its U.S. concert premiere more than a century after its composition.
by BWW News Desk - Jul 24, 2017
Opening next Friday, July 28, Bard SummerScape presents the long overdue American staged premiere of Dimitrij (1882). Set to a libretto by Marie Cervinkova-Riegrova, one of the relatively few 19th-century women to contribute to the genre, Antonín Dvorák's grand opera is rarely produced outside the Czech Republic, and only received its U.S. concert premiere more than a century after its composition.
Bard SummerScape 2017 Presents First Fully Staged Production Of DIMITRIJ, 7/28-8/6
by Molly Tracy - Apr 25, 2017
Committed since its inception to reviving important but neglected operas, Bard SummerScape has long proven itself “an indispensable part of the summer operatic landscape” (Musical America). With the long overdue American staged premiere of Antonín Dvo?ák's Dimitrij as its operatic centerpiece, this year's immersion in “Chopin and His World” is no exception.
by Molly Tracy - Apr 25, 2017
Committed since its inception to reviving important but neglected operas, Bard SummerScape has long proven itself “an indispensable part of the summer operatic landscape” (Musical America). With the long overdue American staged premiere of Antonín Dvo?ák's Dimitrij as its operatic centerpiece, this year's immersion in “Chopin and His World” is no exception.
BWW Review: THE MAGIC MARKSMAN Slightly Off Target
by Hannah Menchhoff - Feb 6, 2017
THE MAGIC MARKSMAN (DER FREISHÜTZ) at George Mason University and present by Virginia Opera certainly offered a spectacle. Directed by Stephen Lawless, the show's well-crafted sets, designed by Benoit Dugardyn, brought you into the small German-esque town. The lighting, designed by Patricia Collins, was very interesting and truly set the scene. The music composition was absolutely beautiful; it was a great show to simply listen to.
by Hannah Menchhoff - Feb 6, 2017
THE MAGIC MARKSMAN (DER FREISHÜTZ) at George Mason University and present by Virginia Opera certainly offered a spectacle. Directed by Stephen Lawless, the show's well-crafted sets, designed by Benoit Dugardyn, brought you into the small German-esque town. The lighting, designed by Patricia Collins, was very interesting and truly set the scene. The music composition was absolutely beautiful; it was a great show to simply listen to.
BWW Reviews: Arizona Opera's RIGOLETTO Is Grand and Gripping
by Herbert Paine - Nov 18, 2014
Arizona Opera's production of Rigoletto, directed by Fenlon Lamb, is a noble and well-constructed effort in portraying the ironic misjudgments of its main characters. It is gifted with notable performances by Peter Volpe as Sparafucile, the assassin; Joseph Barron as Count Monterone; Beth Lytwynec as the assassin's sister; and Michael Corvino as Rigoletto. It is, however, Sarah Coburn, who defines and gives glory to this production in her sterling tour de force performance as Gilda.
by Herbert Paine - Nov 18, 2014
Arizona Opera's production of Rigoletto, directed by Fenlon Lamb, is a noble and well-constructed effort in portraying the ironic misjudgments of its main characters. It is gifted with notable performances by Peter Volpe as Sparafucile, the assassin; Joseph Barron as Count Monterone; Beth Lytwynec as the assassin's sister; and Michael Corvino as Rigoletto. It is, however, Sarah Coburn, who defines and gives glory to this production in her sterling tour de force performance as Gilda.
BWW Reviews: The Foibles of DON GIOVANNI at Opera Philadelphia
by Marakay Rogers - May 20, 2014
Nicholas Muni gives a stylish yet peculiar take on an age-old story
by Marakay Rogers - May 20, 2014
Nicholas Muni gives a stylish yet peculiar take on an age-old story
Opera Philadelphia Presents DON GIOVANNI, Now thru 5/4
by BWW News Desk - Apr 25, 2014
Widely regarded as one of the greatest operas ever composed, Don Giovanni returns to Philadelphia in five performances at the Academy of Music, today, April 25-May 4, 2014, weaving the tale of the legendary rake Don Juan in Mozart's alternately playful and dramatic musical masterpiece. With an ingenious staging of masquerades, trapdoors and mirrored panels, the production shines a spotlight on opera's most infamous scoundrel in a timeless classic of comedy and tragedy set to music of limitless genius. Mozart's anti-hero has a personality so engaging that audiences will wonder why they are rooting for him as he charms and abandons women at will, until his darkest side emerges.
by BWW News Desk - Apr 25, 2014
Widely regarded as one of the greatest operas ever composed, Don Giovanni returns to Philadelphia in five performances at the Academy of Music, today, April 25-May 4, 2014, weaving the tale of the legendary rake Don Juan in Mozart's alternately playful and dramatic musical masterpiece. With an ingenious staging of masquerades, trapdoors and mirrored panels, the production shines a spotlight on opera's most infamous scoundrel in a timeless classic of comedy and tragedy set to music of limitless genius. Mozart's anti-hero has a personality so engaging that audiences will wonder why they are rooting for him as he charms and abandons women at will, until his darkest side emerges.
Opera Philadelphia Presents DON GIOVANNI, 4/25-5/4
by BWW News Desk - Mar 24, 2014
Widely regarded as one of the greatest operas ever composed, Don Giovanni returns to Philadelphia in five performances at the Academy of Music, April 25-May 4, 2014, weaving the tale of the legendary rake Don Juan in Mozart's alternately playful and dramatic musical masterpiece. With an ingenious staging of masquerades, trapdoors and mirrored panels, the production shines a spotlight on opera's most infamous scoundrel in a timeless classic of comedy and tragedy set to music of limitless genius. Mozart's anti-hero has a personality so engaging that audiences will wonder why they are rooting for him as he charms and abandons women at will, until his darkest side emerges.
by BWW News Desk - Mar 24, 2014
Widely regarded as one of the greatest operas ever composed, Don Giovanni returns to Philadelphia in five performances at the Academy of Music, April 25-May 4, 2014, weaving the tale of the legendary rake Don Juan in Mozart's alternately playful and dramatic musical masterpiece. With an ingenious staging of masquerades, trapdoors and mirrored panels, the production shines a spotlight on opera's most infamous scoundrel in a timeless classic of comedy and tragedy set to music of limitless genius. Mozart's anti-hero has a personality so engaging that audiences will wonder why they are rooting for him as he charms and abandons women at will, until his darkest side emerges.
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