Review: THE COMEUPPANCE at Woolly Mammoth Theatre Company
Themes of identity, bonding, loss, self-realization and especially death permeate the numerous layers of Brandon Jacobs-Jenkins’ thought-provoking play The Comeuppance. This penetrating work explores so many layers that it is best to let the experience take you where it will. The high school reunion of five characters (with a sixth character often referred to and heard on a cell phone) based on experiences of the playwright himself (who grew up in Prince George’s County, Maryland) has a distinct, edgy feeling as this group of millennials celebrate, banter, reminisce, self-analyze, and even ridicule each other with equal doses of affection and recrimination.
Cast Announced for Women-Led Production of DOM JUAN at Bard SummerScape 2022
The Fisher Center at Bard will present a bold, gender-reframed, era-transcending vision of Molière’s 1665 tragicomedy Dom Juan, conceived and directed by Ashley Tata, with a new translation from NYU Professor of French Literature and theater scholar Sylvaine Guyot and Fisher Center Artistic Director Gideon Lester.
Review Roundup: Will Eno's GNIT Opens at Theatre for a New Audience
Theatre for a New Audience opened their 2021-2022 season with the New York premiere of Will Eno's Gnit (October 30 - November 21, 2021), a reimagining of Peer Gynt directed by Eno's frequent collaborator Oliver Butler that had four preview performances at the Polonsky Shakespeare Center before being shuttered due to the pandemic.
Cast and Creative Team Announced for New York Premiere of GNIT
TFANA will reopen its doors for the 2021-2022 season with the New York premiere of Will Eno’s Gnit, his modern version of Henrik Ibsen’s sprawling, satirical, 19th century five-act play in verse, Peer Gynt, as a quick-paced contemporary tragicomedy.
TFANA Will Present the New York Premiere of Will Eno's GNIT, Directed by Oliver Butler
Theatre for a New Audience (TFANA; Jeffrey Horowitz, Founding Artistic Director) will present the New York premiere of celebrated American playwright Will Eno's Gnit, inspired by Henrik Ibsen's Peer Gynt (originally published in 1867). Directed by Eno's frequent collaborator, the Obie and Lortel Award-Winner Oliver Butler (Eno's 2014 The Open House and the 2018 revival of Thom Paine (based on nothing), starring Michael C. Hall, both at Signature Theater, and 2019's The Plot at Yale Rep; Heidi Schreck's Tony Award-nominated What the Constitution Means to Me).
BWW Review: DON JUAN at Westport Country Playhouse
The world premiere translation and adaptation of Moliere's Don Juan is the closing play of the season at the Westport Country Playhouse. It's performed in modern dress, but the book is overly faithful to the original story of the narcissistic womanizer (played well by Nick Westrate). Warning: this is a hard play to like because Don Juan is not likeable and because some of it is vulgar and unnecessary. Nor can Don Juan command any respect because of the way he treats everyone, not just women. There were some patrons who walked out during the intermission. It was their loss to miss out on the rest of the play, which was worth seeing for Bhavesh Patel, who stole the show as Sganarelle, Don Juan's servant. He's a human mop, underpaid and having to clean up his master's messes.
Photo Flash: SUMMER SHORTS Celebrates Opening Night
The cast and creative team of SUMMER SHORTS celebrated the opening with friends and family at the Museum Tower Terrace on West 53rd Street in Manhattan on Monday, August 5 hosted by SUMMER SHORTS producer Throughline Artists.